The Octo-Spiders were great, as were most of the aliens; I suspect they were among Clarke's ideas. There was one aquatic species that alternated between two forms every other generation, which I thought was another cool idea.All I really remember of the sequel novels were the Octospiders (I was of an age where sentient spider-octopi were innately cool);
Yeah, but I don't remember the details; which says a lot, I guess....Refresh my memory - was the purpose of the cylinder ever revealed? Other than in a fan-ficish way in the 'sequels'?
The Octo-Spiders were great, as were most of the aliens; I suspect they were among Clarke's ideas. There was one aquatic species that alternated between two forms every other generation, which I thought was another cool idea.All I really remember of the sequel novels were the Octospiders (I was of an age where sentient spider-octopi were innately cool);
Refresh my memory - was the purpose of the cylinder ever revealed? Other than in a fan-ficish way in the 'sequels'?
Rama II is OK, but go no further."Rendezvous With Rama" is great!
The follow ups not as much, unfortunately. You can read Rama II if you like, but stop there.
The problem with making ""Rendezvous" are probably that there aren't enough of explosions in the book for a big budget SF-movie.
I guess that the forthcoming(?) Foundation movies is afflicted by the same problem.
I got the book when it was first published and liked it, but then again I liked almost all Clarke before IMPERIAL EARTH (and disliked all Clarke after FOUNTAINS OF PARADISE.)
When Freeman was really trying to get the movie going a decade ago, he commissioned a fully CG teaser trailer from some really good artists at POP. Fincher was quasi-committed to it, and the script was getting reworked because they needed to punch up the Jimmy character (you probably haven't gotten to him yet) to make him a second lead (I'm thinking Freeman was dreaming of Pitt, not too likely!)
Late in 2000, I met Freeman's partner at Revelation Entertainment's office in Santa Monica, a woman named Lori, cuz I was interested in doing a 'making of' book and figured this was ideal ... a book I knew well, plus I'd just interviewed Fincher about FIGHT CLUB. But I think the film stalled over money, this was when Polygram/Seagram had its meltdown selloff, and I think this was a casualty. INTEL was going to provide a ton of money and tech support for it, and Fincher at one point talked about doing the whole thing as motion capture so that you could map actor faces onto CG bodies to do weightlessness properly (which sounded INSANE at the time, though these days people would probably eat it up, even if it wasn't all that photorealistic.)
I think the POP artists who did the trailer were Deak Ferrand and maybe Rocco Gioffre. I don't know if the trailer ever made it to youtube or not, but maybe it is someplace ...
Yes, I can't find the exact quote, but it was something like, "In the book Asimov would have a character say, 'Whew! It sure was a close call with those space pirates. Now let's discuss economics...' As a writer, I need the space pirates." Didn't exactly fill me with confidence for the project. In fact, after reading that quote, I wasn't much interested in the prospect of the film any longer.I remember reading an interview with some Hollywood hack who was working on a Foundation movie. There was some quote along the lines of "Asimov was great, but, as a writer [sic], I need to find the action."![]()
![]()
I'll have to see if I can track that down....Which is why the Myst style adventure game that used these ideas (and the less salacious elements of RAMA II's story) is well-worth your time. And, it has a base-8 math puzzle that's pretty tricky. It took me forever to beat that when I first played the game. It also has quite a bit of footage of Clarke, too, which is a nice bonus.
It definitely did not. It was the quintessential BDO story, and the best; my vote for worst goes to Rogue Moon.^But that explanation was from the sequels, wasn't it? I believe the question was if the original novel itself provided an explanation, and I don't think it did.
That's pretty much true. It's not something that bothered me, though. It was just a wicked long story.Doesn't Rama II end on a cliffhanger, though? That was one of the many, many things that annoyed me about the trilogy -- the fact that it wasn't really a trilogy (three complete books that together form a larger arc), but just one really long story that was arbitrarily divided up on the basis of page count. As I recall, the first two volumes (or at least the second) didn't really have endings or climaxes, they just ran out of pages.
Very nice. It never occurred to me to search for Rama on YouTube. I also found this animation of a tour of a Rama-like Human space habitat. Coincidentally, when I first started playing with 3D software, I did an experimental animation of a trip into a Rama like Human habitat; it's too simplistic and amateurish for me to want to upload, thoughWow that student short was pretty amazing! It almost seems like it will be the ONLY version of Rama we ever see.
I still have the original copies of Galaxy magazine that I bought off the shelf in 1973.I have my trusty 1990 soft cover bantam edition of it next to me.
Yeah, there you go. It was in Starlog or something. Sheesh.Yes, I can't find the exact quote, but it was something like, "In the book Asimov would have a character say, 'Whew! It sure was a close call with those space pirates. Now let's discuss economics...' As a writer, I need the space pirates." Didn't exactly fill me with confidence for the project. In fact, after reading that quote, I wasn't much interested in the prospect of the film any longer.I remember reading an interview with some Hollywood hack who was working on a Foundation movie. There was some quote along the lines of "Asimov was great, but, as a writer [sic], I need to find the action."![]()
![]()
The best way to adapt the Foundation stories is to take the Masterpiece Theater approach: A few low-budget sets with a lot of talking heads and some CGI establishing shots of the kind that most of us could do on our home PC.Well Asimov was more of an ideas writer than a character, plot, or action based one - and that is not uncommon amongst SF authors. I certainly don't consider him to be the most compelling writer, and I can understand why adapting his works is a tricky proposition.
He's also more of an ideas writer than a prose writer. I remember finding his prose, well, never any good. I enjoyed his robot stories for their logical puzzles, but the Foundation novels weren't so hot. Clarke also isn't a character writer, but his prose was generally quite a bit better and his stories I found quite compelling. So I'd say Asimov's I, Robot stories would be the best source of a movie - just a simple, low budget film with a lot of talking heads figuring out the robot problem of the day. It's also a good choice because it's never been made into a film starring Will Smith and directed by Alex Proyas just before I lost respect for him.Well Asimov was more of an ideas writer than a character, plot, or action based one - and that is not uncommon amongst SF authors.
The first book is outstanding, the follow-ups not so much. A version of Rama II was made into the video game RAMA, and I think it's far superior.
We use essential cookies to make this site work, and optional cookies to enhance your experience.