I still don't get the mentality that someone has to rely on someone else's opinion for their own.
Ebert was a very sincere guy generally but I still didn't agree on half his preferences in movies. He also was a failed screen writer, and that often seemed to color his views.
RAMA
He wasn't "a failed screenwriter"--at least not in any significant way that would define his identity or his work. And it's not about relying on someone else's opinion to choose for me, it's about consulting an opinion I found reliable. I liked a fair number of movies he didn't like, so a negative review by Ebert was rarely enough to dissuade me from seeing a film. However, over the years, I found myself liking a film for which Ebert gave a positive review often enough to feel confident about seeing any film he liked. I amassed nearly 100 films in my collection as "blind buys" based on Ebert's positive reviews and have never been disappointed. Of course, not everyone will have the same experience with Ebert, nor should anyone expect to.
A reasonable use of the Tomatometer. I tend to ignore "the consensus" and look at a few critics I've grown to trust--in the same way as I did with Ebert. I never used to pay any attention to film reviews until I did my MA thesis on historically themed feature films. Part of my analysis was to gauge popular and critical opinion. I viewed nearly 200 films for the project and read 4 times as many reviews. That's how I came to view Ebert as a reliable indicator--if he liked it, I almost always liked it. If he didn't like it, my views were not as often in sync. But no review, good or bad, decides on whether I see a film--I reserve that choice for myself.Ebert didn't like ST09, or at least it left him unmoved, because the review read as if he wanted to like it. I really wish he'd have had a chance to review STID, given some of the last lines of his ST09 review say he hopes the next movie is a real test of personalities rather than just establishing them, and a more challenging and devious story rather than narrative housekeeping.
I never missed Siskel and Ebert on TV, but in recent years I find myself going more and more with a consensus of critical opinion, weighing some critics higher than others. A website like Rotten Tomatoes allows that. I'm sorry, but I do put stock in the Tomatometer. If there are over 200 reviews of a movie and only 30 percent are positive, I'm less likely to get out my wallet than if the consensus is more positive. It doesn't mean I don't read a lot of the reviews, but if they are forming an obvious consensus, I take that seriously. For example, both my wife and I were looking forward to "Batman v. Superman", but when only 27% of 331 reviews are positive, and the negative reviews are all touching on the same things, we begged off seeing it. NEM is the only Trek movie I've never seen in the theater because it was resoundingly panned.