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Star Trek Soundtrack reviews? (SPOILERS)

Ok, listened to the soundtrack. Overall I think that it's a good piece of work. However, I find myself only really listening to the last three tracks repeatedly. The rest sounds like a stock movie soundtrack that could be in any picture. I am, though, very pleased to hear both the fanfare and full TOS theme. Just a bit of shame that they wait (presumably) until the end of the picture to use it. I'd like it to be used more often in the inevitable sequel.
i agree with you. i think for the most part the music is forgetable , except for the last three tracks. i think they are holding off using the familiar trek theme till the end much like the composer david arnold did in the reboot of the bond franchise. however i do hear a lot of star wars influence in this score.
 
I just d/l the whole thing from iTunes. Will post a proper review later when I can steal some time. So far, I adore Hella Bar Talk and Enterprising Young Men. The End Credits are a fabulous 9 minute treat, and That New Car Smell is gorgeously haunting. More later...
 
"Hela Bar Talk," "Enterprising Young Men," and "That New Car Smell" are the three stand-outs, such as they are. I've heard snatches of music in some of the video clips that suggest there may be more depth to the score than what's represented on the album, but having listened to what's on the CD a number of times now I remain underwhelmed.
 
I downloaded the soundtrack album from iTunes this morning. Listening to it on the iPod now. I haven't listened to the entire thing yet but so far it's okay. This is only my first time through, so it's hard to form a concrete opinion. The film's main theme is decent, but not all that impressive. I think it'll be easier for me to judge the film's score after I've seen the movie and I can give the music some context.

It definitely has a Giacchino sound to it, but I dare say his work on "Lost" is better. Again, I need to listen to it all the way through and see the film.
 
Just downloaded the soundtrack off iTunes.

My initial impressions (which may change once I see it paired with the film) are that it's serviceable music, but nothing to get excited about. Giacchino is a good composer, in that his scores always seem to support the films and work emotionally with whatever scene he's scoring. But I've never walked out of a theatre thinking the music was something that stood out; for that matter, I can barely remember how any of it goes, even for films I've seen numerous times ("Ratatouille").

The main theme (Heard in track on, "Star Trek") sets the right atmosphere, but does little beyond that. It is short, bland, and unmemorable, simply rising three notes, descending one, leaping down a third, and returning to tonic. It lacks any sense of direction, drama, momentum, or interest. On the plus side, the orchestration chosen does remind me of a lot of the great "Trek" themes of the past. It's really more of a leitmotif than a theme (a theme for a typical Trek film would feature several long, sustained musical phrases, perhaps a B section, and a return to the opening idea). The problem with leitmotifs is that there has to be something really special about them to make them stand up as a musical idea, since they present so little information. For example, John Williams wrote over 500 possible motifs for "Close Encounters of the Third Kind" before settling on the "right" one.

Tentatively, having not seen the film, I give the soundtrack a C. Average, but nothing special.
 
I guess I'll have to disagree with everyone so far. I've really enjoyed the music. There are 3 very distinct themes that he carries throughout the entire movie. One is probably a Kirk/Spock (crescendoing horn, See: 'Hella Bar Talk') theme which can be heard in majority of the tracks, then there is a kind of Romulan theme that can be heard in the faster pace tracks and almost sounds like a tango, and finally there is a great love theme (I have no idea what that instrument is that whines like that. See:'That New Car Smell') that I can't tell has to do with a girl or the Enterprise itself. All three of those themes are quite innovative in my opinion considering that he has to fight against all the other Trek themes. Stand outs are definitely: 'Enterprising Young Men,' Hella Bar Talk,' 'That New Car Smell,' 'Nero Death Experience,' and of Course 'To Boldly Go/End Credits.' That's 6 tracks out of 15. Pretty good. Not to mention the way he weaves TOS fanfare into the End Credits. That is an absolute treat. Solid good music IMO. 100 times better than Nemesis. Is it the best Trek? Na, but it will work great with the movie. You can hear a lot of 'Lost' in it.
 
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Some of it is quite good, but some of it is rather pedestrian. However, his use of percussion is, as always, great.
 
Podcast Review of Giacchino's score can be found here: http://www.filmscoremonthly.com/daily/article.cfm/articleID/6226/Star-Trek-Music-Podcast
The actual review kinda starts at 17.00

I agree with them. What we are getting is a, "they're not there yet" soundtrack. You can't make it like the first movie because they haven't gotten to that level of, I don't know, maturity. It's more along the lines of a "beginning" or "let's get started with the adventure" kinda soundtrack.
 
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...and finally there is a great love theme (I have no idea what that instrument is that whines like that. See:'That New Car Smell') ...
If it's what I think you mean, (entering at 0:35, and again at 1:30) it sounds to me like a reverbed pedal steel guitar or slide electric guitar or possibly electric violin, though there are other instruments and electronics which could produce a sound like it.
 
...and finally there is a great love theme (I have no idea what that instrument is that whines like that. See:'That New Car Smell') ...
If it's what I think you mean, (entering at 0:35, and again at 1:30) it sounds to me like a reverbed pedal steel guitar or slide electric guitar or possibly electric violin, though there are other instruments and electronics which could produce a sound like it.

My favorite as well I think.
 
I quite like it - parts of it pay homage to past Trek scores, but at the same time it's got quite a distinctive sound, and certain parts of it show the hallmarks of Giacchino quite clearly (I'm not a very musical person, but listening to most of his work you can see a certain style that he has).

I like the final track as well, as it does a good job of being faithful to the original theme while managing to meld the newer elements introduced with this film.
 
One of the things I did not like about the film was the score. Although, maybe my dislike was in fact the directorial choice to highlight the score in certain scenes as action played out. The score, to me, seemed very "television" and not grand orchestral themes like I'm used to in Star Trek movies. Except for the end credits, where finally I was happy! :)
 
Well, I've had a little over 24 hours to listen to the score a few times, and I admit that it's growing on me. I still haven't seen the film, of course, so the score stands on its own and has no context. I hear a lot of different influences in the score, and sometimes I think I hear little callbacks to earlier films (but it's only a few notes here and there; it doesn't sound like a re-hash of anything). There were a few bits that even reminded me of NEM, which is interesting (I wonder if Giacchino referenced any of Goldsmith's NEM score, since Nero is a Romulan from the post-NEM era).
 
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