Chapter Nine - Deltan Cooties and McCoy
Thirty-one of the crew saw the Intruder and said "Thanks. I'll sit this one out."
Kirk can't figure out how to get into his captain's chair because the safety restraints are closed. This is a funny scene and one that would have been hard to communicate on film. Also: Take THAT Captain Picard. (I guess the scene with the seatbelts in Nemesis was a deleted scene, wasn't it?) I always loved this chair design.
So far, so good. Kirk’s scan of the status board seemed to indicate that Decker was performing the functions of an exec properly, managing the routine of the vessel so that Kirk would be free to concentrate on command considerations.
Who was Decker's exec? Maybe he or she was doing such a great job that Decker could play with the transporter?
And we meet Ilia. She's Deltan. They're really sexy. Chemically so. (That's
twice that we get to hear about the status of the Kirk Unit.) They're so sexy that they take an
oath to not mess around with the non-Deltans. (
Any non-Deltans? Or just the sexually immature creatures like humans?)
Ah, Gene.
But the effects of these Deltan pheromones were still felt by them, and an unsuspecting human was likely to find himself in considerable sexual excitement without understanding why.
Isn't that actually a little creepy?
What I do like about this scene is that Kirk always has the wheels spinning in his head about how anything affects his ship and his command and how he can manage it.
As in the film Ilia notes Decker's commander's stripes. I never noticed this before but when Decker appears in engineering and also when he sees Kirk after the transporter accident he is
also wearing commander's stripes! (He has the little shoulder epaulets.) We never see Captain Decker. (45 years later and I just found a new goof!)
“Sir, Starfleet reports our last six crew members ready to beam up,” interrupted Chekov. “But one of them is refusing to step onto Starfleet’s transporter platform.”
I think this might be Chekov's first actual line. (He may be the one who says "Sir?" when Kirk first appears on the bridge.) But why is it Chekov? In the film it's naturally Uhura.
Oh, and now we have a scene that would not appear until the Special Longer Version that aired on ABC television. It's a dumb scene but we at least get a clearer indication of what is happening. On film it's just Sulu getting unreasonably flustered over a pretty girl. It was not retained for the Director's Edition.
Ilia kept her eyes on the console. “I would never take advantage of a sexually immature species,” she replied. Then she looked up at Decker. “You can assure him that’s true, can’t you?”
This was the only good thing in the scene. It's still probably a dumb line but I liked the delivery.
Bones beams onto the Enterprise.
He was heavily bearded and wore work-shirt and pants, heavy boots, all of which fitted Kirk’s information that McCoy had become something of a recluse while he researched applications of Fabrini medicine among surface dwellers.
OK, who had For the World is Hollow and I Have Touched the Sky on their bingo card? I admit that when I first read this I had no idea what it meant. It still blows my mind that of all of the episodes GR would reference it would be this one.
The time was long past when men could be forced to serve on naval vessels. Nogura’s “drafting” of McCoy (at Kirk’s request) had little more authority than moral persuasion.
I think it's funny that Gene immediately walks back the line about being drafted. Of course the draft in the United States had only ended six years earlier.
Considering that Kirk only had his meeting with Nogura somewhere in the neighborhood of twelve hours ago (we learn that they are holding at "at launch minus twenty-one minutes" while crew replacements are boarding but we're not told how long the hold lasts) this would have been a very abrupt change to McCoy's day. Heck yeah, he'd be pissed.
We get a little more Writer's Guide about some of the role of the ship's doctor in keeping the captain in check.
Unlike the film where the scene ends with McCoy muttering (with a genuine laugh line!) and walking out the door, this chapter ends with Kirk being told that McCoy is the last to board and:
Kirk gave her a nod and turned to the intercom. “All decks, this is the captain speaking. Prepare for immediate departure.”
I know the next scene makes this self-explanatory, but I wonder what that would have looked like on film? In any event it's a bracing end to the chapter.
some San Francisco geographical musings... the novel says the tram station is at Telegraph Hill, while the movie places it in the Presidio, so the novel's location is probably more in line with Roddenberry's thoughts earlier about 23rd century urban delevelpment versus building a giant tram complex in what essentally already a park.
I wondered about that myself. He says that the tram flies "through the Telegraph Hill entry and was settling to a stop at the terminal beneath Starfleet Headquarters". He also says that Starfleet Command "is centered in a structure which thrusts itself magnificently spaceward out of the redwood forest of San Francisco’s old city peninsula.".
I also agree that the novel describes something much more like the orbital complex in Star Trek '09 than the rinky-dink space station we see in TMP.
Spacedock?
He still describes the dockyards as being separate from the Centroplex.
Since this chapter contains the transporter accident, I'm going to bring up for discussion something I've mentioned before in other TMP threads. I've always found it interesting that TMP strongly implies that a working transporter chamber is required at both ends, from the terminology used during the accident, to how now occasions that would have been routine transports for a single transporter now requires use of travel pods and shuttlecraft.
I'm not sure I agree, but I see your point. Why do the Enterprise's transporters needed to be working?
The movie and the book are rather anti-transporter. Kirk makes his way around the whole planet without using a transporter once. The transporter was a cost saving measure for the show but it also became a defining part of Star Trek's character. So they couldn't just dispense with it. That's not very Star Trek. (Although what is more Star Trek than the flip top communicators? And those are gone.)
TMP figured out how to still include the transporter without making it the way that people get around in the movie. They never find themselves in the position to have to beam down anyplace. Because why beam down when you can walk out onto
the top of the saucer and isn't that just hella cool?
I still think (jumping ahead) that you could still have a mysterious courier shuttle arrive and then beam the occupant on board to give Spock an ENTRANCE. It would have made more sense for him to then have had to make his way to the bridge.
Heck, SNW even managed to give James T. Kirk his very important beam in. "Mr. Kyle, set transporter on
dramatic."
it's funny that this chapter calls out how Kirk felt it was important to address the crew after changing into a captain's uniform, but in the film he did not do so (probably because they wanted to save that visual for when he goes to the bridge and first sits in the center seat).
I caught that too. The problem is we're not used to any of these uniforms. So it's not as dramatic to see Kirk "back in uniform" when it's just kind of a costume change. Just as TWOK depends on us
not knowing what the uniforms mean to convince us that Saavik is
the captain this scene depends on us knowing that this is what a captain looks like. And we don't. You "get" the scene if you know what to look for, but as a general dramatic device it just doesn't quite land.