The issue with season 1 at least for me was its bad moments are unfortunately distinct in how awful they are. Season 7 TNG was no prize much of the time but I was more confused or unimpressed by its weaker efforts. Even Season 2, as rough as it can get at times is typically able to buoy its worst parts by some character or story element.
TNG season 1 though is one of the few periods of Trek where I'm consistently getting second hand embarrassment throughout much of it. The story shilling of Wesley, the awful fashion design, how badly the crew is characterized, how out of date the tone feels, the attempts at humor that so often land with a thud, etc. There's a lot of ST that I'd be happy to have someone view with me, but this is one where I'd actually be a bit mortified if they walked in on me watching various episodes (The Naked Now and Haven say hello).
And the sad thing is that there are some genuinely interesting high concept ideas and poignant moments that happen with it, but they're surrounded by such dubious execution everywhere else that it almost feels hard to enjoy them. Its why I mentioned that Picard bit in Where No One Has Gone Before because its a scene that's just far removed enough from the weaker elements of that story (Kosinski's one note characterization and the unintentionally creepy nature of the Traveler) that it still largely works.
TNG season 1 though is one of the few periods of Trek where I'm consistently getting second hand embarrassment throughout much of it. The story shilling of Wesley, the awful fashion design, how badly the crew is characterized, how out of date the tone feels, the attempts at humor that so often land with a thud, etc. There's a lot of ST that I'd be happy to have someone view with me, but this is one where I'd actually be a bit mortified if they walked in on me watching various episodes (The Naked Now and Haven say hello).
And the sad thing is that there are some genuinely interesting high concept ideas and poignant moments that happen with it, but they're surrounded by such dubious execution everywhere else that it almost feels hard to enjoy them. Its why I mentioned that Picard bit in Where No One Has Gone Before because its a scene that's just far removed enough from the weaker elements of that story (Kosinski's one note characterization and the unintentionally creepy nature of the Traveler) that it still largely works.