The parent thing still stands. If your father is a major diplomat on the world scene and your best friend doesn't even remotely know it you are one secretive person.![]()
Okay, this should have been the season finale.
I'm pretty sure everybody in the Senior staff knows that Mariner is the Captain's daughter.
I love how Freeman gets on Mariner at the beginning for breaking the Prime Directive, then turns around and breaks It by offering the lizard and rat people replicator technology.![]()
The Sybok thing, though, always made sense because he was a religious fanatic exiled from Vulcan for radical and "dangerous" beliefs. If your brother were a cult leader that your community had ostracized and chosen not to talk about you'd be pretty quiet, too, to avoid drawing attention to yourself and your family.
The opening scene might be the most trenchant bit of political commentary Trek has ever done. The shot of Mariner pulling down the statue immediately links the scene to current events in the US, then Free-man! shows up and declares that things had been peaceful back when the rat people were eating the lizard people, but now that the lizard people are fighting back, that's terrible. It's far more pointed than Trek's usual milquetoast takes on political controversies, and yet done so lowkey that the usual complainers might not even notice.
It's great that this episode will lead directly into the next one, with the consequence of the Mariner/Freeman family relationship about to be revealed.
Loved the beauty shot and the crash and even the darker Bridge. It wasn't just poking fun at the Kelvin movies, but earlier movies from TMP (long shot) to TWOK (Vindicta as a Khan analogue) to TSFS (Vindicta awakening on the planet from a torpedo tube, Vindicta killing poor Shempo) to TUC (randomly quoting Shakespeare, signature end credits) to Generations (crashed ship, Mariner's gravesite). Not sure if I saw any direct TVH or TFF references.
Agreed since this was most likely written 18 months ago before things REALLY dialed up to 1000........pulling down statues of the defeated isn't something new at all.That may be giving it too much credit but I like your interpretation. Certainly, Mariner is correct that a civil war is not her fault if the locals are being used as food.
Why would anyone have access to it outside of senior staff and the personnel department? It's not like I can go nosing around my coworkers personnel files at my job.Exactly! Still I don't know who canonically can have access to this type of information. Senior staff I suppose it's obvious.
Loved the beauty shot and the crash and even the darker Bridge. It wasn't just poking fun at the Kelvin movies, but earlier movies from TMP (long shot) to TWOK (Vindicta as a Khan analogue) to TSFS (Vindicta awakening on the planet from a torpedo tube, Vindicta killing poor Shempo) to TUC (randomly quoting Shakespeare, signature end credits) to Generations (crashed ship, Mariner's gravesite). Not sure if I saw any direct TVH or TFF references.
Darn, I was hoping it was more of a "stop hitting yourself" joke reference.
I mean, we could go all the way back to "The Enemy Within" for that if we want to dig deep.Could also be another TUC reference (Kirk v. Martia). Really, Nemesis was the first "Crisis Point", taking all previous Star Trek films and mixing it together to come up with... something.
I mean, we could go all the way back to "The Enemy Within" for that if we want to dig deep.
The simple answer is D: All of the Above.True. I was just trying to look at all the tropes that Crisis Point took from the previous Star Trek movies.
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