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News Stay At Home With ULTRAMAN| Ultra Science Fiction Hour on YouTube

Well, I just finished The*Ultraman. It takes a weird turn in the last third of the series, becoming something of a Space Battleship Yamato clone. The Ultra planet U-40 is conquered by the evil Heller Empire, an offshoot of its own people led by a pale guy who looks a bit like Desslar/Desslok, and the Ultras reveal that they hid a Yamato-esque super-battleship on Earth, bequeathing it to the heroes to use for the rest of the series. All the monster attacks from that point on are plots of the evil empire to conquer Earth, and the last four episodes are all about the big war to defeat Heller and recapture U-40, with the monsters being tacked onto a story that's more about space battles and storming the enemy bases.

I was also quite surprised in episode 39 when out of nowhere, the female lead Mutsumi had a full-rear nude scene in the shower. And not just a peekaboo glimpse, but a sustained shot rising full-length up her body, surprisingly explicit for a kids' cartoon. I guess they were aiming for an older audience at that point. There was one a few episodes later where Mutsumi spent most of it in a bikini, and one where she almost died and the captain tore open her uniform tunic (with nothing underneath) to give her an electric shock. It's odd, since they hadn't done anything to objectify her before then, and then bam, gratuitous shower scene. I wonder if this, like the shift to a space-war format, was an attempt to boost sagging ratings. Although animation has such long lead time that I wouldn't think they would've been aware of the ratings in time to adjust the show midstream.

Though maybe the lead time was less than usual, since the animation in the latter half of the series got really crude, the artwork frequently quite sketchy. It's one of the worse-looking anime series I've seen.

Still, there was some good writing at times. I liked how it developed Hikari and Ultraman Joneus as distinct characters sharing a body -- something I mentioned liking in the Australian Ultraman series, but this show did more with it. There were some interesting episodes about Hikari struggling with his dual identity and being seen as a disappointment by his teammates for never being around at crucial moments, and pleading with Joneus to let him tell them the truth. It also does an interesting thing in the final arc, where every one of Hikari's teammates figures out on their own that he's Ultraman, which is an approach I don't think I've seen before.

It was hard to tell thanks to the awful subtitles, but when Joneus left at the end, he seemed to say he might come back if Earth was in danger again and take another host. I guess that was a hook for a sequel series. But instead they went back to live action and did Ultraman 80, then went on hiatus until the '90s. So I guess the anime series wasn't as successful as they hoped.

So anyway, I guess the next thing for me chronologically would be the American animated pilot Ultraman: The Adventure Begins, and then Heisei Ultraseven, which I've heard is very well-regarded.
 
In episode #32 of "Ultraman Mebius", an alien Mates claims to come in peace in order to establish diplomatic relations to mankind, but he brought a monster for protection against an attack from Mebius:
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I've watched Ultraman: The Adventure Begins, and it's pretty mediocre. Some good animation (certainly better than The*Ultraman), and an impressive monster battle in the final third, but it's very slow getting started, spending way too much time on setup and exposition before getting to the action, and not having very engaging characters or making much sense as a story. It sets up two huge secret underground bases that were built to serve the "Ultra Force," but it never explains who built them or why. One of them is inside Mount Rushmore and entails the entire set of four president heads sliding forward to let the team aircraft take off. Mount Rushmore is routinely viewed by thousands of tourists -- how can it possibly be a secret base? (Although IIRC the Sentai series GoggleFive did something similar, with the secret base underneath a stadium that lifted up to launch the team vehicle, somehow with nobody noticing.)

The movie (which is structured in three parts that presumably would've been split into half-hour episodes if it had gone to series) takes place all over the US and gives characters the ability to move cross-country with ridiculous speed, like when the supporting scientist character based in New York City hears of a monster sighting in Utah and is somehow able to get there by helicopter just minutes behind the Ultra Force's super-planes.
 
In episode #6 of "Ultraman Ace", the pilot of a crashing Japanese spaceship is rescued by TAC, but unbeknownst to everyone, he is possessed by Yapool's Super Beasts:
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The astronaut, btw, is played by Akiji Kobayashi, who played Captain Muramatsu in the original Ultraman series, and Tōbei Tachibana in Kamen Rider.
 
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The astronaut, btw, is played by Akiji Kobayashi, who played Captain Muramatsu in the original Ultraman series, and Tōbei Tachibana in Kamen Rider.

Oh, yeah, I remember that. Kobayashi got around. He even voiced the team commander in the Japanese dub of the English-language Australian Ultraman series.
 
So Shin Ultraman is out. Some supposed Shin Godzilla connections.

the title “Shin Godzilla” melts into “Shin Ultraman”
And apparently a “Frozen” Kaiju that was in Tokyo was moved to the Arctic.
Shin Gomess appears and looks like Shin Godzilla.
Godzilla may have been name dropped.
 
Episode #16 of "Ultraman Chronicle D" brings viewers up-to-date with Ultra Galaxy Fight before the start of the new series (which, unfortunately, won't be watchable for free on YouTube, but behind a paywall on the Ultraman Connection website):
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So Shin Ultraman is out. Some supposed Shin Godzilla connections.

the title “Shin Godzilla” melts into “Shin Ultraman”
And apparently a “Frozen” Kaiju that was in Tokyo was moved to the Arctic.
Shin Gomess appears and looks like Shin Godzilla.
Godzilla may have been name dropped.

I read the spoilers for Shin Ultraman, because why not, and I really hope we see a US release in some form sooner rather then later.

It seems like a really interesting movie. We have a writer who obviously cares about the franchise and a director who has experience making good Kaiju style movies, and it seems like we've got another Shin Godzilla quality film. So many references, and even things like Zoffy's role are apparently a reference to stuff that was planned for the original show but ended up being changed.

This is how you do a reboot style spinoff of a franchise (I call it a spin off because its not rebooting the main Ultraman franchise, but still acts as a reboot for the concept), with people who actually care about the material they're working with, instead of hiring people who don't care about the franchise to do it (like star Trek dealt with for ST09 and Into Darkness)
 
Episode #49 of "Mirrorman" involves another Invader brainwashing plot:
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Shin Ultraman made $ 7.7 million on its opening weekend in Japan, making it #2 on the international charts and #4 on the worldwide (international + North America) charts.
 
I see the name "Shin Ultraman" and I can't help picturing an Ultra whose main attack move is to kick monsters in the shins.
 
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Following the two acclaimed limited series THE RISE OF ULTRAMAN and THE TRIALS OF ULTRAMAN comes a brand-new chapter in Ultraman's Marvel Comics adventures—ULTRAMAN: THE MYSTERY OF ULTRASEVEN! This latest installment brought together by the landmark collaboration between Marvel Comics and Tsuburaya Productions will once again feature the amazing storytelling skills of writing duo Kyle Higgins and Mat Groom. Joined by rising star artist Davide Tinto, the pair will continue to dive deep into the secrets behind the pop culture icon's fascinating mythology in an adventure that will thrill longtime fans of the global phenomenon and welcome Ultraman newcomers! In addition, the double-sized debut issue will include an additional story spotlighting the history of Ultra Q and more instructional Kaiju Steps by Gurihiru!


Giant Kaiju roam. A sinister conspiracy consolidates power. And there's nobody left to stop it — because Ultraman is GONE! How did the situation go so wrong…? And how can the United Science Patrol claw their way back from the brink? The answers lie in the appearance of an enigmatic new Ultra, and a secret that has remained hidden for decades. From distant stars to lost dimensions, untangling this twisted web will require Shin Hayata to go farther and fight harder than ever before!


"Kyle and I's reimagination of this universe started with a long-term masterplan – which is why we featured Dan Moroboshi's mysterious disappearance in the very first pages of THE RISE OF ULTRAMAN," said Mat Groom. "It's so exciting to have reached the stage where we can now pull back the curtain on that mystery… and its world-shaking implications!"


ULTRAMAN: THE MYSTERY OF ULTRASEVEN #1 (OF 5)
Written by KYLE HIGGINS & MAT GROOM
Art by DAVIDE TINTO, DAVID LOPEZ & GURIHIRU
Cover by E.J. SU
On Sale 8/17
 
Speaking of UltraSeven, I just finished watching the Heisei Ultraseven series, or rather the four distinct miniseries that make it up. The two 1994 specials were weak, basically hourlong environmentalist PSAs thinly disguised as action stories, and Dan Moroboshi wasn't even in the first one. The 1998 30th-anniversary trilogy followed up on UltraSeven's status at the end of the specials, but only loosely, and introduced a new Ultra Guard team that ran through the rest of the series, with only Dan and his original-series co-star Furuhashi continuing from the specials. The trilogy was okay, but didn't really impress me until the third part, with its rather poignant story in which the villain was the embodiment of a dying sun that just wanted to preserve its planets' inhabitants by feeding on human energy, not realizing that its quest was futile all along.

The trilogy introduced a new lead, UG member Kazamori, whom Dan ended up abducting and impersonating for most of the last two parts, as a way of getting back to the status quo of Ultraseven being secretly a member of the UG. It was a clever way of using the capsules in which Dan/Seven holds his Capsule Kaiju in miniature (an inspiration for Pokemon, I believe), storing a human in one for a change. The actor playing Kazamori did a good job mimicking Kohji Moritsugu's mannerisms when playing Dan in disguise and being totally different as the real Kazamori. There was kind of a mean-spirited running gag of Furuhashi obsessively trying to reconnect with Dan while Dan avoided revealing himself, but they did get together at the end.

The 1999 6-part miniseries was probably the strongest overall. It had Dan seemingly kill an alien-possessed Kazamori (at the latter's request) and take his place for the bulk of the series, occasionally changing back to Dan to give Moritsugu something to do, but it turned out at the end that Kazamori had been recuperating in a capsule the whole time. The 6-parter had a loose arc about a gung-ho defense force leader wanting Earth to wage a war of aggression against the universe, but it was mostly a series of episodic tales that each focused on a different main character, pretty much like a normal Ultra series, just in an hourlong format and pretty well-done.

The concluding 35th-anniversary 5-parter was weaker, I felt. It was the only miniseries not to have Dan or Furuhashi, with Kazamori turning out to have a permanent link with Seven and eventually merging with him fully -- which I think makes Seven the only Ultra to have operated both in human disguise and merged with a human host on an ongoing basis. (Mebius merged with his whole team in the finale, but only temporarily while in Ultra form, so it doesn't count. I also don't count Amia from the anime, because her humanoid form was not a disguise but her natural appearance.) The idea had promise, but the storyline was a mess, purporting to tell an ongoing story arc but focusing each episode on a different threat or crisis that just disappeared in the next episode even if it hadn't really been dealt with (the most egregious case being the "new humans" in episode 3). So it didn't hold together well at all.

Overall, it's a mostly good addition to the Ultraseven canon, at least in the middle two parts. But I have a hard time believing that the Ultra Guard still uses the exact same uniforms, gear, and aircraft designs after 35 years.
 
In episode #33 of "Ultraman Mebius", Teppei is approached by a colleague looking for help for his sister possessed by a monster, and of course Teppei falls head over heals for her:
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Guest cameo appearance by Shoichiro Akaboshi, aka Prof. Horiguchi from Gransazer, as a fraudulant exorcist.
 
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In episode #7 of "Ultraman Ace", TAC member Yamanaka just got engaged to his girlfriend Maya, when she gets possessed (there's a theme this week) by Alien Metron Jr.:
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Finally done with Ultra Galaxy Fight, "Ultraman Chronicle D" can focus on the airborne mechas of STORAGE from Ultraman Z for episode #17:
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I'm a bit over halfway through Ultraman Gaia now. I've been curious about it for a while, since its head writer was Chiaki J. Konaka of Serial Experiments Lain and Digimon Tamers. It's very good, and it does feel like a Konaka show, with science-literate concepts crossed with elements of spirituality, an air of developing mystery over the course of the story, an emphasis on young geniuses, and a lot of real-world texture, with focus on civilians and the media reactions to Ultraman and the monsters and whatnot. It's got a sprawling cast, with a much larger defense organization than we usually see, with multiple three-person teams that get their own focus episodes here and there. It also does a better job than most of conveying the sense of a global organization with international membership.

Admittedly, though, I didn't initially warm to it that much, because I wasn't as fond of the cast as I could've been. Gamu is one of the less appealing Ultraman leads I've seen, and the commander takes stoic reserve to the point of dullness. The actor playing Fujimiya (Ultraman Agul) isn't very impressive either. Still, the strength of the storytelling and the developing arc have won me over.

The production values are as good as I'd expect from a Heisei series. The first episode in particular had some very impressive miniature city-destruction sequences, like the flooding of an underground mall. I like the fighter planes and other vehicles that unfold from hexagonal prisms. It's also got some impressively weird monsters, a much wider variety than the usual obvious guy-in-suit designs.

The music is also pretty good; I especially love Agul's theme. It's by Toshihiko Sahashi, who did the music for the American Ultraman series and Mebius (at least according to IMDb, though the Ultraman Wiki only credits him for some of the movies), as well as several of my favorite Sentai and Kamen Rider scores.

The show is unusual in that it's a universe where the Ultras are spirits of the Earth rather than aliens. Tiga/Dyna made them part of an ancient Earth civilization, but one that had colonized Earth from "a distant nebula," per the wiki. I'd guess the same is true of the very similar Trigger/Decker universe, though I don't think they've specified. So I wonder if this is the only series where Ultras aren't aliens.
 
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in its penultimate episode, #50, "Mirrorman" has the Invaders send their home planet on a collission course with Earth, but at least they show enough sportsmanship to give ten days notice. They do send another monster and possess some more human bodies, though:
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I've got a bit of downtime between writing projects, so I've been bingeing Ultraman all week. I've already finished Ultraman Gaia, and it was definitely one of the very best seasons, if not the best. I'm amazed by how effective it was at characterization. It had a sprawling cast of nearly 40 main or recurring characters, and it managed to make more than half of them feel like distinct individuals with their own personalities and points of view. (Generally only the leader of each 3-member team got much personality, though sometimes a second member did.)

I also like how it presaged Cosmos in taking a more sympathetic view toward the kaiju as the series went on, ultimately having the defense force, Ultramen, and kaiju unite to protect the Earth against the common threat.

I watched the Gaia movie too, the one that was nominally a crossover with Tiga and Dyna but only featured them in the climax. I think it may have been the first time the Ultraman franchise ventured into the multiverse, having Ultras from parallel worlds cross over, which would happen a lot more later on.


I'm currently close to halfway through Nexus, and I started with the 2004 movie that's supposedly a prequel to it. The movie was okay, an attempt at a more grounded and mature reboot, with pretty good feature-level visual and creature FX. But so far it doesn't seem to share a universe with Nexus at all, since the movie ended with Ultraman The Next openly fighting in Shinjuku and being praised as a hero in the media afterward, but Nexus posits a world where Ultraman and the "Beasts" are a secret from the public. They do have an MIB-style group that erases memories to keep the secret, but they would've had to neuralyze everyone on Earth to erase the events of the movie.

Anyway, I'm not enjoying Nexus much, and while I binged Mebius and Gaia because I really got into them, I'm bingeing Nexus mainly to get it over with quickly and get on to the next thing (fortunately it's only 37 episodes and a special). It's an attempt at a more "adult" Ultraman, and it's one of those things that mistakes gratuitous darkness, unsympathetic and amoral characters, and vague, dragged-out mystery arcs for maturity and sophistication. It's fully serialized and tends to drag things out way too long with frequent, repetitive flashbacks and recaps. And in contrast to what I said about Gaia, it's failed to develop more than two members of its five-person defense team, and they're both rather one-note and not very likeable.

Nexus himself has a pretty good design, but it's frustrating how he fights nearly all his battles in a subspace bubble to prevent collateral damage (and help maintain the secrecy angle), since that means the fight scenes are usually on the same dimly lit set and we don't get the wonderfully creative miniature landscapes that are such a highlight of the franchise.

One point of interest is that the music is by Kenji Kawai, who was the composer for the Ghost in the Shell movies and would also do Ultraman Geed and Kamen Rider Build. And until I looked up his name today, I don't think it had registered with me that Build (my first KR series and still a favorite) had the same composer as GitS. Anyway, Kawai's score here is rather more conventional than his GitS work or even his Build work.
 
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