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Strange New Worlds' showrunners advise fans to write to Skydance and Paramount if they're interested in a "Year One" Kirk sequel series

My point is, they wouldn't have done even that much if they were really displeased with the direction of the show. Hell, if they were really against the direction the show was taking, they'd pull a Zaslav and shelve the show for a tax write-off.
 
How about a series with Pike as captain, and new characters from his tenure as captain of the Enterprise?

Okay, sarcasm aside . . . .

I have to say that after S3 of SNW, a Year one series is about the LAST place I want to see Trek go next. Just give us a 25th Century, post-TNG series with all new characters and no callbacks to TNG/DS9/VOY. Let the past be in the past and move it on forward. Set it about 2450 or so, a good 90 years post TNG. 16 Episode seasons, and without musicals, animated crossovers, muppets, and so on.
 
I have to say that after S3 of SNW, a Year one series is about the LAST place I want to see Trek go next. Just give us a 25th Century, post-TNG series with all new characters and no callbacks to TNG/DS9/VOY. Let the past be in the past and move it on forward. Set it about 2450 or so, a good 90 years post TNG. 16 Episode seasons, and without musicals, animated crossovers, muppets, and so on.

I could buy the animated crossover far more than the musical and Muppet episodes.
 
They only gave it a shortened fifth season (six episodes -- just enough to tie up loose plot threads).
The studio was prepared to either A) not do anything, or B) give them a final two-hour movie.

If Paramount were really displeased about SNW, a six-episode pickup would've been unheard of. You might have issues with the musical and Muppet episodes, but clearly the folks in charge at Paramount don't.
 
There are plenty of writers who have succeeded at both prose and TV/film -- Richard Matheson, Stephen J. Cannell, Joan Didion, David Gerrold, Diane Duane, William Goldman, Michael Crichton, George R.R. Martin, Neil Gaiman, even going back to the early days of Hollywood when novelists like William Faulkner, Raymond Chandler, and Dashiel Hammett wrote for the screen. Of course, Kirsten Beyer started out as a Star Trek novelist and has gone on to become quite a successful writer-producer on multiple Trek shows.

James Swallow wrote "One" for Voyager.
 
A musical ep?

It's in the top section of my list of the greatest of all Star Trek episodes. That list fluctuates some, but basically it means that, with respect to each series, "Subspace Rhapsody" is better than most episodes, and then some or quite a bit more.

Could it have been better? Well, could "The Doomsday Machine" or "The City on the Edge of Forever," which are consistently at the top of my list, have been improved in any way? Yes, to all three. Perfection is not required to rank with the best; not even the very best are perfect.

There were several outstanding musical numbers. My top three favorites were: "I'm Ready," "I'm the X" (this number is a profound achievement), and "Keep Us Connected."

I don't believe "Subspace Rhapsody" is even the very best SNW episode. But at least we've gotten this, and it has forever made Star Trek, which I've loved for over 50 years, even better.

TL;DR - Yes, please. More! Push those boundaries!
 
James Swallow wrote "One" for Voyager.

Sure, and a number of other Trek novelists like David Mack and Michael Jan Friedman have the odd TV episode credit here and there. But I was talking about authors who've had ongoing, successful careers in both prose and screen, so I didn't count people who have only one or two credits outside their main medium.
 
No Year One, they're going to write themselves into a canonical and timeline corner. They should call it Star Trek: Five Year Mission and cover the 2nd five year mission that would've taken place after TMP as speculated on in the Star Trek Encyclopedia and what Phase II would've covered before it got turned into a movie.

Basically the way SNW used the Cage as its pilot for the original proposed Pike show, this show should use TMP as its pilot for the original proposed Phase II show.
 
It’s just Goldsman desperately trying to keep his job. I don’t blame him, but he really needs to learn from Lord Terry about wishful thinking and giving fans unrealistic expectations.
 
Michael Chabon is a prose writer, and well... look what happened.
One of Trek's best seasons happened; I miss MC.

"Year One" will probably not get the green light. If they want to reuse the sets, I would set that show on a different Constitution with completely new characters.
 
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