Reasons why JJ should be involved with ST 4 ( based on the 1967 Writer's Guide)
1967 Writer's Guide said:I. Build your episode on an action-adventure frame-
work. We must reach out, hold and entertain
a mass audience of some 20.,000,000 people or we
simply don't stay on the air.
II. Tell your story about people, not about science
and gadgetry. Joe Friday doesn't stop to explain
the mechanics of his .38 before he uses it; Kildare
never did a monologue about the theory of anes-
thetics; Matt Dillon never identifies and dis-
cusses the breed of his horse before he rides
off on it.
THE TEASER
We open with action, always establishing a strong
jeopardy, need, or other “hook". It is not
necessary to establish all the back story in the
teaser. Instead, we tantalize the audience with
a promise of excitement to come. For example,
it can be as simple as everyone tense on the
bridge, hunting down a marauding enemy ship...
then a tale-telling blip is sighted on the screen.
and the Captain orders “ALL HANDS TO BATTLE STATIONS."
Fade out, that's enoughI think JJ and hopefully, JL gets it.STYLE
We maintain a fast pace ... avoid long philosophical
exchanges or tedious explanations of equipment.
And note that our cutting technique is to use the
shortest possible time between idea and execution
of it .., like, for instance, Kirk decides that a
landing party will transport down to a planet ...
HARD CUT to lights blinking on the Transporter
console, PULL BACK to REVEAL the landing party
stepping into the Transporter.![]()
What's that? Why yes, I do hear the sound of a can of worms being opened. Why?
But, this also reinforces my opinion that Abrams did nothing different with Trek than had been done before.