Hemsworth is a big box office star even after Ghostbusters and a couple of other flops, far moreso than William Shatner (who I presume would be the older Kelvin-Kirk?), so yes.If it was a Star Trek/Star Wars crossover film, would this still be true?
I’m just wondering if the film really needs Hemsworth at this point. Is there anything wrong with Kirk being sent back in time and having to be a father figure for his younger self to set the timeline right?
No, and there never was.
Benedict Cumberbatch was great, but Khan deserves to rot in that cryo-sleep tube.
No. Cumberbatch has Harrison would have served very well.
Hemsworth is a big box office star even after Ghostbusters and a couple of other flops, far moreso than William Shatner (who I presume would be the older Kelvin-Kirk?), so yes.
Plus Kirk's daddy issues have haunted him for 3 films, putting them to rest with sci-fi is the logical way to go with his character.
if the idea behind the Hemsworth ST4 (aka Trek Thor) was to basically rework Yesterdays Enterprise (Yesterdays Kelvin) then that couldve been a great film.. start off witha recreation of the opening of ST09 only now the kelvin somehow gets blasted through the redmatter blackhole and appears in the TOS era to a new warship version of the 1701 (more like Discoprise) .. Romulans having taken over most the galaxy for past 30years (but nero probably dead by then so another Romulan villain in charge of the Narada ..no need for Bana to have a major role beyond a flashback cameo).. Kelvin has to be sent back.. you know the restI'd be fine with a "Yesterday's Enterprise"-ISH movie.
Meaning: When Chris Hemsworth was attached, or rumored to be, there was talk that the Kelvin would travel forward in time and Kirk would finally meet his father. Then they'd have to send the Kelvin back to put things right.
THAT is what I want. But I'll take any Kelvin stuff, really.
well that was basically the Orci/Shatner ST3 which it appears got adapted into the Hemsworth ST4 (now theres rumours from the usual BS rumour sites that a multiple Captain Kirks film is in production - News? Stories from Dubious Sources | Page 62 | The Trek BBS so itd go from the Shatner/Pine ST3 that was adapted into a Hemsworth/Pine ST4 which is now going back to a Shatner/Pine film?!)I’m just wondering if the film really needs Hemsworth at this point. Is there anything wrong with Kirk being sent back in time and having to be a father figure for his younger self to set the timeline right?
well that was basically the Orci/Shatner ST3 which it appears got adapted into the Hemsworth ST4 (now theres rumours from the usual BS rumour sites that a multiple Captain Kirks film is in production - News? Stories from Dubious Sources | Page 62 | The Trek BBS so itd go from the Shatner/Pine ST3 that was adapted into a Hemsworth/Pine ST4 which is now going back to a Shatner/Pine film?!)
I guess I would want a Paramount+ tie-in.As we know there have been about half a dozen pitches but what do you want?
Another reboot?
More Kelvin?
A new crew altogether?
Connections to the CBS/Paramount shows?
well that was basically the Orci/Shatner ST3 which it appears got adapted into the Hemsworth ST4 (now theres rumours from the usual BS rumour sites that a multiple Captain Kirks film is in production - News? Stories from Dubious Sources | Page 62 | The Trek BBS so itd go from the Shatner/Pine ST3 that was adapted into a Hemsworth/Pine ST4 which is now going back to a Shatner/Pine film?!)
This is a totally different game, no matter how many arguments you attempt to make.
Star Trek is a brand that drives general audiences away. MCU and Nolan are brands that draw general audiences…completely different market positions. Yes, Trek has a built-in fan base, but even they are fickle and will turn on a product almost instantly. Otherwise, a Star Trek film has to have major mass-appeal, great word-of-mouth, and excellent reviews to even have a chance of being successful drawing general audiences.
Trek REALLY doesn’t require more gatekeeping.Star Trek really works best with smaller budgets, concise and traditional filming style, and a script written about Star Trek and with Star Trek fans in mind.
I beg to differ. It isn’t the Star Trek brand driving people away. It’s the people steering the brand that drives people away. Star Trek isn’t a mass appeal brand and never has been. It also isn’t that great when it’s made for mass appeal consumption. Star Trek really works best with smaller budgets, concise and traditional filming style, and a script written about Star Trek and with Star Trek fans in mind.
Star Trek isn’t an action movie. It can contain action, but it has to be intelligent. Scotty jumping from an escape pod at velocity, landing on a cliffs and then skirting quickly toward the edge only to narrowly escape death by clinging on by his fingertips is ridiculous. It’s a Herculean task that no most Trek fans won’t believe but a newbie will. Why sacrifice the fan that will see the movie two plus times in theaters, buy it on Blu-ray, and then get the toys and collectibles, for the mainstream fan who will watch it once and never again?
And Star Trek fans are passionate about Trek. It means much more to most of us than a brand, or TV show, or IP. So we love it and we’re going to be critical. Whether it’s good or not we will pick it apart and discuss it. But fans will watch and pay for even mediocre Trek if it’s in keeping with the spirit of Trek. And that’s gone. Bad Robot and now Secret Hideout aren’t writing Star Trek. They’re writing cool action flicks at best and CW dramas at worst, and putting a Star Trek skin on it.
Most modern Trek from Nemesis in the movies and anything after Enterprise on TV don’t reflect Trek at all. And so ideologically possessed are the current writers that what they describe as optimism in Trek is a positive aspect of the show, like diverse casting. But fans are looking for optimistic as in a universe where humans have progressed past their provincial attitudes and cultural infancy and the evil bad guy is usually an alien from an enemy species. But current day Trek is dark and dystopic. Starfleet is militant, xenophobic, and stratified by class. Humans can be both specifically and generally the bad guys in an evil and broken Starfleet/Federation. And of course that’s like pointing back at your human, current day audience and calling them out. It’s a thinly veiled attempt to critique those in the audience who might not be full on board whatever train the mighty creatives behind the scenes are riding on.
And so bad is the new stuff that it’s not just the near magic tech that’s totally fictional, but most of the science is bad. Most of the action completely unrealistic. For all of original Treks flaws they largely kept their action sequences closer to what was plausible for trained military personnel. Modern stuff is unbelievable. In TOS the slight and short Chekhov wasn’t defeating large aliens nearly twice his size but in Discovery slight women are beating beefy Klingons. Or in the movies they’re playing motocross with dirt bikes. It’s too non-sensical and too far away from what it is at heart.
Once you take your IP so far from the source material you can’t be surprised if it fails. And if you sacrifice your core audience for an unconfirmed new audience that might not exist, you can’t be surprised if your property stops being evergreen in way of returns.
Pre-Kelvin licensed products still sold and moved up until a few years ago and new stuff mostly doesn’t. You can Google the sources, but licensing for NuTrek products largely falls between ships and print on demand products like shirts, stickers, keychains, mugs, etc. The fandom doesn’t really like this stuff and viewership seems to point to that. And you can’t lay the blame at the feet of fans when hundreds of millions are pumped into a product that doesn’t resemble anything that the core audience recognizes. It’s Paramount/CBS who are to blame. Star Trek can still make money and it can still make ongoing annual returns for licensed products if they make something fans can invest themselves in. But it has to be a Star Trek world that fans want to live in. I’d rather deal with cancer in the 21st century and die painfully than to get instant 24th century cure but then have to live in the world that is Trek 2009 or worse still Discovery or Picard.
Nope.It’s the people steering the brand that drives people away.
I remember the days when it was Enterprise that didn't reflect Trek at all!anything after Enterprise on TV don’t reflect Trek at all.
Since when!? Enterprise has always been tru TrekI remember the days when it was Enterprise that didn't reflect Trek at all!![]()
I beg to differ. It isn’t the Star Trek brand driving people away. It’s the people steering the brand that drives people away.
Star Trek isn’t a mass appeal brand and never has been. It also isn’t that great when it’s made for mass appeal consumption.
Star Trek really works best with smaller budgets, concise and traditional filming style, and a script written about Star Trek and with Star Trek fans in mind.
Star Trek isn’t an action movie.
It can contain action, but it has to be intelligent.
Scotty jumping from an escape pod at velocity, landing on a cliffs and then skirting quickly toward the edge only to narrowly escape death by clinging on by his fingertips is ridiculous. It’s a Herculean task that no most Trek fans won’t believe but a newbie will. Why sacrifice the fan that will see the movie two plus times in theaters, buy it on Blu-ray, and then get the toys and collectibles, for the mainstream fan who will watch it once and never again?
Some of them to the point of appearing to be utterly humorless on the subject, or even to be steely-eyed religious zealots.And Star Trek fans are passionate about Trek.
If one were to do a head-count or show of hands, I suspect one might find that a lot of Star Trek fans would prefer not to have those steely-eyed zealots making assertions on our behalf. One might also find that said zealots aren't nearly so numerous as they would have us believe.It means much more to most of us than a brand, or TV show, or IP.
So we love it and we’re going to be critical. Whether it’s good or not we will pick it apart and discuss it. But fans will watch and pay for even mediocre Trek if it’s in keeping with the spirit of Trek. And that’s gone.
Bad Robot and now Secret Hideout aren’t writing Star Trek. They’re writing cool action flicks at best and CW dramas at worst, and putting a Star Trek skin on it.
Most modern Trek from Nemesis in the movies and anything after Enterprise on TV don’t reflect Trek at all.
And so ideologically possessed are the current writers that what they describe as optimism in Trek is a positive aspect of the show, like diverse casting.
But fans are looking for optimistic as in a universe where humans have progressed past their provincial attitudes and cultural infancy and the evil bad guy is usually an alien from an enemy species.
But current day Trek is dark and dystopic. Starfleet is militant, xenophobic, and stratified by class. Humans can be both specifically and generally the bad guys in an evil and broken Starfleet/Federation.
And of course that’s like pointing back at your human, current day audience and calling them out. It’s a thinly veiled attempt to critique those in the audience who might not be full on board whatever train the mighty creatives behind the scenes are riding on.
And so bad is the new stuff that it’s not just the near magic tech that’s totally fictional, but most of the science is bad. Most of the action completely unrealistic.
For all of original Treks flaws they largely kept their action sequences closer to what was plausible for trained military personnel.
Modern stuff is unbelievable. In TOS the slight and short Chekhov wasn’t defeating large aliens nearly twice his size but in Discovery slight women are beating beefy Klingons. Or in the movies they’re playing motocross with dirt bikes. It’s too non-sensical and too far away from what it is at heart.
Once you take your IP so far from the source material you can’t be surprised if it fails.
And if you sacrifice your core audience for an unconfirmed new audience that might not exist, you can’t be surprised if your property stops being evergreen in way of returns.
Pre-Kelvin licensed products still sold and moved up until a few years ago and new stuff mostly doesn’t. You can Google the sources, but licensing for NuTrek products largely falls between ships and print on demand products like shirts, stickers, keychains, mugs, etc. The fandom doesn’t really like this stuff and viewership seems to point to that. And you can’t lay the blame at the feet of fans when hundreds of millions are pumped into a product that doesn’t resemble anything that the core audience recognizes.
It’s Paramount/CBS who are to blame.
Star Trek can still make money and it can still make ongoing annual returns for licensed products if they make something fans can invest themselves in.
But it has to be a Star Trek world that fans want to live in.
Bravo. :golfclap: What could have been a strong finish was rather marred by the too-predictable appeal to cancer, but that's hardly unexpected given the type and scope of the checklist which led relentlessly to such a conclusion.I’d rather deal with cancer in the 21st century and die painfully than to get instant 24th century cure but then have to live in the world that is Trek 2009 or worse still Discovery or Picard.
I would have been remiss in my duties had I not done my homework before replying, no?Note to mods: You might want to check out this thread from last year. Just a head's up.
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