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Star Trek Discovery Writing Staff

And might I remind everyone looking at these writers' past writing credits that some of the best writers in Star Trek: Ronald D. Moore, Brannon Braga, Robert Hewitt Wolfe, Rene Echevarria, Naren Shankar, Michael Taylor, Bryan Fuller, Robert Doherty, and I can go on... all had no prior credits before being hired. Most of them weren't writers in the first place and were hired through the spec script policy. (Some of the exceptions being Brannon Braga, who was a writing intern and Naren Shankar, who was the science consultant.)

All of these writers also had success after Star Trek.
The important part of any shows success regularly sits square on the shoulders of its showrunner. You can have a highly talented field of writers pitching and developing, but if they have no vision, or a vision contrary to their staff, then you will find things fall apart quickly (insert obligatory TBBS Voyager drumming here)

Many of the writers you have credited above will happily and proudly say that Michael Piller was the guiding light of modern Trek and his ability to craft writing/production teams, foster and encourage talent gave us that rich pool of talent now spread across the TV spectrum.

What DISCO needs is its own Piller. I thought we had that when Fuller was in charge. A writer/producer with a distinct voice and talent for developing rich ideas and encouraging his staff to think well outside of the norm. Without him there rests and unproven gulf. I appreciate Berg/Harberts have been handed the reigns, but they do not fill me with the confidence (yet) of Fuller, regardless of whatever blueprints he has bestowed upon them.

With Craig Sweeny on board, I wonder if (like Meyer) he will be a more experienced guiding hand for the pair, or if he has a more substantial role in the day to day operations. Hearing he was on board gave me a little hope as he is a very solid writer with a great level of production experience.

Still, to be a great success this show need a unifying driving force. Something that is now lacking with Fuller out. It leaves things in the air somewhat, and with the ever-cluttered TV-scape, it would be easy for this show to get lost, regardless of its namesake.

The show needs a Piller, a Fuller, a Whedon, a Gilligan, a Kohan, a Behr, a Sorkin, a Katims, a Fey, heck even a Rhimes... someone with some vision, drive and ownership. Let's see if someone steps up!

Hugo - wishes the show the best, seriously
 
I don't know the writers by name, are any known as scifi writers, rather than being drama writers? I remember something about one of them having written for some fantasy style shows.
 
I don't know the writers by name, are any known as scifi writers, rather than being drama writers? I remember something about one of them having written for some fantasy style shows.

Genre credits:

Bryan Fuller - DS9, VOY, Pushing Daisies, Dead Like Me, Heroes
Joe Menosky - TNG, DS9, VOY, The Dead Zone, Salem
Aron Eli Coleite - Heroes
Jesse Alexander - Lost, Alias, Heroes
Kirsten Beyer - Star Trek: Voyager (re-launch novels)
Gretchen Berg - Roswell, Pushing Daisies
Aaron Harberts - Roswell, Pushing Daisies
Aaron Baiers - Limitless
Ted Sullivan - Supergirl
Craig Sweeny - The 4400, Medium, Limitless
Tyler Dinucci - Helix
 
Making feminist arguments out of nothing. Reign and Revenge are total soap opera pieces of crap no matter what Dorothy Fontana did.
Sure both shows can get a bit ridiculous at time, but they also both had some great characters, and if the writers can bring those kinds of characterizations to Discovery I'll be very happy.
I think I'd rather see people with more experience with character dramas than with sci-fi. What makes a TV series is the characters and their stories, even if you have the greatest sci-fi ideas it still won't work as an ongoing series without characters to invest in. You can get away with idea based stories for a one off, but not an ongoing series like Discovery.
 
So, the two current show runners are folks picked by Fuller who have worked on his previous shows. And then there's Nicholas Meyer. And Joe Menoksy...

So, would someone like to run through Midnight's Edge's rumor-mongering again about how CBS has just discarded Trek tradition and Fuller's "vision" after allegedly firing him? We've yet to see anything like the kind of administrative and writing-room musical chairs that is generally a result of studio-imposed changes in direction on a project.
 
I see it as hyperbolic nonsense. Discovery was delayed, Fuller already had a full plate and seemed to be squeezing it in..... if the "We hate Fuller and all he stands for!" type of thought was behind anything, they wouldn't sign off on a duo who are pretty much his surrogates.

Overall - it's a very good writers room for Trek. A nice blend of Trek experienced, new to the franchise, and a healthy dose of geeky TV in there too. Perfect.
 
Sure both shows can get a bit ridiculous at time, but they also both had some great characters, and if the writers can bring those kinds of characterizations to Discovery I'll be very happy.

Besides, it's not like some 'soap-opera theatrics' have ever hurt Trek before.

Out of all the main characters (not counting the living props that were TOS supporting cast,) how many of them had at least one or two episodes devoted to their incredibly screwed up family drama? A little dose of melodrama sometimes does the Trek soul good.

  • Spock - estranged for decades.
  • McCoy - euthanised his dying father, only to find a cure five minutes later.
  • Picard - estranged, beats the crap out of his brother
  • Worf - orphaned, birth parents framed for treason, estranged from his brother, who ends up suicidal and having his personality completely erased... by Worf.
  • Riker- estranged
  • Geordi- orphaned. Maybe.
  • Data - Dads a mad scientist, mums dead, two evil brothers, who he killed and brainwashed respectively.
  • Crusher - dead husband, shit of a kid
  • Troi - Father dead, mother is the bloody Thing That Will Not Leave, has a secret dead sister that everyone conspired to hide from her.
That's the well-adjusted crews. We'd be here all day if we delved into VOY and DS9.
 
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Don't forget Kirk: an estranged son (killed by Klingons), a dead brother (killed by neural parasites), and need I mention Miramanee and her unborn baby?

"Drama" has always been a big part of STAR TREK, ever since "The Cage," which begins with Pike in a funk over some dead crewmen and contemplating quitting Starfleet . . ..
 
  • Crusher - dead husband, shit of a kid
  • Troi - Father dead, mother is the bloody Thing That Will Not Leave, has a secret dead sister that everyone conspired to hide from her.
Best description I've heard of these two. Can we contact the Okuda's for a minor tweak in the encyclopedia?
 
Don't forget Kirk: an estranged son (killed by Klingons), a dead brother (killed by neural parasites), and need I mention Miramanee and her unborn baby?

You forgot Carol Marcus - the relationship in itself didn't seem ideal, son or no son; and further and Doctor Janice Lester (from TOS - "Turnabout Intruder") who was REALLY crazy. ;)
 
Geordi wasn't orphaned. His mother was lost in space when he was an adult. His father was on the show, once.
 
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