Oooo! Unfortunately (for them), it's an Abramsverse Trek coloring book.
Sorry there, folks...

Oooo! Unfortunately (for them), it's an Abramsverse Trek coloring book.
Sorry there, folks...
Well, they can at least recolor the nacelles as they see fit.Oooo! Unfortunately (for them), it's an Abramsverse Trek coloring book.
Sorry there, folks...
Well, they can at least recolor the nacelles as they see fit.Oooo! Unfortunately (for them), it's an Abramsverse Trek coloring book.
Sorry there, folks...
^Show me an episode or movie that can't be picked apart in a similar fashion by an OCD spaz.
Any opinion at all?! Of course not - don't be silly. You may have your own opinions, but I don't want to see you trying to make off with anybody else's.Are we allowed to have any opinion of the movie at all?
^ I don't think he expected the Tru-Trek Inquisition.
I enjoyed Insurrection more than I enjoyed Generations, which was a mediocre single episode spread so thin you could see through it. (Also a dreadful waste of Malcolm McDowell.)INS is just a bloated double episode full of classic Trek tropes. Not good, not bad, not really a movie.
It wasn't an argument. It was hardly substantial enough even to be called an opinion - just offering an impression, really, but wonder away.I keep wondering about this argument.
Film stuff.I keep wondering about this argument. What makes a film not a mediocre single episode spread over two hours?
acted differently
^ I don't think he expected the Tru-Trek Inquisition.
For example, people praise the Ten Forward lighting. However, the DP really didn't approach it like one would expect in film but the same way the[y] did on the show--he just threw more money at it.
But what makes a film just a mediocre two-part episode, and what elevates it to something higher?It wasn't an argument. It was hardly substantial enough even to be called an opinion - just offering an impression, really, but wonder away.I keep wondering about this argument.
True, it's a lot darker for some reason. Like at an office when half the fluorescent lights are off. It looks decent enough on film, but can be distracting since we've seen the same set fully lit for nearly a decade at that point.For example, people praise the Ten Forward lighting. However, the DP really didn't approach it like one would expect in film but the same way the[y] did on the show--he just threw more money at it.
John A. Alonzo certainly did NOT light Generations the same way they did the TV show, as the Ten Forward scene illustrates. I'm sure there were some holdovers from the set lighting for TV since all the catwalks and rigging were already in place, but the movie looks nothing like the TV show in terms of lighting design.
If we are to ignore STiD's flaws on grounds that old Trek had many of the same flaws are we also expected to ignore what STiD gets right given that much of old Trek got it right too?
It's not entirely clear at whom that might have been directed, but it's closer to taking a swipe at other posters than I really like to see here. Don't do that, please.If we are to ignore STiD's flaws on grounds that old Trek had many of the same flaws are we also expected to ignore what STiD gets right given that much of old Trek got it right too?
A hypocrite should always be exposed.
But what makes a film just a mediocre two-part episode, and what elevates it to something higher?
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