Very true!Even I will admit too many fiddly details can cause more problems; too much minutiae can lead to bigger continuity violations for the same reason. But the other side of the argument also has the same constraint: Having, for example, technology in prequels that weren't in shows that the prequel is shoehorned into... that's a flip side of the argument because there's zero common sense applied to that as well. It's also a bear to sit and wade through x episodes to see if the technology is given a proper write-out or if it's dropped. It's so much easier to not think into detail into sequels - like "Oh, TNG doesn't have 'transwarp'? Oh, they probably took some of the schematics from the Excelsior and introduced them into the next class starship." and, voila, issue resolved. Prequels are an entirely different beast, and in some cases it's just a sheer lack of common sense to put in anything shiny and new without a cogent long-term plan. Sorta like how the Sequel Trilogy turned out, as if it had anything built up from the start (which it really didn't, but it's easier to say "Oh the new order got built up and here it is, so here's Han and nostalgia" as opposed to showing its buildup (even I-III showed a buildup to what IV started, amazing considering even IV was a retcon by 1980!)
Yeah I'm occasionally (read: frequently) kind of a dick about it but I really thought The Last Jedi was that good. That was when I realised that what I got out of Star Wars and what a lot of fans got out of Star Wars were two entirely different things.
Now? We constantly get people who are like zombies, whose only contributions to discussions are "the story group says!!!" or some variation of it.
Now, its just "NOT CANNON!!!!!1one!!!1!!!!"
For me, it is all canon, especially the cannons!
As far as the an X-Wing piece being part of Luke's hut, I never noticed it to begin with.![]()
I don't think I've kept it a secret that I was initially less pleased with The Force Awakens than I wanted to be given my level of investment in Star Wars, and so I came out of The Last Jedi very satisfied that Rian Johnson had done things that JJ and Lawrence Kasdan had not and leaned into elements of the franchise that speak to why I connect with it while also shining a light on nuance that was indeed present in TFA but not as overtly as it could have been, and I came out of The Rise of Skywalker with the same sense of satisfaction and a conviction that JJ and Chris Terrio had not only made TRoS a great film in its own right, but created a phenomenal ending to the Episodic films as a whole and given the Sequel Trilogy the arc-line that some people had complained about the previous two films lacking.
That sense of satisfaction with TRoS is why I've ranked it above The Last Jedi as my favorite film and why I cannot wait to own all 9 movies and experience them in story order again and again.
...a lack of real stakes for the characters (Chewie's "death" and Threepio's "sacrifice" being completely negated, one moments after the event occurs) and a rushed pace really don't do the film any justice for me personally.
I imagine these are characters they'll want around for the Sequel Sequel Trilogy down the road. Possible Abrams wanted to kill them permanently, and Disney said no.
^ The Episodic films are finished.
People who believe otherwise are just being cynical, IMO, and buying into the notion that the only value Star Wars has is as a money-making machine.
But lots of people say, among other things, that she isn't one.
Johnson made no mess. He was trying to fix the mess, (many-)uninteresting mystery box cliches, and lame paint-by-numbers flick Abrams put in. Indeed, there was no way it could be fixed. But never mind previous articles, here's one that's another jaw-dropper:
No, it's Force on Steroids and Crack since so many new powers (not all mentioned in the de-canonized books and comics) that started to stretch credibility, particularly in TLJ. If they're even more rampantly used in TRoS...
And people still say this movie is better than TLJ? Wow.
Not really. Especially as TLJ was the movie that set the stage for anyone becoming Force sensitive or a Force user...
It's not "woke" in its current euphemistic state, it's simply lame scripting. Other franchises and movies have had strong female characters without these plot problems. Doesn't matter what the gender is if the scripting for said character is uneven or bad. And now I'm going to go watch Alien and Aliens. Ripley, believe it or not, was a strong character - decades before the claim of "no strong female characters" existed fad took off. But it makes sense; millennials and gen-Z just won't watch older shows because they're not in stereo or color or 3D or have lush special effects or whatever.
...and buying into the notion that the only value Star Wars has is as a money-making machine.
We heard that in 1983.
We heard that in 2005.
You’re right that we’re being cynical, but it’s not like we don’t have precedent.
We heard that in 1983.
We heard that in 2005.
You’re right that we’re being cynical, but it’s not like we don’t have precedent.
Why exactly do you think Disney bought the franchise? It wasn't a charitable contribution...
When the next one comes out in 2025...
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