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Simon Pegg, Doug Jung To Write Star Trek 3

I'm actually feeling pretty encouraged by the changes in the creative team. When it seemed that they were going with a pair of unknown writers and a first time director, I feared that Paramount was cheaping out. Now that they've committed to an experienced team an announced a release date, it gives me some assurance that they have confidence in the project and intend to take it to the next level.
 
There is a rumor on IMdB about BrianTyler as a composer of Star Trek 3. Maybe because he worked with Justin Lin. Brian Tyler Has Been tapped to compose the score for Marvel's movies. I love his scores, he has an intense rhythm.

Tyler: "I go with the flow, and what I love about film scoring is it's a good thing to sound different, whereas When You're working on records, if there's a pop act or the act rock, sometimes your fans can be like , 'Wait, why did you change your style, what are you doing?' and this Allows you to really spread your wings and challenge yourself to the different kinds of music". It sounds good. what are your opinion?
 
There is a rumor on IMdB about BrianTyler as a composer of Star Trek 3. Maybe because he worked with Justin Lin. Brian Tyler Has Been tapped to compose the score for Marvel's movies. I love his scores, he has an intense rhythm.

Tyler: "I go with the flow, and what I love about film scoring is it's a good thing to sound different, whereas When You're working on records, if there's a pop act or the act rock, sometimes your fans can be like , 'Wait, why did you change your style, what are you doing?' and this Allows you to really spread your wings and challenge yourself to the different kinds of music". It sounds good. what are your opinion?

Most of the movies I've seen with Brian Tyler doing the music he's done a pretty good job. He did an awesome job on the Children of Dune mini series, and somehow he even managed a decent job with the Enterprise episodes he did despite Berman's intense hatred of background music. And hopefully having someone other Giacchino means more musical variety than blaring "Enterprising Young Men" on a loop for two hours.

Hell, there's more musical variety between TWOK and TSFS than there is between the Abrams movies, and they were done by James Horner, who is notorious for recycling his music in practically every movie he does.
 
I'm a fan of Tyler ever since hearing the Children of Dune theme for the first time in the trailer for Master and Commander, one of my favourite scores! I'd be more than happy to have him on board.
 
The Wormhole said:
But Abrams is pretty bad, delaying both Trek movies, and in his first interview after taking over Star Wars he said he was considering postponing Episode VII's release date, which he since has done.

No, he hasn't. Supposedly Kennedy and Lucasfilm wanted the release date pushed to 2016, but Bob Iger said no. And Abrams expressed that he was OK with the 2015 date, though maybe he had no choice.
 
Supposedly Kennedy and Lucasfilm wanted the release date pushed to 2016, but Bob Iger said no. And Abrams expressed that he was OK with the 2015 date, though maybe he had no choice.

Yeah. I'm pretty sure Bob Iger has the final say here, regardless of what anyone else suggests or protests.
 
With the short run-up to shooting, maybe Pegg and Jung are just working from Orci's story?

I want to be optimistic about Pegg, but I think the quality of his film writing has declined since SotD. It was the same with Spaced before that: first season brilliant, second season patchy due to tiredness, cockiness, distraction by other projects. I hope Pegg gets some good nights' sleep and puts a lot of effort into the project.

I think Lin could do well. The FF films are very solid. They're very dynamic, obviously, but I think there's little chance he'll make something as crazy-looking as Abrams' films.

There is a rumor on IMdB about BrianTyler as a composer of Star Trek 3. Maybe because he worked with Justin Lin. Brian Tyler Has Been tapped to compose the score for Marvel's movies. I love his scores, he has an intense rhythm.
Yes, good news. Bear McCreary would be another good choice. Anything's better than another hamfisted Giacchino score.
 
I liked Trek 09 and thought STID but I'm glad it's being freshened up hopefully because the scripts definitely were not the greatest.
 
And hopefully having someone other Giacchino means more musical variety than blaring "Enterprising Young Men" on a loop for two hours.
Howard Shore did the same thing in the score for the first Hobbit film; the movie's theme popped up a time or two too often.
 
I may be misremembering, but to those claiming this movie has a short time of prep, didn't Wrath of Khan, Voyage Home and The Undiscovered Country all three have a short writing phase? Again, I may be misremembering, but I could have sworn in a commentary track for IV, Nicholas Meyer says the script was split up, with Nimoy and Meyer writing the 23rd century parts, and the new writers writing the 1986 portion with only a couple of weeks elapsed during the whole process. If I'm remembering right, these are also among the best regarded, so maybe a short writing phase for Star Trek 3 will turn out a better movie, since they won't have the time to overthink everything.
 
Plus, remember that the average feature-film script is about 120 pages with a lot of white space. It's not like they have to write War and Peace overnight. :)

And, yes, the script is often being tinkered with well into post-production. And this is not necessarily a sign of disarray or confusion; it's often just about fine-tuning things as you go along.

"Gee, this scene reads great on the page, but it's falling kinda flat onstage. Maybe we can punch it up somehow . . . or perhaps we should just eliminate it altogether?"

It's funny, actually. People hear about "rewrites" and "reshoots" and such and assume that this is a sign of a troubled production or a "train wreck" in the making, when this often can't be farther from the truth. Making changes throughout is just a routine part of the process.

There's a reason we refer to unfinished movies (and books, for that matter) as works-in-progress. Nothing is set in stone until you have a final cut or draft--and sometimes not even then! :) And changing things throughout is just a routine part of the process. Really.

(Hell, I'm usually revising my books right up until they go to press.)

I can believe that quite easily Greg, back when I took part in PBEM's I could easily go through several drafts of a post before I posted it. Even then there were times I felt I could still have improved it more.
 
...so maybe a short writing phase for Star Trek 3 will turn out a better movie, since they won't have the time to overthink everything.
Something successful coming out of a lack of planning is either luck or brilliance. You can't depend on it, and lack of time certainly does not imply quality.
 
Something successful coming out of a lack of planning...

Who said anything about a lack of planning? A tightened production window will limit second-guessing though. Which I don't think is a bad thing.
 
With the short run-up to shooting, maybe Pegg and Jung are just working from Orci's story?

I want to be optimistic about Pegg, but I think the quality of his film writing has declined since SotD. It was the same with Spaced before that: first season brilliant, second season patchy due to tiredness, cockiness, distraction by other projects. I hope Pegg gets some good nights' sleep and puts a lot of effort into the project.

I think Lin could do well. The FF films are very solid. They're very dynamic, obviously, but I think there's little chance he'll make something as crazy-looking as Abrams' films.

There is a rumor on IMdB about BrianTyler as a composer of Star Trek 3. Maybe because he worked with Justin Lin. Brian Tyler Has Been tapped to compose the score for Marvel's movies. I love his scores, he has an intense rhythm.
Yes, good news. Bear McCreary would be another good choice. Anything's better than another hamfisted Giacchino score.

I disagree but I know that doesn't mean much. I think Giacchino should stay as composer. One small thing I do know about is concert orchestration and I am very much a fan of his ever since the first Trek movie - he knows trek - he knows action - all musically. Keep him please.
 
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