I think Allison Pill has an elfin quaility that Evan Evagora lacks.Heh ... I think perhaps you may have gotten your IP's crossed on that one.
EITRI AT THE STAR FORGE![]()
I think Allison Pill has an elfin quaility that Evan Evagora lacks.Heh ... I think perhaps you may have gotten your IP's crossed on that one.
EITRI AT THE STAR FORGE![]()
Rangers were the folks who patrolled royal parks and forests and is the term used for folks patrolling federal parks and forests in the US. That's likely why Tolkien used it and it would be nice if folks would stop acting like he invented the idea whole cloth.
An was ironically was part of a collective.Seven has never been one for playing well with others.
I would prefer more.It's about as subtle an homage as Z'Ha'Dum in Babylon 5 to K'Zha'Dum in Lord of the Rings.
Using digitally altered images to advance a falsehood is not classy.
The US, the UK and Canada have, historically had 3 approaches to the grand scifi plot of Man vs. the System. US writers have typically preferred: Man fights the system and wins. UK writers have typically preferred: Man fights the system and loses. Little attention has been paid to the Canadian preference, which is, Man fights the system, realizes he isn't going to win, swallows his pride and collaborates with the system in the hopes of improving it in the long term if he can't in the short term.
Picard, as I see it, and has been demonstrated, was unable to swallow his pride and see that any Romulans he could figure out how to save within the system or without would have been the moral victory vs. what he instead chose to do.
For instance, my mother worked for the Canadian Military. She was treated badly. She could have quit but she didn't. She worked within the system to change things for the better.
He can feel bad about Raffi, not being there for her or for the boy. I don't dispute that. He strongly opposed the synth ban and the decision to end the rescue. He wants to set things right. I get that. No dispute here.
An was ironically was part of a collective.![]()
My problem with the show that it isn't remotely about "setting things right." Picard's mission has no literal, personal or thematic connection to why he left Starfleet and his reasons for doing so. It's an entirely separate series of circumstances.
Yes, it helps the disillusioned Picard find something to care about again, which is good, but in no way is he trying to atone for Starfleet's failings or even for his own. He's not personally trying to fix the Romulan situation and he's not even apologizing to the people he left behind and/or screwed over. In fact, he's hitting them up for favors!
And that's why this show isn't really clicking on a dramatic level....
Seems like the bigger story here is WHY did a man like Picard just throw in the towel one sunny afternoon in SF? This may be even more central to this series than the whole Data/Maddox/ Borg thing.
My problem with the show that it isn't remotely about "setting things right." Picard's mission has no literal, personal or thematic connection to why he left Starfleet and his reasons for doing so. It's an entirely separate series of circumstances.
Yes, it helps the disillusioned Picard find something to care about again, which is good, but in no way is he trying to atone for Starfleet's failings or even for his own. He's not personally trying to fix the Romulan situation and he's not even apologizing to the people he left behind and/or screwed over. In fact, he's hitting them up for favors!
And that's why this show isn't really clicking on a dramatic level....
It's not inaccurate, as there is more than one definition.
... and doesn't even own a holovision.
So what are these other defintions? Come on, enlighten us.
I think it's less about him having abandoned the individual people, and more about how that desperate act of offering his resignation from Starfleet, having backfired on him, affected so many lives, and he no longer had the power that might have made a difference for these people.We are treated to another flashback to the time of the Romulan Diaspora (and presumably this will a component of every chapter), this time set in a warrior nunnery on a refugee world where Picard has bonded with both the nuns and an orphan boy. It will turn out that after he left Starfleet, Picard never returned to these people, hurting them all, especially the boy, with his abandonment. It becomes clear now, if it wasn't before, that his departure from Starfleet broke Picard to the core and he has spent the last fifteen years in a morbid depression, retreating from the world. He abandoned Starfleet, abandoned the Romulans, abandoned Raffi, abandoned the nuns and Sword Boy, and very likely others.
and when he tells Raffi that he may never pass this way again, he tells us that the clock is ticking to make things right.
I think there's a bit of contradiction here. As indicated in the first quote, in bringing Raffi and Elnor into his main quest, he's finding himself engaged in a side quest to rebuild some of the bridges that his resignation unintentionally burned.Picard is a man awakening from a coma and coming to terms with regrets, but who has not quite yet learned anything. He berates himself for his abandonment of Raffi and Sword Boy, but has done nothing to make amends or shown any hint that he intends to.
While the episode didn't clearly indicate it, I was under the impression that it was perhaps a desperate move to get Elnor's attention.His tearing down of the Romulans Only sign was a rookie error from a man once known for his diplomacy, and especially hypocritical from someone who showed no moral objection to a gender-exclusive warrior guild.
Laying on the anti-Millennial theme a bit thick...I may have to add a rule to the drinking game.Another metaphor for the Millennial Age?
He HIMSELF might not entirely know why he's doing what he's doing.
He feels compelled to do SOMETHING to atone for the mistakes he's made in the past.
This TVTropes page has a good discussion of it. As I have said, I will coin a new term if people are that bent out of shape by it. But it will mean the same thing, no matter what I call it.
https://tvtropes.org/pmwiki/pmwiki.php/Main/MarySue
I think (and hope), they’ve decided to tone down the whole over the top tough guy thing. I don’t know if it was an acting issue or a writing issue, but count me among those for whom that characterization was not workingI think his whiskey, cigar, chunk of metal in the shoulder is no big deal entrance was beyond silly. But that's not the characters fault. Since then, he's been fine. The Scooby Gang is mostly together now. Hopefully the pace picks up.
The article is pretty clear in stating that these additions to what a mary sue is and isn't are not accurate, subjective and not in the true meaning of what the term actually meant. Which is what everyone has been arguing in the first place.
From the article you provided:
Finally, the advent of the Internet allowed the term to migrate out of the Star Trek community to most fandoms, losing pretty much any real meaning in the process. There are dozens upon dozens of essays that offer interpretations of what the term means, generally basing it off of some usages of it, but none of them are truly comprehensive or accepted. Using the term in most contexts isn't too far off from Flame Bait, generally provoking the defendant into rants. Much Internet Backdraft has resulted, especially if the term is applied to a canon character on a popular show.
Mary Sue as Protagonist You Don't Like
An alarmingly widespread use of the term, and one reason a lot of people feel that the term has lost whatever useful meaning it once had. There are a lot of reasons why this usage is so common. Most obviously, as rants about and mockery of the Mary Sue phenomenon became increasingly well-known in fandom, it became increasingly easy to throw the term around as Flame Bait. The fact that so many of the other definitions are highly subjective doesn't help.
People who accuse characters of being Mary Sues rarely admit that this is the definition they're using. The best way to tell is if their justifications for the character's Sue-hood are all based on shoehorning, Alternate Character Interpretation, misrepresenting the sources, and Accentuate the Negative. Describe any non-fanfic character as a Canon Sue, and you'll be lucky if no one accuses you of using this definition of the term.
Mary Sue as Author Avatar
Simple as that. The original meaning, this one has lost prominence as a sole definition lately but still often gets invoked. People used to sometimes call their alter ego characters "their Mary Sue", but this usage has mostly died with the proliferation of the term as an automatic pejorative.
Flaws
The other influential Not A Mary Sue argument, this claims that having a Fatal Flaw (or two... four... four hundred) makes them not ideal and, thus, not a Mary Sue. As mentioned in Mary Sue as Idealized Character, this usually results in other extremes that aren't too desirable.
The article is pretty clear in stating that these additions to what a mary sue is and isn't are not accurate, subjective and not in the true meaning of what the term actually meant. Which is what everyone has been arguing in the first place.
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