Frankly, not that I dislike it, but I find TMP at odds with all of the original tv & movie franchise, especially when it comes to the actor's performances. In hindsight, I find it's presentation more aligned with that of TNG than of TOS, which is why it might not have been as well received as TWoK & there after. They returned to a very familiar cast & character dynamic in TWoK that I found somewhat absent in TMP, the exceedingly pronounced performance of Shatner, the snarkiness of Bones, the sly subtle arrogance of Spock & the affableness of Scotty seemed almost non-existent in TMP, even the return of Khan hearkened us back to days of old, which was what I believe their intent to have been, finding Star Trek's roots, returning to the base formula, after an awkward attempt to reinvent it. Their characters in TMP seemed more stoic or strictly business than we'd come to expect. It never even felt like the same people to me, just the same faces
And then, years later, when I saw how TNG settled into its rhythm, I began to notice how it, in many ways, echoed the tone of TMP more than TOS. Hell, they even use the same Goldsmith theme for both. Plus there's the fact that TMP was a reworked script for the Phase II pilot, which while that show never got produced, many of its elements found their way into TNG. So in a weird way, I consider TMP the birth of the next generation of Star Trek. However, most people weren't ready for that at the time. They still wanted the continuation of the first thing, & in a way Roddenberry had moved on & wanted to evolve it into the direction that would eventually become TNG, hence why he didn't jive well with much of what came after TMP, until he began reworking his show into what would become TNG
I dunno, maybe I'm crazy, but it always read like that to me
And then, years later, when I saw how TNG settled into its rhythm, I began to notice how it, in many ways, echoed the tone of TMP more than TOS. Hell, they even use the same Goldsmith theme for both. Plus there's the fact that TMP was a reworked script for the Phase II pilot, which while that show never got produced, many of its elements found their way into TNG. So in a weird way, I consider TMP the birth of the next generation of Star Trek. However, most people weren't ready for that at the time. They still wanted the continuation of the first thing, & in a way Roddenberry had moved on & wanted to evolve it into the direction that would eventually become TNG, hence why he didn't jive well with much of what came after TMP, until he began reworking his show into what would become TNG
I dunno, maybe I'm crazy, but it always read like that to me