Take The Exorcist, for example. For all the criticism it attracted for its puke and head-spinning, that was a very conservative film, at its heart. And it came out at just the right time to capitalize on fears that the 60s had gone too far, that young people and women were out of control, that society was crumbling, etc.
That's true - notably, these things stand as occasional exceptions. The Exorcist (as a film, anyway, rather than the book) contains little, if any, explicit political ideology and the social themes are submerged and to some degree subverted.
A prime example: the "viewpoint character," Father Karras, is a thoroughly modern priest. He's a psychiatrist; his initial response to someone seeking exorcism is "first you need a time machine back to the thirteenth century."
Though Karras eventually comes to accept the supernatural, his final solution to dealing with the demon throws away the traditional trappings of ecclesiastical authority, dogma and practice in favor of tried-and-true Hollywood emotionalism: Regan isn't rescued by the agency of the Church (Merrin is, in fact, defeated by the demon) but by a moment of personal rage and violence and impulsive sacrifice by Karras.
If anything, the message of the movie version is that while evil is real, religion and tradition are ineffective - only the feeling individual makes a difference. "Librul touchy-feely claptrap," that.
Oh, regarding "spoilers" - the movie is almost forty years old. Rosebud is a sled.
The 1973 horror film a conservative one? I THINK NOT! That movie was not only offensive in A LOT of ways, it should have also been X - rated!
Not only was it offensive, it was downright revolting! What happened to the two priests was definately brutal and violent, and also downright tragic. Granted they saved the life of a young girl who was assaulted and brutalized by that evil force, but it was still at a great cost.
God Love that poor kid. What that young girl had endured, is something horrific beyond comprehension. A violation that is too horrendous, hostile, and unfathomable to describe.
That film, like A Clockwork Orange some two years before, should have been banned!
Banned indefinitely!
That film, like A Clockwork Orange some two years before, should have been banned!
Banned indefinitely!
I seem to be lost-I came here to discuss Heinlein.![]()
I seem to be lost-I came here to discuss Heinlein.![]()
I seem to be lost-I came here to discuss Heinlein.![]()
The 1973 horror film a conservative one? I THINK NOT! That movie was not only offensive in A LOT of ways, it should have also been X - rated!
Not only was it offensive, it was downright revolting! What happened to the two priests was definately brutal and violent, and also downright tragic. Granted they saved the life of a young girl who was assaulted and brutalized by that evil force, but it was still at a great cost.
God Love that poor kid. What that young girl had endured, is something horrific beyond comprehension. A violation that is too horrendous, hostile, and unfathomable to describe.
That film, like A Clockwork Orange some two years before, should have been banned!
Banned indefinitely!
Wasn't his unpublished first novel intended to promote Social Credit?
The 1973 horror film a conservative one? I THINK NOT! That movie was not only offensive in A LOT of ways, it should have also been X - rated!
Not only was it offensive, it was downright revolting! What happened to the two priests was definately brutal and violent, and also downright tragic. Granted they saved the life of a young girl who was assaulted and brutalized by that evil force, but it was still at a great cost.
God Love that poor kid. What that young girl had endured, is something horrific beyond comprehension. A violation that is too horrendous, hostile, and unfathomable to describe.
That film, like A Clockwork Orange some two years before, should have been banned!
Banned indefinitely!
If you are trying to act like a parody of some old fart - well done![]()
The terms "faithful," "respect for source material" and "artistic integrity" also spring to mind.Directors are always looking to insert their own vision or message, and sometimes you gotta tell em "Look, doofus, the message is already there! Just do the movie like the friggin' book, okay?!"
That's called a "fan film;" we have a whole forum devoted to them.![]()
Hmmm...I woulda thought Regan defiling the Cross was far more Contraversial and offensive to Conservatives, then the puking or the Violence.
You're really Red Foreman, right? You are? Yeah, you're Red. Are you sure you're not Red? I think you're Red. Sure, you're Red.
Just say "Dumbass" like we all know you want to, and let's move on.
I love Heinlein, although there's still a lot of his stuff I haven't read. My favorite is probably Friday.
The Borgified Corpse wrote:
I don't think it was a matter of trying to impose his own vision on the book. I think it was a matter of him already making the movie before he learned of the book, then the studio buying the rights to the book and using the title because it's just similar enough to the movie that they were already making that they might get sued otherwise.
So he made a movie out of whole cloth that just happened to use the same names from the book, but he never read the book? How does that work again?
If you're waiting for Hollywood to decide that producing expensive films that bomb, in order to push the ideologies of writers like Rand and Heinlein, is a worthwhile business model...don't.
Well to Atlas Shrugged Credit, by all accounts it was a inexpensive production.
That film, like A Clockwork Orange some two years before, should have been banned!
Banned indefinitely!
But true to the book as much as they could get past the censors. (The 20 chapter version)
I seem to be lost-I came here to discuss Heinlein.![]()
Yes.
Did Heinlein ever write any horror fiction, or SF with horror themes? I can't recall any, off the top of my head.
But then, Golden-Age SF was not big on that sort of thing. Which seems kind of strange, considering that it was John W. Campbell who wrote "Who Goes There?"
ETA: A quick web search suggests that The Puppet Masters, "The Unpleasant Profession of Jonathan Hoag," and "They" are considered horror-type stories.
I tried to read The Puppet Masters once, but couldn't get into it. Never read either story.
This also reminded me how little use he had for so-called "social conservatives" and for religiously narrow-minded "Christians" as he saw them - the villains of several of his stories were American theocrats. In this he'd fit comfortably in with a lot of libertarians, I think.
This also reminded me how little use he had for so-called "social conservatives" and for religiously narrow-minded "Christians" as he saw them - the villains of several of his stories were American theocrats. In this he'd fit comfortably in with a lot of libertarians, I think.
Defending their biases in favor of the material they're adapting. Got it. Keep talking.In defending one's biases, they so often do.
Exactly. One can barely recognize it. They should have called it "nuFriday."I love Heinlein, although there's still a lot of his stuff I haven't read. My favorite is probably Friday.
Notice how the movie version of that one isn't faithful at all! Ice Cube indeed!
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