This brings to mind a recent conversation I had with a (trained) actor about how far the author can take a script before letting go:
That line is probably in a different place where amateurs are concerned.
But, on the other hand, you don't have control over that [if the actors grok the dialogue or the intent]. You don’t have control over the performance, and you don’t want it. At a certain point you’ve got to be able to walk up to this line and say, “I have built the boat; I have no control over where it’s sailing.” And that’s good for you. I think the tendency to want to have the über vision and control of the parts is admirable, but it’s actually freeing for you to get it to a certain point and say, “I’ve written this play. You’re the actors. Perform it on the stage.” ...And you can’t know everything that’s brought to your writing.
That line is probably in a different place where amateurs are concerned.
