Will do.@Warped 9
Let us know how it goes.
First thing I'll look at is dialogue for things that strike me as out of place or too contemporary. I might also look at tweaking some dialogue I think could have been better.
Any other suggestions?
Will do.@Warped 9
Let us know how it goes.
There are numerouse examples to show the two are not mutually exclusive.I'd like to see engineering, but I'm also hoping that Ep 6 will be another off ship episode.
Agreed. Me, too.I didn't think they were mutually exclusive. Just expressing my wish for both.
I saw a short video produced by Peter Jackson a few years ago on the RED camera to show how close it gets to the feel of film. Something about a WWI soldier in the trenches and a letter from a girlfriend.Is there some way either in Camera (RED?) or in Post that a production can be made to look as if it was shot on 35MM/Panavision film? (outside a ~24fps frame rate) Continues has the 4x3 aspect, the overall (and key) lighting, blocking/staging etc. It looks so darned close. That's why I continue to ask.
After watching WNMHGB, i think picking on McKennah is being nitpicky. If you could have a psychiatrist on board one episode, why not a counselor on the next?I don't have a problem with McKennah and I'm not interested in her character being bashed. I was just pointing out that her arrival strikes me as counter to Vic's stated intent of creating TOS as close as possible to as it was in 1969.
After watching WNMHGB, i think picking on McKennah is being nitpicky. If you could have a psychiatrist on board one episode, why not a counselor on the next?I don't have a problem with McKennah and I'm not interested in her character being bashed. I was just pointing out that her arrival strikes me as counter to Vic's stated intent of creating TOS as close as possible to as it was in 1969.
Oh and a very weird episode to boot, although I like how Kirk's character develops over the ep.
I saw a short video produced by Peter Jackson a few years ago on the RED camera to show how close it gets to the feel of film. Something about a WWI soldier in the trenches and a letter from a girlfriend.Is there some way either in Camera (RED?) or in Post that a production can be made to look as if it was shot on 35MM/Panavision film? (outside a ~24fps frame rate) Continues has the 4x3 aspect, the overall (and key) lighting, blocking/staging etc. It looks so darned close. That's why I continue to ask.
So presumably, yes, you can imitate the look of 35mm digitally, but how close can you get? Will it feel the same?
Anywhoo, this is what Google came up with: https://www.google.com/search?q=imi...e=utf-8#q=making+digital+video+look+like+film
Nice!Nice photo of where they are currently with construction of the forced-perspective engine chamber.
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All cool developments. Pictures of engine room seem even more recent than Vic's video.
Star Fleet spackle. Some things never change. The universal cover-upper.
anyhow
So I'm minding my own business watching Mirror, Mirror, and checkin' out that upper chamber that Scott and McCoy use to shunt warp power to the transporter. Yeah, I know ISS enterprise is actually Pike's ship nacelle spikes, oversized dish, etc.
I wonder if we'll see that again in a fan production? Cool view from up there.
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