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Star Wars Books Thread

Yes. harry Potter is a good example. even the old Young Jedi Knights books. But, those aren't really YA.
Literally every book ever written for a target audience of people ages 12-18 is YA, so if you like Harry Potter and the Young Jedi Knight books, then you do like some YA. All way YA means is that it is for geared towards people who are 12-18, it has nothing at all to do with the content of the book.
Well, generally any book that labels itself YA. There are exceptions, I think books like Harry Potter are more "family" books, stuff written for kids but capable of being enjoyed by a lot of people. I also don't really consider YA from a pre-Twilight/Hunger Games world to be what is generally considered YA today. I mean, if its specifically angsty teen garbage it would be put with modern YA, but stuff like, to use a SW example, the Young Jedi Knights books are not YA as I'd describe them, but I think they were labeled that way at the time. But, bare minimum, any book that says its for Young adults and has came out since Twilight/Hunger Games became big is definite the YA I'm talking about. this includes all the garbage SW YA stuff, and every other YA book published since then.
Twilight and Hunger Games style books are just a small fraction of YA books, and there are a lot of books geared for people 12-18 that don't have the same kinds of stuff as those two types of books. If you just don't like Twilight and Hunger Games style books that's fine, but not all YA books fall within those two categories.
EDIT: Kirk, have you ever tried any "classics" that weren't written by Asimov? Maybe it's just that you don't like Asimov's style rather than "classics" in general.
 
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Literally every book ever written for a target audience of people ages 12-18 is YA, so if you like Harry Potter and the Young Jedi Knight books, then you do like some YA. All way YA means is that it is for geared towards people who are 12-18, it has nothing at all to do with the content of the book.

Nope. Being written for the 12-18 demographic doesn't make it part of the YA style of book. Harry Potter isn't made for the demographic for Twilight, aka the YA demographic. Same with YJK. YA is all about the content of the book.

Twilight and Hunger Games style books are just a small fraction of YA books, and there are a lot of books geared for people 12-18 that don't have the same kinds of stuff as those two types of books. If you just don't like Twilight and Hunger Games style books that's fine, but not all YA books fall within those two categories.

I don't believe this at all. At this point we should probably just agree to disagree. All YA in my opinion is teen angst/teen romantic angst, that's what makes it yA, and to me its all garbage. Yeah, not every YA book is literally Twilight with sparkly vampires or literally Hunger Games with a dystopia and deadly tournaments. But, they're all books staring angsty teens (almost always in some angsty relationship) doing the standard YA stuff, even if the individual books premises and settings aren't the same. I use those two categories to sort the stuff with ineffective idiot protagonists/romantic focused YA (Twilight) with sometimes more competent protagonists/YA with a plot focus that isn't just an angsty teen romance. That, in my opinion, is what YA is, and I hate it.
 
I'm still confused, so your saying that literally every single book written for anybody between the ages of 12 and 18 is like that?
The problem with this is that this is not a matter of opinion, it is a fact that not every single book written for anybody between the ages of 12 and18 is like that.
Did you see the parted I edited my post to add?
 
I'm still confused, so your saying that literally every single book written for anybody between the ages of 12 and 18 is like that?
The problem with this is that this is not a matter of opinion, it is a fact that not every single book written for anybody between the ages of 12 and18 is like that.

All YA is YA. Especially if it was YA published after the big 2 (Twilight/Hunger games) became big. Just a bunch of poorly done angsty teen garbage.

Did you see the parted I edited my post to add?

Just now I did. I only meant to bring up that stuff is an example, I don't want to start an argument about my extreme dislike of classic literature, especially "classic" sci Fi. But, to answer your question, I also hate Clarke's work that I've tried to read. I didn't try anything after that, because "classic" sci fi and me just don't mix, not counting the Dune series which I think is pretty much considered a classic nowadays. I don't think its as bad as YA, but outside of YA I can say that "classic" sci fi is some of the most miserable reading experiences I've had.

That said, arguing about YA is bad enough. The last thing I need is to get into an argument with fans of Asimov/Clarke, bradbury, etc, especially since I don't have a passionate hatred for "classic" sci fi. I think it sucks personally, but I'm not offended by it, mostly just confused as to why its still popular. Then again, when it comes to sci fiin general I do absolutely loathe "hard" sci fi, and most classic sci fi is "hard" sci fi to some degree, so that's a big reason I dislike classic sci fi, but its not something I feel the need to argue about or go into more specifics.
 
It sounds like you've at least given the classics more of a chance than YA, so I'm not going to get into that with you. I've also never read Bradbury, Asimov, Clarke, ect. so I could very well end up feeling the same way if I did. Those kinds of books also tend to fall into a smaller category that doesn't include as many variations as YA, so saying you don't like those kinds of books isn't quite as ridiculous as YA.
The reason the YA thing bugs me so much, is just because you are forcing thousands of books that are very, very diverse into one category when they really don't all fit together, and then when we try to explain why that is the case you refuse to listen. What's annoying isn't you not liking YA, it's the fact that you are basing this dislike on things that are not true you and when we try to explain why it's wrong you refuse to even consider what we are saying.
You can't just excuse being wrong by saying it's just your opinion, because some things are determined by facts which can be right and wrong, and in the case of the things you are saying about YA you are wrong. This is really not a matter of opinion, you are actually saying things that are wrong.
 
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I don't really care about the opinions of publishers or writers in this scenario.

The point I'm bringing up is that it seems unlikely that every book that a publisher calls "YA" fits the bill for what you call YA.

As far as I'm concerned, that's not true. Sure, some YA books might be, for example, teen angst romance in the wild west instead of with vampires. but that's just a variation in setting. As far as I'm concerned, yA is basically one or two stories with differences in setting and world building. Whether its a dystopian world with deadly contests, an idiot wanting to get together with a sparkling vampire, or a generic angsty teen romance that happens to be in the SW universe, those are all YA. Saying YA has "genres" might technically be true, but that's all window dressing. at the core, like I've said before, YA is YA.

Writers are artists, not people filling out forms. There is no "one size fits all" on this kind of thing.

Attack of the Clones wasn't trying to tell a YA story, so its automatically better then YA stuff.

I have seen YA love stories (or at least love stories between teens) done a lot better. (I have seen worse, too.) I think it all needs to be taken in context. Good character development and dynamics work the same, regardless of the target audience.

The YA clichés and tropes are what make its teen drama worse then adult drama. Bella and Edward's relationship makes Padme and Anakin look like a compelling, well written romance.

Never read or saw Twilight, so I'll have to take your word on that.

I disagree. Like I said above, that's all just window dressing. A YA that's historical fiction is exactly the same as a YA story set in the year 3000, just with a different setting. They're equally terrible and share at least a good portion of the standard YA tropes and cliches.

If I was a pro writer (and I did minor in it and am inclined to that profession, with a bunch of stuff I'm working at on my hard drive), I would be insulted at the suggestion that authors can't do different stuff within a specific target audience (actually, I am, since I'm a writer, just not one who's making any money off it or has anything in print for public consumption). That's not how writing works. It's up to the specific authors how they put together your story. Your perception of the limitations of writing are pretty darn far from reality.

I don't have a high opinion of books that are generally considered "classics", but I also consider a lot tie-in fiction to also just be great books. I've certainly been more entertained by even mediocre SW books like The Dark Nest Trilogy then I was trying to struggle through sci-fi "classics" like Foundation or I, Robot. My general experience is that tie-in fiction is generally very good to high quality, certainly more then most of the "classics" I've tried to read.

I think it depends. Most classic books tend to have a higher level of storytelling quality, or style of writing. Some of that is subjective, of course, but a good writer does study the classics to know what works and how to use that information to improve their own craft.

That's really subjective I guess, but (to use Sci-Fi as an example) outside of the original Dune books I haven't seen a Sci Fi "classic" that even measures up to mediocre SW books. To be fair, I try to avoid "classics", but after attempting to suffer through stuff like Foundation I can say I find people trying to say stuff like that is inherently superior to even lackluster tie-in media to be ridiculous.

I never read Foundation. I thought I, Robot was pretty good as a short story anthology, although I will concede that the books is more plot-driven than character-driven. IMHO, the greatest sci-fi novel of all time is Fahrenheit 451. I would put it over Star Wars tie-ins because the writing quality is of a higher caliber and the plot and themes go beyond the basic adventure story plot we often get. There's more creativity and depth involved; it's meant to make the reader think, not just entertain. (That's also one difference between many classic books and non-classics; in many cases, there's more substance to them. Not always, and there can be good books from any place. There are Star Wars tie-ins I would say are goo examples of writing. Like all forms of writing, there are degrees of quality and different books may excel in a place that another "better" one does not.)

There are some exceptions in other genres (like LOTR, and the old Sherlock holmes stuff) but, like them or not, "classics" aren't superior to anything.

I would point out that those classics you mentioned are better written than Star Wars tie-ins usually are; better vocabulary, more creative use of language, etc. Doyle's wording to describe the Moor and the hellhound in Hound of the Baskervilles creates more atmosphere and evokes more emotions than many similar descriptions in Star Wars tie-ins.

Being old or even well remembered, to me, doesn't automatically make them better then tie-in media.

Old stuff like that is considered "good" because it's timeless; it speaks to people regardless of era. It's made to last. Is the average Star Wars book? It's too early to tell, but I doubt it'll have the longevity of a well-written "classic." (You can refer above for more on my case for classics.)

Again, all GA or more adult oriented stuff isn't the same. YA stuff is a very specific style, and that similarity is what makes it a YA story.

That's not how writing works. There's a lot more factors than you're giving us credit for. We're also more than capable of breaking through boundaries and cliches; that's the very definition of creativity, which is were all storytelling originates from. (Now, not every author does that and there are knockoffs, but there is variety in all things.

People can hold whatever opinions they want. I'm not particularly bothered by book snobs ignoring good books because they're not tedious, sometimes borderline unreadable cures for insomnia like most snobby "classics" are.

Not all classics are Moby Dick-like (which I respect more for the underlying themes than the readability; that one is a chore.) Heck, I like a lot of classic stuff and non-classic stuff; I just like reading fiction, and you can find worthwhile stuff anywhere, from old classics, to the latest novel, to picture books to comics, to even stuff written for the not-quite-adults.)

Some things are just terrible, and everyone is going to have different opinions on that. To me, if you know about the YA tropes and cliches, even if you've never technically read a YA book you've still basically read them all. It all happens to be terrible, and yeah its not exactly something to treat as anything but the waste of time and resources it is.

"You must do what you feel is right, of course."
 
One other thing, tropes and cliches aren't always a bad thing. Sometimes writers can take the most common tropes and cliches and still manage to do interesting things with them. Hell, Star Wars is really nothing more than a collection of some of the most common fantasy tropes and cliches, but Lucas still managed to put them together in an interesting way and used them to tell a great story, which is really not all that original either.
 
YA stuff is a very specific style, and that similarity is what makes it a YA story.

I suppose it would seem that way...

...So long as you refuse to actually read any, and categorise any examples that you like (or differs from your criteria) as 'not really YA.'

Margaret Atwood would be proud.

One other thing, tropes and cliches aren't always a bad thing.

On their own, they're next to never a bad thing. They've ended up cliches for a reason.

It's how they're used that matters.
 
The point I'm bringing up is that it seems unlikely that every book that a publisher calls "YA" fits the bill for what you call YA.

Well, in my opinion it does.

Writers are artists, not people filling out forms. There is no "one size fits all" on this kind of thing.

To me, its a restriction of the story type, not the writer. Some YA writers could probably write other stuff, but they can't write a YA book too differently from the others, because then it wouldn't be YA.

I have seen YA love stories (or at least love stories between teens) done a lot better. (I have seen worse, too.) I think it all needs to be taken in context. Good character development and dynamics work the same, regardless of the target audience.

Well, we're just going to have to disagree with that. I'd say that, by default, YA romance is always inferior, even to something as badly done as Padme/Anakin's romance.

I think it depends. Most classic books tend to have a higher level of storytelling quality, or style of writing. Some of that is subjective, of course, but a good writer does study the classics to know what works and how to use that information to improve their own craft.

I've never seen a classic, not even the ones I like, that had a higher level of "style of writing". Now, storytelling can be better on a case by case basis, but personally I find older writing styles to generally be inferior to more modern stuff.


I never read Foundation. I thought I, Robot was pretty good as a short story anthology, although I will concede that the books is more plot-driven than character-driven. IMHO, the greatest sci-fi novel of all time is Fahrenheit 451. I would put it over Star Wars tie-ins because the writing quality is of a higher caliber and the plot and themes go beyond the basic adventure story plot we often get. There's more creativity and depth involved; it's meant to make the reader think, not just entertain. (That's also one difference between many classic books and non-classics; in many cases, there's more substance to them. Not always, and there can be good books from any place. There are Star Wars tie-ins I would say are goo examples of writing. Like all forms of writing, there are degrees of quality and different books may excel in a place that another "better" one does not.)

Oh, I really disagree with this. Classics have no more or less substance then tie-ins, same with creativity. There is no less creativity in a SW tie in then there is in a "classic", and based off my experience with Asimov and Clarke there is generally more creativity and higher quality writing in SW books. Also, i've never read a book that was done to make people "think" that was worth the paper it was printed on. I usually find that description applied to really tedious old junk, to be honest. I find most of the old EU to be high caliber, well written novels. For me, the old SW EU was some of the best sci fi books around. I like a lot of ST books, and some miscellanious stuff, but the old SW EU set a high bar for quality sci fi in my opinion. That doesn't mean everything was good, but the majority was good to great, at least when it comes to novels.

Since you mentioned your favorite sci-f novel, I'll do the same. My favorite novel/series of all time (Sci-Fi or otherwise) is the Star wars: Republic Commando books. A lot of people don't like them, but I personally count them as the best books I've ever read, and I've read a decent amount. It would be a bit insulting to say that they have less "substance" or lower quality then, well, any other normal books. Even the only sci fi classic that I think is legitimately great, the original Dune Trilogy, isn't, in my opinion, as good as the RC novels in any aspect you can judge a book. I generally find classic books to be on a pedestal, with the things people like about them usually being the things I dislike or think don't matter. That's all from my perspective, of course.

Still, favorite books are subjective. I've heard of Fahrenheit 451. Its the exact type of "classic" I loathe. But, I'm not going to claim its less important or has less "substance" then my favorite books. I wouldn't read it, or any other Bradbury book, but its not something I'd say is inherently inferior to the books I like.

I would point out that those classics you mentioned are better written than Star Wars tie-ins usually are; better vocabulary, more creative use of language, etc. Doyle's wording to describe the Moor and the hellhound in Hound of the Baskervilles creates more atmosphere and evokes more emotions than many similar descriptions in Star Wars tie-ins.

I love Sherlock Holmes, but its writing style is inferior to most SW books, especially in use of language and vocabulary (the terrible Sftermath books being an exception, because Chuck wendig's writing style is bizarre). Now, its hard to compare the quality of the stories between old mysteries and SW books, and there are Sherlock holmes stories I like better then some SW stories. But, ignoring the quality of the story and focusing strictly on the writing style and vocabulary, give me Timothy Zahn, Miller, Traviss, etc over Doyle any day of the week. Doyle's work is old, and it shows. It works well for what it is, but it doesn't set up an atmosphere better then a more modern book. Now, its not old enough that its style is off putting, but more modern books have a big advantage. Then again, I'm biased against books with flowery language. I'm reading a book for a story, not so an author can say something in 20 words that they could really just say in 10. I prefer the way modern writers tell a story to how older writers did.

To use an example in another genre, as much as I like the LOTR books, Tolkien could have been a lot more concise and the books would have been better for it (he also could have been less proud of his pointless poetry/songs that tend to clog up sections). I still consider the LOTR books to be legitimately great classics, but its not for their writing style.


Old stuff like that is considered "good" because it's timeless; it speaks to people regardless of era. It's made to last. Is the average Star Wars book? It's too early to tell, but I doubt it'll have the longevity of a well-written "classic." (You can refer above for more on my case for classics.)

Good stuff doesn't always last. The most mediocre book deserves to be remembered longer then almost any of the "classics" i've read, but instead junk like Foundation will continue to be known in all its tedious, borderline incoherent "glory" longer then the dozens and dozens of great SW books will. But, the thing about sci fi "classics" is that they didn't seem to have much competition. Nowadays so much stuff gets published that I a lot of great stuff will never reach the level of irreconcilability that the "classics" have, especially books that book snobs/critics who really decide what is "classic" look down on like tie-in media.


That's not how writing works. There's a lot more factors than you're giving us credit for. We're also more than capable of breaking through boundaries and cliches; that's the very definition of creativity, which is were all storytelling originates from. (Now, not every author does that and there are knockoffs, but there is variety in all things.

I don't think the best writer in the history of the human race is going to be telling a good YA story, so you're not really going to convince me that the quality of the writer has any ability to make a YA book not suck.

One other thing, tropes and cliches aren't always a bad thing. Sometimes writers can take the most common tropes and cliches and still manage to do interesting things with them. Hell, Star Wars is really nothing more than a collection of some of the most common fantasy tropes and cliches, but Lucas still managed to put them together in an interesting way and used them to tell a great story, which is really not all that original either.

You're right in general, but to me the YA cliches and tropes are terrible to the point where the stuff that uses them is all just garbage.

I suppose it would seem that way...

...So long as you refuse to actually read any, and categorise any examples that you like (or differs from your criteria) as 'not really YA.'

Margaret Atwood would be proud.

I have no idea who that is. You say that like an insult, but a look at her wikipedia page doesn't really make clear what the insult is.

Also, I don't categorize books I like as "not really YA" as some kind of cheat. The books I like that are made for that age group legitimately aren't YA as I see it. Whether you agree or not doesn't really matter.
 
So we are now to the point of getting fiction about fiction over any sort of facts? Opinion is not something to be wield like a pen to declare one thing or another in the face of truth or false. A thing is or is not is not determined by an opinion.

Enjoyment of said thing can be a matter of opinion or one's point of view, but that does not change the facts about said thing in reality. One can be wrong about what something is and still have a reason to not like it, but be clear that one would still be wrong about what the something is. Their opinion on the matter is irrelevant to what is true and no matter how hard they might try they can't change what is true into being the falsehood of their own opinion.

One's opinion is not a substitute for a fact. Nor should it be used to declare something that is false as a truth. That is not logical. Even within the realm of discussing fiction, the books themselves and the authors are facts, and real. Their texts can be examined and fit within whatever context the author wises. The story is fictional, the characters are fictional, but the book itself is not.

Be mindful with ones own opinions, and do not wield them like a broadsword against an ant. You'll likely miss.
 
Margaret Atwood is a very good writer, who refuses to believe she has ever written science fiction. Because the few Sci-Fi novels she has produced, didn't match Sci-Fi as she 'see's it.'

'All silly ray guns and space bugs, ' I believe were her words.

Nobody was convinced then. No one is going to be convinced now.

The books I like that are made for that age group legitimately aren't YA as I see it.

I've seen you list the stuff you like. You're wrong.

Even with Star Wars set aside, you very much enjoy things that are aimed squarely at young adults. You even enjoy things written for flat-out children.

Any discussions as to why you can't (or refuse to) see that, is delving way too far into 'poster, not post'. So I'm dropping it.
 
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Well, in my opinion it does.

Hmmm.

To me, its a restriction of the story type, not the writer. Some YA writers could probably write other stuff, but they can't write a YA book too differently from the others, because then it wouldn't be YA.

Maybe to put it another way, I don't think that all books written for teens and younger fit your definition of "YA."

Well, we're just going to have to disagree with that. I'd say that, by default, YA romance is always inferior, even to something as badly done as Padme/Anakin's romance.

Whatever.

I've never seen a classic, not even the ones I like, that had a higher level of "style of writing". Now, storytelling can be better on a case by case basis, but personally I find older writing styles to generally be inferior to more modern stuff.

Oh, I really disagree with this. Classics have no more or less substance then tie-ins, same with creativity. There is no less creativity in a SW tie in then there is in a "classic", and based off my experience with Asimov and Clarke there is generally more creativity and higher quality writing in SW books. Also, i've never read a book that was done to make people "think" that was worth the paper it was printed on. I usually find that description applied to really tedious old junk, to be honest. I find most of the old EU to be high caliber, well written novels. For me, the old SW EU was some of the best sci fi books around. I like a lot of ST books, and some miscellanious stuff, but the old SW EU set a high bar for quality sci fi in my opinion. That doesn't mean everything was good, but the majority was good to great, at least when it comes to novels.

Since you mentioned your favorite sci-f novel, I'll do the same. My favorite novel/series of all time (Sci-Fi or otherwise) is the Star wars: Republic Commando books. A lot of people don't like them, but I personally count them as the best books I've ever read, and I've read a decent amount. It would be a bit insulting to say that they have less "substance" or lower quality then, well, any other normal books. Even the only sci fi classic that I think is legitimately great, the original Dune Trilogy, isn't, in my opinion, as good as the RC novels in any aspect you can judge a book. I generally find classic books to be on a pedestal, with the things people like about them usually being the things I dislike or think don't matter. That's all from my perspective, of course.

Still, favorite books are subjective. I've heard of Fahrenheit 451. Its the exact type of "classic" I loathe. But, I'm not going to claim its less important or has less "substance" then my favorite books. I wouldn't read it, or any other Bradbury book, but its not something I'd say is inherently inferior to the books I like.

I love Sherlock Holmes, but its writing style is inferior to most SW books, especially in use of language and vocabulary (the terrible Sftermath books being an exception, because Chuck wendig's writing style is bizarre). Now, its hard to compare the quality of the stories between old mysteries and SW books, and there are Sherlock holmes stories I like better then some SW stories. But, ignoring the quality of the story and focusing strictly on the writing style and vocabulary, give me Timothy Zahn, Miller, Traviss, etc over Doyle any day of the week. Doyle's work is old, and it shows. It works well for what it is, but it doesn't set up an atmosphere better then a more modern book. Now, its not old enough that its style is off putting, but more modern books have a big advantage. Then again, I'm biased against books with flowery language. I'm reading a book for a story, not so an author can say something in 20 words that they could really just say in 10. I prefer the way modern writers tell a story to how older writers did.

To use an example in another genre, as much as I like the LOTR books, Tolkien could have been a lot more concise and the books would have been better for it (he also could have been less proud of his pointless poetry/songs that tend to clog up sections). I still consider the LOTR books to be legitimately great classics, but its not for their writing style.

Whatever. There are different forms of good writing, and even classics were new at one time.

(As far as Traviss's Clone Commando books went, some nifty ideas, but I never connected to the story the way some people have.)


Good stuff doesn't always last. The most mediocre book deserves to be remembered longer then almost any of the "classics" i've read, but instead junk like Foundation will continue to be known in all its tedious, borderline incoherent "glory" longer then the dozens and dozens of great SW books will. But, the thing about sci fi "classics" is that they didn't seem to have much competition. Nowadays so much stuff gets published that I a lot of great stuff will never reach the level of irreconcilability that the "classics" have, especially books that book snobs/critics who really decide what is "classic" look down on like tie-in media.

Literary immortality is always a crapshoot.

I don't think the best writer in the history of the human race is going to be telling a good YA story, so you're not really going to convince me that the quality of the writer has any ability to make a YA book not suck.

There is a difference between a young adult book and your "YA" definition, which may be the crux of the confusion.

I will say this, you have the most unique definition of "YA" that I've ever seen. Glad it's not mine.

Peace.
 
Maybe to put it another way, I don't think that all books written for teens and younger fit your definition of "YA."

:shrug: I've yet to see one that didn't.

Whatever. There are different forms of good writing, and even classics were new at one time.

Yeah, they were new at one time. Then they aged, and how well they aged is very subjective.

There is a difference between a young adult book and your "YA" definition, which may be the crux of the confusion.

I will say this, you have the most unique definition of "YA" that I've ever seen. Glad it's not mine.

I think my definition is fairly standard and I don't see any confusion, but whatever. I'm happy with my definitions and standards, its helped me avoid a lot of things I personally hate. I still get stuck with some bad books (like the Aftermath books), but I'll take that bad over YA any day. Everyone is going to have their own opinions and standards, obviously.

Even with Star Wars set aside, you very much enjoy things that are aimed squarely at young adults. You even enjoy things written for flat-out children.

That's honestly pretty insulting. So yeah, you're right. Its better just to drop things if this is the direction the conversation is going to go.
 
That's honestly pretty insulting.

That's the thing: It really, really shouldn't be.

The claim that it is an insult, also implies both children/teenagers (and the adults who enjoy their media) have something wrong with them for enjoying what they do. That they're considered 'lesser' for doing so.

A strange position for someone annoyed by literature 'snobbery.'
 
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I've never seen a classic, not even the ones I like, that had a higher level of "style of writing". Now, storytelling can be better on a case by case basis, but personally I find older writing styles to generally be inferior to more modern stuff.




Oh, I really disagree with this. Classics have no more or less substance then tie-ins, same with creativity. There is no less creativity in a SW tie in then there is in a "classic", and based off my experience with Asimov and Clarke there is generally more creativity and higher quality writing in SW books. Also, i've never read a book that was done to make people "think" that was worth the paper it was printed on. I usually find that description applied to really tedious old junk, to be honest. I find most of the old EU to be high caliber, well written novels. For me, the old SW EU was some of the best sci fi books around. I like a lot of ST books, and some miscellanious stuff, but the old SW EU set a high bar for quality sci fi in my opinion. That doesn't mean everything was good, but the majority was good to great, at least when it comes to novels.

Since you mentioned your favorite sci-f novel, I'll do the same. My favorite novel/series of all time (Sci-Fi or otherwise) is the Star wars: Republic Commando books. A lot of people don't like them, but I personally count them as the best books I've ever read, and I've read a decent amount. It would be a bit insulting to say that they have less "substance" or lower quality then, well, any other normal books. Even the only sci fi classic that I think is legitimately great, the original Dune Trilogy, isn't, in my opinion, as good as the RC novels in any aspect you can judge a book. I generally find classic books to be on a pedestal, with the things people like about them usually being the things I dislike or think don't matter. That's all from my perspective, of course.
I do actually kind of agree with you here, I do think that it is a shame that so many people look down on tie-ins. But I wouldn't put the tie-ins I've read above any of the non tie-ins, to me all books are pretty much equal in terms of good/bad writing quality, creativity, ect. But I also think they take a different set of skills, with the tie-ins you've got to be able to come up with a story that fits into someone else's universe, and captures there characters, which can be very challenging, and I'm very impressed with people who are able to do it as well as tie-in writers do. With non tie-ins genre fiction, you have to create everything, which I know from personal experience is incredibly challenging. I really don't think it's fair to say that one is inherently better than the other.
 
Trust me, he's not.

Well, outside the general 'fun' of this all just being a bunch of fans pissing away our spare time on a message board.

Or pissing away our work time. I don't judge.:shrug:
 
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I do actually kind of agree with you here, I do think that it is a shame that so many people look down on tie-ins. But I wouldn't put the tie-ins I've read above any of the non tie-ins, to me all books are pretty much equal in terms of good/bad writing quality, creativity, ect. But I also think they take a different set of skills, with the tie-ins you've got to be able to come up with a story that fits into someone else's universe, and captures there characters, which can be very challenging, and I'm very impressed with people who are able to do it as well as tie-in writers do. With non tie-ins genre fiction, you have to create everything, which I know from personal experience is incredibly challenging. I really don't think it's fair to say that one is inherently better than the other.

I wasn't trying to say that tie-ins are superior in general to non tie-in media or anything, I was trying to say that they aren't inferior, which seems to be a common opinion of tie-in books. I'm sure both are difficult to do well, and definitely involve different challenges. I tend to prefer tie-in books in franchises I like over other stuff, but its not automatically better.

Have you ever considered he's just arguing with you guys just for fun?

:rolleyes: Yeah, because having an unpopular opinion or disagreement is so rare, it must be trolling when it happens. Believe me, it isn't fun. Having a conversation with people that have different opinions can be interesting and/or informative (it would be boring if everyone thought the same way), but I can't say arguing about YA is "fun". Its mostly just confusion and irritation on both sides at this point.
 
He was trying to...oh never mind.

So out of curiosity.(and a desire to change topic): how old were people when they started getting into Star Wars lit?

I was around 8 or so. TPM came out that year, and the books were everywhere.
 
how old were people when they started getting into Star Wars lit?
I read the Thrawn trilogy when I was twenty, read a few other novels in my late twenties but didn't really start getting serious about things until I turned 30, with basically the "reboot" if you will by the Story Group.

Yeah, I'm a late bloomer. But then I spent a large chunk of my teenage years not even reading at all.
 
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