Meh, if the movie makes anywhere near BvS's box office nobody is really going to give a shit about the reviews.
Yeah, the notion that professional film critics aren't prepared to judge a trashy comic-book flick aimed at fourteen-year-olds is laughably puerile, and says a lot more about Kahless than he may realize.The film appears to be run of the mill adolescent power fantasy - These can very well made and entertaining but they don't tend to be hard to understand.
If a movie were made in such a way that it only worked for people who were already familiar with the concepts and characters and were opaque and incomprehensible for those outside the fanbase, then that would be a complete failure.
The time I would have spend on this film, I'll now spend fine dining
Just curious, but if you have not actually seen the film, why did you grade it?
Yes and no. When you're trying to build a huge expanded universe that supports multiple films a year failing to release a single film that Rotten Tomatoes grades fresh is not good for long term prospects. We're not at the "reboot everything" phase yet, but WB has got to be worried. They need a hit both critically and commercially.Meh, if the movie makes anywhere near BvS's box office nobody is really going to give a shit about the reviews.
Yes and no. When you're trying to build a huge expanded universe that supports multiple films a year failing to release a single film that Rotten Tomatoes grades fresh is not good for long term prospects.
The article on the problems behind the scenes seems very similar to last years Fantastic Four fiasco. Trank's original film may have bombed as well but at list it probably would have been a coherent movie.
I do make up my own mind. I read reviews from intelligent people who have seen the movie and can articulate their thoughts on what works and what doesn't. I then make an informed opinion on whether or not I would like the film based on what I read.
Yes - the reason that critics exists is opportunity cost - I only have so much time and there is an opportunity cost attached to actions. I was going to go and see this before after the reviews, I'll catch it on streaming because the opportunity cost is too high. The time I would have spend on this film, I'll now spend fine dining instead as the food critic reviews of the place I have selected are excellent.
Until then, I'm just hoping and waiting for a kick-ass DCU movie. It's coming.
Actually, I thought it was a coherent film . . . until the last 20 minutes or so.
I'd rather not approach films in that manner, thank you very much. It still smacks of others dictating one's choices in movies and I've been disappointed one way or the other too many times by film critics to allow them to dictate what I should and should not watch.
I'd rather not approach films in that manner, thank you very much. It still smacks of others dictating one's choices in movies and I've been disappointed one way or the other too many times by film critics to allow them to dictate what I should and should not watch.
Both Marvel and DC's TV offerings are inconsistent. Agents of Shield vs Jessica Jones/Daredevil or 'fluff' vs drama is no different to the rather lightweight Supergirl/Flash/Legends vs Constantine. Actually, I don't think DC has anything approaching the quality of Jones or Daredevil.Frankly, DCU - in both movies and television - has been impressing me a lot more in the past few years than Marvel . . . whose qualities in films and television have been somewhat inconsistent - at least to me.
But apparently, a lot of people have decided to allow the film critics to dictate whether they're going to see the movie or not. How sad.
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