Spelling issues aside, the point remains.
The point remains
irrelevant to telling a good Star Trek story.
I'd be all for McFarlane given a crack at doing a new Star Trek show depending on what his idea for the series is (I don't care how great the creative team is if the premise just doesn't interest me. If the show's about Starfleet Academy, for example, then I don't want to see it). The guy's already proven to be an incredibly adept and capable writer and showrunner. Sure, his experience has been in comedy, but comedy is a far more difficult beast to write than drama. I'm certain he could easily handle a more dramatic series and then some.
Okay, while I appreciate the "kids smashing their father's train set" bit, you're on your own with the rest of that.
However, speaking as one who, as a wee tyke, delighted in trying to put broken stuff back together (still do, as a matter of fact), I would see returning the original timeline back a position of prominence, and undoing the damage done by Jar Jar, as a challenge. I suspect McFarlane has a similar mindset on this topic.
Please let that be the last word on the subject.
A revival isn't necessarily a reboot. Anyway, there's no way a THR article would broach the topic of "what universe/timeline to set the series in" because your average THR reader doesn't know there are options and it would require far too much explanation.I’d love to see that franchise revived for television in the way that it was in the 1990s: very thoughtful, smartly written stories that transcend the science fiction audience.
Not by a longshot. The new Trek movie has created much needed breathing room by dumping the enormous amount of superfluous canon, any new series or movie will follow on from it no matter who ultimately directs it.
The only thing that was right about the future of Trek pre '09 was JJ Abrams directing, the casting of the younger Spock and the 150 million dollars. Other than that it was a complete disaster, IMO. Orci and Kurzman are great writers who wrote a cool first meeting scenario but they're not Star Trek or sci-fi writers. Had they out sourced and worked with a concept writer they might have had a story to tell without the alternate reality which was the major thing. The ship was ugly, interior and exterior. The staid Pine was wrong as was the bad boy arrogant characterization. I think that was the most offensive. Add to that the Kobiashi Maru, The old Spock (stunt casting), the giant space drill, and I'd rather see Plan Nine from Outer Space.
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