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Roger Ebert on the future of movies...

Admiral Buzzkill

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...nearly a quarter of a century ago:

"We will have high-definition, wide-screen television sets and a push-button dialing system to order the movie you want at the time you want it. You'll not go to a video store but instead order a movie on demand and then pay for it. Videocassette tapes as we know them now will be obsolete both for showing prerecorded movies and for recording movies. People will record films on 8mm and will play them back using laser-disk/CD technology. I also am very, very excited by the fact that before long, alternative films will penetrate the entire country. Today seventy-five percent of the gross from a typical art film in America comes from as few as six --six-- different theaters in six different cities. Ninety percent of the American motion-picture marketplace never shows art films. With this revolution in delivery and distribution, anyone, in any size town or hamlet, will see the movies he or she wants to see."

OK, so the CD became DVD and 8mm didn't really go anywhere, but otherwise, Ebert got it pretty much right on the money. He also predicted that by 2000, people could be making movies for as little money as it costs to publish a book or make a record, which also turned out to be true, at least as long as you didn't hire James Cameron or Michael Bay as the director.

Ebert's ideas look especially sagacious when you compare his prognostications to much-heralded futurists like Herman Kahn, who promoted the idea of a winnable nuclear war or Paul Ehrlich, whose famous "Population Bomb" doomsday thinking warned that hundreds of millions people would have died of starvation by now. As it turned out, most of those hundreds of millions of people are on Facebook helping overthrow their governments and watching cruddy Hollywood movies and TV shows on their smartphones.

Smart guy, Ebert - of course, he's a skiffy fan from way back.
 
Ebert is indeed a smart fellow. He seems to get a lot of flak for his reviews and some consider him an old fogey, but I think he's sharp and witty and has more eclectic tastes than people give him credit for. For instance, he's quick to lambast a movie for being dumb and loud--unless it does something interesting with the fact that it's dumb and loud. It's not that he has no appreciation for popcorn cinema, he just doesn't like it done poorly and with nothing interesting to say.

He is more on-the-ball than people give him credit for.
 
It's funny--I picked up the Omni Future Almanac after randomly spotting it on a library shelf last week, and it's amazing at how far off the mark much of it is. Published in 1982, it predicted something like 5,000 people living full-time in space by 2010. Ebert did way better than most of the people who contributed to that book. And the fashion and cultural predictions were, to put it mildly, slightly off the mark.

Still, it was nice to look back at a time when there was a lot more optimism for the future than there is now.
 
Yep. Roger's a smart man. It's nice to see intelligence and foresight lauded. Just don't read the article comments. :lol:
 
Ebert is indeed a smart fellow. He seems to get a lot of flak for his reviews and some consider him an old fogey, but I think he's sharp and witty and has more eclectic tastes than people give him credit for. For instance, he's quick to lambast a movie for being dumb and loud--unless it does something interesting with the fact that it's dumb and loud. It's not that he has no appreciation for popcorn cinema, he just doesn't like it done poorly and with nothing interesting to say.

He is more on-the-ball than people give him credit for.

To be fair, making proper predictions for an industry (and filmmaking is one) is no wizardry. Those folks (Kahn, Ehrlich, etc...) who say random stuff like "in 25 years everyone will own a portable fusion reactor" or "we'll all be wearing futuristic tinfoil hats" or "people will visit the moon as often as they visit their grandma" are walking jokes. Population Bomb, my ass.
 
Yeah, Ebert's a smart guy and I really respect his judgment and his powers of prognostication. And I respect his brave battle with cancer.

But damn, I still haven't forgiven him for panning Abrams' Star Trek movie. Grrrr.

Does Ebert or anyone else have any predictions about movies 25 years from now?
 
25 years from now, Michael Bay and Uwe Boll will be hailed as under-appreciated filmmakers and elevated to status of greats like Martin Scorsese, John Ford, and Akira Kurosawa...
 
That's some pretty keen insight there. Although to be fair, he's been reviewing for so long and he's probably had inside knowledge about where certain things were headed compared to most moviegoers, including trends of the time that were leading that way. Still, it's rather impressive. You see things like the widescreen TV in Back to the Future 2 and it looks amazingly spot on for what we have today, so maybe they were right about some of the things we'd have by 2012 ;) Not too shabby for 1989.
 
Except that Ebert didn't pan the movie - he found it a fun but so-so movie, giving it two-and-a-half stars. And his boredom where Trek is concerned dates back a ways...

I'm sitting there during "Star Trek: Nemesis," the 10th "Star Trek" movie, and I'm smiling like a good sport and trying to get with the dialogue about the isotronic Ruritronic signature from planet Kolarus III, or whatever the hell they were saying, maybe it was "positronic," and gradually it occurs to me that "Star Trek" is over for me. I've been looking at these stories for half a lifetime, and, let's face it, they're out of gas.

There might have been a time when the command deck of Starship Enterprise looked exciting and futuristic, but these days it looks like a communications center for security guards. Starships rocket at light speeds halfway across the universe, but when they get into battles the effect is roughly the same as on board a World War II bomber. Fearsome death rays strike the Enterprise, and what happens? Sparks fly out from the ceiling and the crew gets bounced around in their seats like passengers on the No. 36 bus.

When Ebert actually pans a movie, now, that's something to read. :lol:
 
Is it wrong that I'm most impressed that Ebert used the phrase, "order a movie on demand"?

I know - that jumped out at me as well! Is the "on demand" thing a particular American saying that has been around for a while, like Wrestlemania and movies can be ordered PPV "on demand"? Otherwise it is eerily prophetic!
 
Is it wrong that I'm most impressed that Ebert used the phrase, "order a movie on demand"?

I know - that jumped out at me as well! Is the "on demand" thing a particular American saying that has been around for a while, like Wrestlemania and movies can be ordered PPV "on demand"? Otherwise it is eerily prophetic!


That's a good question, actually. From what I can see, Pay-Per-View was around in the 80's but only really took off in the latter half. But it was around even before then, as early as the 70's, and even began testing the concept in the 50's. I think on-demand is a more modern term for it and I think Pay-Per-View as a term is fading out of use as cable companies want to hide the fact that you're paying for each individual use, which goes hand-in-hand with the behavior they have these days of expensive cable bills.

http://en.wikipedia.org/wiki/Pay-Per-View
 
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. It's not that he has no appreciation for popcorn cinema, he just doesn't like it done poorly and with nothing interesting to say.

This is why I dont like people like him, I find it the height of condescension to use "doesnt have anything to say" type of criticism.

Mainly because the inherent implication from the person using it is "I am much too smart and intelligent to like this film, so I shall look down on those who do".

The idea that any film/book/tv show etc has to have some deep meaning or message to be entertaining or to be considered good is nonsense. Sometimes things are good just because they are fun to watch, even if the deepest they go is "we need to blow shit up".
 
I don't think Ebert has ever required popcorn movies to be deep in their meaning or have a message -- he just wants them to be fun. Which is probably why he gave both of the Iron Man films three stars, and a dull and lifeless film like The Green Hornet only one.
 
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