IIRC, the show's best ratings in the U.K. were during Season 1.
You don't recall correctly.
Really? Which season did get the best ratings?
What about Love and Monsters do Moffat fans hate so much? Is it the people meeting the Doctor out of sync, the inappropriate sex joke, the surreal comedy, the jabs at the audience and the meta references? Because Moff does all of those.
The jabs at the audience are part of it. Making fun of geeks on a geeky show is a very fine line to walk. "Love & Monsters" ended up on the wrong side of that line. On the other hand, Torchwood did a similar episode far more successfully with "Random Shoes." (For another example, Dr. Felger on Stargate SG-1 was something of a spoof of an SG-1 fanboy. And while I really enjoyed his first episode, "The Other Guys," I hated his second episode, "Avenger 2.0." IMO, "Avenger 2.0" occupies the same category as "Love & Monsters" as a godawful episode that I refuse to watch a 2nd time.)
And the way Ursula was partially resurrected as a paving slab was just kinda horrific & grotesque. I would have been less traumatized had the Doctor just let her stay dead.
^This.
I've always wondered why they haven't gotten Chibnall to take on greater responsibility, if not on Doctor Who then on running a Paternoster Gang spin-off or something. After all, wasn't he responsible for a lot of the day-to-day operations of the writers' room on Torchwood.
I don't think Chibnall is the right choice for a Paternoster Gang series. (Yes, in spite of my antipathy toward the idea of a Paternoster Gang spin-off, I've given thoughts about who could do it and how it could be done.) The ideal producer, imho, would be Gatiss. He can do a Victorian pastiche in his sleep.
What about Love and Monsters do Moffat fans hate so much? Is it the people meeting the Doctor out of sync, the inappropriate sex joke, the surreal comedy, the jabs at the audience and the meta references? Because Moff does all of those.
He's uninspired. He keeps using the same twists over and over again.
But for some reason things just haven't clicked as well with Capaldi's Doctor. There have been some fun and fantastic episodes here and there, but the rhythm just seems to be off somehow and I just don't find myself as excited about the show as I was before. Which is strange, because Capaldi is clearly freakin fantastic in the role.
I don't think Chibnall is the right choice for a Paternoster Gang series. (Yes, in spite of my antipathy toward the idea of a Paternoster Gang spin-off, I've given thoughts about who could do it and how it could be done.) The ideal producer, imho, would be Gatiss. He can do a Victorian pastiche in his sleep.
I like that idea, though much as I love the PG I do think it's have to feature short seasons because the joke could wear thin.
I actually think I sit in a curious place re L&M, because there are some bits I think are lovely: Elton and Ursula, LINDA before Peter Kay shows up, and I think it's almost Jackie's finest hour. But...the Benny Hill chase at the start (part of the wider Ten/Rose giggling schoolgirls trope of the series), the Absorbaloff (I know I know...) and the eventual killing/absorption of LINDA and, or course, Ursula ending up a paving slab. I mean, seriously, who, I mean WHO, would want to end up like that. The sex joke was just the icing on a very sour cake.
For me the episode showcases RTD at his very best, and his very worst.
I was actually at the Festival. Not at all panels, so I can't competently comment on the specific incident with the autistic man in the OP, but generally speaking, these accounts do not match my experiences at all.
Yes, Moffat was dryly sarcastic in response to many of the audience questions (so was Michelle Gomez), but it was overwhelmingly in response to questions/comments that unfairly criticized members of his cast and crew - many times those present at the Festival, or even on the stage at the time. As a show runner, it's his job to stand up for his cast and crew if they're attacked. It would not have ever occurred to me to be offended by this. I more got a papa wolf vibe off him when this happened. He didn't get nearly as defensive when his own writing was criticized (which happened too).
Thanks for your report.I was actually at the Festival. Not at all panels, so I can't competently comment on the specific incident with the autistic man in the OP, but generally speaking, these accounts do not match my experiences at all.
Yes, Moffat was dryly sarcastic in response to many of the audience questions (so was Michelle Gomez), but it was overwhelmingly in response to questions/comments that unfairly criticized members of his cast and crew - many times those present at the Festival, or even on the stage at the time. As a show runner, it's his job to stand up for his cast and crew if they're attacked. It would not have ever occurred to me to be offended by this. I more got a papa wolf vibe off him when this happened. He didn't get nearly as defensive when his own writing was criticized (which happened too).
I was actually at the Festival. Not at all panels, so I can't competently comment on the specific incident with the autistic man in the OP, but generally speaking, these accounts do not match my experiences at all.
Yes, Moffat was dryly sarcastic in response to many of the audience questions (so was Michelle Gomez), but it was overwhelmingly in response to questions/comments that unfairly criticized members of his cast and crew - many times those present at the Festival, or even on the stage at the time. As a show runner, it's his job to stand up for his cast and crew if they're attacked. It would not have ever occurred to me to be offended by this. I more got a papa wolf vibe off him when this happened. He didn't get nearly as defensive when his own writing was criticized (which happened too).
"It was evident (to anyone with any sense or compassion) almost as soon as he took the mike, literally shaking, that he was on the spectrum."
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