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Second try finishing STID...better this time around.

^Show me an episode or movie that can't be picked apart in a similar fashion by an OCD spaz.

If we are to ignore STiD's flaws on grounds that old Trek had many of the same flaws are we also expected to ignore what STiD gets right given that much of old Trek got it right too?

Are we allowed to have any opinion of the movie at all?
 
Are we allowed to have any opinion of the movie at all?
Any opinion at all?! Of course not - don't be silly. You may have your own opinions, but I don't want to see you trying to make off with anybody else's.
 
INS is just a bloated double episode full of classic Trek tropes. Not good, not bad, not really a movie.
I enjoyed Insurrection more than I enjoyed Generations, which was a mediocre single episode spread so thin you could see through it. (Also a dreadful waste of Malcolm McDowell.)

I keep wondering about this argument. What makes a film not a mediocre single episode spread over two hours?
 
I keep wondering about this argument. What makes a film not a mediocre single episode spread over two hours?
Film stuff.

Film and television are written differently, filmed differently, lighted differently, staged differently, acted differently, scored differently, and a long list of other stuff.

Generations didn't do all those things like a film normally would, but did them like a TV show with a lot more cash on hand--the dialog beats, the score, and the lighting specifically.

For example, people praise the Ten Forward lighting. However, the DP really didn't approach it like one would expect in film but the same way the did on the show--he just threw more money at it.
 
For example, people praise the Ten Forward lighting. However, the DP really didn't approach it like one would expect in film but the same way the[y] did on the show--he just threw more money at it.

John A. Alonzo certainly did NOT light Generations the same way they did the TV show, as the Ten Forward scene illustrates. I'm sure there were some holdovers from the set lighting for TV since all the catwalks and rigging were already in place, but the movie looks nothing like the TV show in terms of lighting design.
 
For example, people praise the Ten Forward lighting. However, the DP really didn't approach it like one would expect in film but the same way the[y] did on the show--he just threw more money at it.

John A. Alonzo certainly did NOT light Generations the same way they did the TV show, as the Ten Forward scene illustrates. I'm sure there were some holdovers from the set lighting for TV since all the catwalks and rigging were already in place, but the movie looks nothing like the TV show in terms of lighting design.
True, it's a lot darker for some reason. Like at an office when half the fluorescent lights are off. It looks decent enough on film, but can be distracting since we've seen the same set fully lit for nearly a decade at that point.
 
If we are to ignore STiD's flaws on grounds that old Trek had many of the same flaws are we also expected to ignore what STiD gets right given that much of old Trek got it right too?

A hypocrite should always be exposed.
 
If we are to ignore STiD's flaws on grounds that old Trek had many of the same flaws are we also expected to ignore what STiD gets right given that much of old Trek got it right too?

A hypocrite should always be exposed.
It's not entirely clear at whom that might have been directed, but it's closer to taking a swipe at other posters than I really like to see here. Don't do that, please.
 
But what makes a film just a mediocre two-part episode, and what elevates it to something higher?

For Star Trek films, I'd say it comes down to the story quality. In terms of the productions, First Contact and Insurrection are nearly identical in every aspect (so Clegg's aforementioned "film stuff" is pretty much the same) - yet it's the latter gets tagged with the dreaded "it felt like a two-part TV episode".
 
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