"It read very much like fan fiction."
Nothing wrong with that!
Nothing wrong with that!
That was one of the main things I disliked about Death's Angel, because the "aliens" were so unimaginative, all just oversized Earth animals or mythological creatures like vampires and mermaids. Given the freedom of prose to create any aliens imaginable, that was the laziest possible way to do it.
After 40 years, I don't really remember much about this title, but I can tell you that out of the hundreds of Star Trek books I've read over the years, this is the only one I couldn't finish.
How that garbage got published escapes me
Was that the one where Kirk had to save naked Spock from tight wrapping in the changing rooms?I really loathed “The Prometheus Design.” I felt filthy, like I needed to take a shower, after I read it. Not a good way to feel about something I am as passionate about as Star Trek novels.
I've read a quote somewhere from Fred Pohl (one of Bantam's editors in the '70's) saying he had no idea what made Star Trek books sell. And sell. And sell. He allowed Marshak & Culbreath enormous latitude to write & edit whatever they wanted, until there was some kind of breach between Bantam and M&C. They were already gathering stories for New Voyages 3 & 4 (and working on a couple more announced titles, like "Uhura!" and "Mr. Spock's Guide to the Planet Vulcan") when Bantam cut them loose. Those volumes never appeared. Then Paramount reclaimed the license and awarded it to Pocket, a sister company. M&C managed to snag a couple of the early Pocket Books slots, but they somehow made themselves unwelcome at Pocket, too.Probably editorial standards were a lot looser back then. I doubt something like the Phoenix novels would make it past a first draft these days.
Or with the box sets, was “Triangle” a big seller and Pocket just didn’t have enough copies to put in any? Usually box sets are used to move overstock of certain titles.I've read a quote somewhere from Fred Pohl (one of Bantam's editors in the '70's) saying he had no idea what made Star Trek books sell. And sell. And sell. He allowed Marshak & Culbreath enormous latitude to write & edit whatever they wanted, until there was some kind of breach between Bantam and M&C. They were already gathering stories for New Voyages 3 & 4 (and working on a couple more announced titles, like "Uhura!" and "Mr. Spock's Guide to the Planet Vulcan") when Bantam cut them loose. Those volumes never appeared. Then Paramount reclaimed the license and awarded it to Pocket, a sister company. M&C managed to snag a couple of the early Pocket Books slots, but they somehow made themselves unwelcome at Pocket, too.
I did some research last summer into how often those early Pocket Trek novels wound up in box sets (Pocket did around 25 box sets in the '80's and '90's). Of the first couple dozen Pocket novels (1981-1987, basically) there was only one title that never appeared in a box set -- Triangle, the title that ended M&C's careers as Star Trek professionals. Someone at Pocket disliked that book enough to see it was never awarded a slot in a box set.
Or with the box sets, was “Triangle” a big seller and Pocket just didn’t have enough copies to put in any? Usually box sets are used to move overstock of certain titles.
Based on this thread I decided to buy The Prometheus Design ebook. I can't get the Phoenix books on Kindle so It might have to hunt around for the paperback versions.
I see we have a sadist among us![]()
I think you mean "masochist." Unless they're buying the books as presents for someone else.
Have been reading Trek books now for twenty years and at this point these books seem like 'core texts' in the world of Star Trek novels.![]()
Or perhaps a Klingon. They feel that suffering is good for their souls.I think you mean "masochist." Unless they're buying the books as presents for someone else.
Was that the one where Kirk had to save naked Spock from tight wrapping in the changing rooms?
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