Although it is quite amusing to see Picards childlike glee as he drives it for the first time.
Not to me. Because that doesn't seem in character for Picard. It's more like Patrick Stewart being self-indulgent and getting away with it because he's the star.
*doesn't get the hate for the Argo...*
I don't hate it...I just hate the way that it was used. Personally I think it's a pretty neat idea, and something that adds a little more depth to the Star Trek Universe, but I felt the set-piece it was created for was wholly out of place, and inserted into the movie as a way of artificially making its first third more exciting.
True. The dune buggy itself is not the problem with the dune-buggy chase. The problem is that they cut out a really vital character scene and kept in an interminable and utterly pointless action scene.
What's frustrating is that Star Trek was originally intended to be a dramatic series with a certain amount of action, but all the movies from TWOK on have been made under the assumption that it's an action-adventure series first and foremost. So there's a tendency to shoehorn in action at the expense of story.
Personally, I think the biggest mistake was taking as an assumption that they should cast someone other than Patrick Stewart to play Shinzon. Tom Hardy was thoroughly unconvincing as a young clone of Picard. If the role of Shinzon had been written with Patrick Stewart in mind, and we saw him play off against himself on screen (something which Star Trek has repeatedly done very well, particularly in TNG - Will and Tom Riker, Data and Lore), I think it would have gone so much further to be a good movie.
I don't agree. You get a better performance from two actors facing each other in the flesh and playing off each other's energy than you ever could from the same actor giving two separate performances (with some anonymous script girl reading the other part) and then cutting them together digitally. I agree that Hardy wasn't absolutely convincing as young Picard, but that's no worse an affront than the unconvincing depictions of space and physics in the visual effects. It's poetic license. Heck, I once saw a stage Hamlet where Hamlet was white and his biological uncle Claudius was black. That was unconvincing if you dwelled on it, but that's why they call it the willing suspension of disbelief.
What matters is the quality of the acting, and I thought Hardy did an effective job. The scenes between Picard and Shinzon were the high points of the film, and it was largely because these two actors got to play off each other in the flesh so many times. (People rightly compare this film to TWOK, but it avoided one of TWOK's biggest mistakes, which was never putting the hero and villain in the same room together.)