I am very curious how Kurtzman's vision for a CBS All-Acess Star Trek overload compares to JJ's (supposed) plans for Trek in 2013...
A lot of that can be attributed to a decline in toy sales in general--even before the sequel trilogy, floor space for action figures was diminishing while floor space for video games was increasing. It didn't help that Hasbro hasn't been all that great with its distribution and often short-packing popular figures in cases. Quite a few figures that are peg warmers tend to be those people already have or just aren't interested in.And we can now see just how his and Disney's fingers have totally screwed up the Star Wars Product lines.
Big-Box stores are practically giving away what few action figures they have, and don't stock anywhere near the amounts that they use to just a few years ago.
Trek is kind of losing its visibility outside of geek fandom, IMO. Yes, Trek is playing somewhere in the world every day and there's DIS on CBSAA, but they almost exist in a vacuum compared to Marvel movies or even Star Wars. The Kelvin movies were really the only time Trek became visible to everyone (including non-fans) for a while.It's probably a good thing CBS didn't let him screw around with original Trek licensing.
New TOS stuff would be completely nonresistant anywhere by now and we'd probably get blamed for not buying it.
well, there was also (to varying degrees) - TMP (Treks back in a big post SW movie hype), TWOK (spock death/much better movie than 1st), TVH (fun movie/big box office/20th ann), TNG at various times mainly late s3 onwards (BOBW/Unification&VI/AGT/GEN Time cover), and FC (borg/biggish box office)The Kelvin movies were really the only time Trek became visible to everyone (including non-fans) for a while.
well, there was also (to varying degrees) - TMP (Treks back in a big post SW movie hype), TWOK (spock death/much better movie than 1st), TVH (fun movie/big box office/20th ann), TNG at various times mainly late s3 onwards (BOBW/Unification&VI/AGT/GEN Time cover), and FC (borg/biggish box office)
I suspect this is what they're maybe going to do. A TV director, cutting pay for the actors (after already signing contracts in '16OTT FX movies are ten a penny these days. Give us something different.
and talking of Trek as a "mid-level franchise"
That's an absurd supposition based on uncorroborated allegations from a single, unnamed individual found only in the Wrap piece. On the other hand, moving onward and upward is just what successful people do.let's not forget CBS' role in this affair. the battle between the IPs owners allegedly frustrated abrams away from star trek and into star wars' arms.
I was talking about in recent years.well, there was also (to varying degrees) - TMP (Treks back in a big post SW movie hype), TWOK (spock death/much better movie than 1st), TVH (fun movie/big box office/20th ann), TNG at various times mainly late s3 onwards (BOBW/Unification&VI/AGT/GEN Time cover), and FC (borg/biggish box office)C.E. Evans said:The Kelvin movies were really the only time Trek became visible to everyone (including non-fans) for a while.
yes, i cited an article and even used the word "allegedly". how absurd of me.That's an absurd supposition based on uncorroborated allegations from a single, unnamed individual found only in the Wrap piece. On the other hand, moving onward and upward is just what successful people do.
That's an absurd supposition based on uncorroborated allegations from a single, unnamed individual found only in the Wrap piece. On the other hand, moving onward and upward is just what successful people do.
Well, since JJ's personal reaction is in fact what was under discussion, vis-à-vis "the battle between the IPs owners allegedly frustrated abrams away from star trek and into star wars' arms," you know that JJ's personal reaction is the only aspect of the article I was referring to, right?Oh no! It's a credible source from a respected newspaper! Let's just call it "fake news" and pretend nothing in it has any merits...
You realize that the "singlie individual" mentioned in this article is onlyrecounting JJ. Abrams personal reaction - all the other facts and rights issues described in this article have multiple sources, right?
That's how respectable news-organizations work: Tell the facts. But make sure to mention the personal anecdotes are just hearsay. This is not a blog or anything where they can just blurt out any rumour as facts.
But yeah - what's stated in this article is pretty much true (except for that we didn't know if Abrams really said exactly that word-for-word). But all the facts and rights entanglements are not only confirmed by other sources, but by what has happened and is happening now with the franchise.
So, some of the responses to this news just blow my mind and not in a good way. I can't see how anyone would think Pine is being greedy in this situation.
In any other job field if someone signed a contract to get paid a certain amount to do a certain job and the company came back a year later because it had taken losses and said, 'Look we want to pay you less,' the expected response would be a 'Hell no!'
Why are we responsible for how much money a person wants to earn or thinks they are worth?
We're not. It's just my opinion. I'm simply not a capitalist bootlicker to the wealthy.
That assumes a lot about me and my views on money. Still doesn't make your phrasing less odd.Not really. Society has taught you that greed is good. That's why it seems "odd."
Ok. But, in the real world, the money you seem all too willing to deprive the artist (actor in this case) would NOT be redirected to altruistic ends—it would remain in the pockets of a giant corporation already in possession of orders of magnitude more money than that held by the actor. The actor signed a legally binding contract in good faith. He has no moral obligation to renounce the money in order to grant the corporation a larger profit margin. Moreover, a greater proportion of the actor’s earnings will be taxed than that kept by the studio, in the event the studio is successful at forcing a reduction of pay on the actor. Consequently, the “greater good” would suffer a net loss. Additionally, the actor is likelier than the studio to divert some of the money to altruistic ends. If the studio gets what it wants, this potentially compounds the loss for “the greater good”.It's simple math. Pine has multiple lifetimes of money already (20 million) and is holding for more multiple lifetimes of money instead of less multiple lifetimes of money. Easy peasy to define that as greed. Hemsworth even more so with a net worth of 60 million.
Major false equivalency. Most people in that situation wouldn't already have multiple lifetimes of money and obscene excess. They would need that money.
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