• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

Reading Marathon: The Typhon Pact... and Beyond!

Section 31: Disavowed by David Mack
Published:
November 2014
Time Span: January 7, 2386 and afterwards

This novel returns us to Bashir, last seen back in The Fall: A Ceremony of Losses. Now living on Andor, Bashir has the opportunity to help bring down Section 31... from the inside. But doing so involves a trip into the mirror universe, stopping a potential plot by the Typhon Pact to steal wormhole jump technology from the mirror universe. This draws on a couple different earlier David Mack stories, most notably Mirror Universe: Rise Like Lions and Cold Equations: Silent Weapons.

The Bashir / Section 31 strand of the Destiny-era novels has never really clicked for me. I think there's a couple reasons. Partially, it's because Bashir feels very passive in the middle of all of it, it doesn't seem like Bashir makes a lot of interesting choices. He's brought into Section 31, he goes on the mission, and then he does all the things he's supposed to do. The one part I found interesting was when Bashir is recognized as the killer of the mirror Odo in "Crossover" and the mirror Dominion seeks to sentence him to death—and eventually Bashir agrees to hand himself over for the greater good. But outside of this, Bashir seems to do very little except carry out action sequences. Once he hands himself over, Bashir isn't who gets himself out of the situation; it's not Bashir either who does anything to foil the true Section 31 plot in the mirror universe. He just stand there as all these other people make the interesting decisions.

I also—and this just might be my fault—I always expect more moral compromise on Bashir's part in these books. But it seems to me that he signs up with Section 31, and pretty much just acts as he normally would. I want a sense of Bashir going deeper, things getting beyond his control, him getting soiled, but this never happens. I don't know that the book promises this, but it's what I feel a Section 31 story ought to deliver, and this story doesn't.

On top of this, the Sarina relationship never works for me. I like the idea of it, that Bashir has finally a woman who can keep up with him... but in the actual book they mostly just exchange some weak banter. When do they click like no one else can? As a character, she has never interested me in her novel appearances, I find it hard to get a hold on her in a meaningful way.

Outside of Bashir, I found most of what was happening not very interesting. The other characters, Typhon Pact and Commonwealth alike, are pretty one-dimensional, and I found it tedious every time the narrative switched to them sniping at one another. As I said back in my review of Rise Like Lions, I never cared much for DS9's approach to the mirror universe, and it's particularly boring in prose form, where a character may be called "Saavik" but can basically be anyone for all she has to do with the Prime Saavik when she's not played by Kirstie Alley or Robin Curtis.

The whole plot ends up resolved with Memory Omega being essentially omnipotent, which takes a lot of agency away from everyone else, and I thought raised more problems than it solved. How did they even get into the situation of being threatened by the Prime universe Breen if they had quantum windows? Why did they let Cole and his friends attempt what they attempted if they knew all along what they were going to do?

It's competently written, of course, but it all felt pretty hollow and uninteresting—made worse by my consistent feeling that somewhere out there in the multiverse there's a different Section 31 novel that really spotlights Bashir's character in the way that the best Section 31 episodes of the show did.

Other Notes:
  • Though as I said above, I was disappointed in how Bashir played little role in his own fate, it was nice to see that the mirror Dominion was somewhat different and had a different way of operating. The follow-up conversation between Bashir and the Founder is pretty good, too.
  • I appreciate the revival, twelve years later, of the Section 31 branding... though of course I would have preferred the same logo and even more importantly... spinal consistency!
  • The idea that Section 31 has a uniform only becomes more hilarious the more times you read it.

Continuity Notes:
  • Cole says new laws ban Starfleet Intelligence from operating in the mirror universe, thanks to a "reaction to blowback from certain recent operations involving your former colleagues on Deep Space Nine." But I wasn't sure what this was actually referring to. Does anyone know?
  • Bashir says the last he knew of Odo, "[a]s of last year, he was leading the Dominion." But Odo was trapped in the Alpha Quadrant in September 2383, and had not returned yet when Bashir left the station in September 2384.
  • Have the folks in the "noncanon names for canon characters" thread noted that a guard Bashir knocks out in "Crossover" is here identified as the mirror Cenn Desca? I don't think there are any great shots of him in the episode, and Memory Alpha doesn't know who played him, but here he is:
AJFCJaV4kHPHndynPCQBA2f0DXmNVGSuYxD5y8waiR03hI4b-gtYsB3p5U6Tew_qOu4argR1GdQav7MdA3EywM8xJIh4g75rE-IurNkZlc94Me3zA-n-m1G-0owNezS5_FbBvRvBtsEO1Ggi5LI8WtAcQfK-RHu9rTQoy9UONQz_3JngZfM4xhJNE3VswCfDQ-6Mscvc2-tM6i7CKUOVutrFnrf3QY25qKpCCYrknQpXL-VgUuPc8VB6ZN2IPuYikwL8fBwWD1BCT5vKmFSN1R6r-MtvMuGhnhiQfmZ7pk2dV88oR4lSwT_KOF0zsCGG8JuxMz1qdC0pGadlEr4DXEcDZwd0B5TO7Dx28MG8hErAfWTkImrG4p15ke3tjm2GRmi5ygNLId7Afpu7i7n3pUNtKrOhLJ9J_6n-hs5SX7uR2MSAXDXUTizgv_GjKNKliyKBUWRnFsJBSTci1ITF8XpxNy1Uq59xgqFnMRJBpbIAYELZqYPakc-3z9TPWgmLHskMicLYhip2gy_U7CSIVWj6SkNKZ-olsTflDf8iWQut3kzhFoPFtqHtjDycIj_Nrq7PqhZp3j4zs06ZkhhTaNVhCDr1BFb-9S4FHypaATCcU4BvxTsp6NZHbe6enLZU-PvWMWsaXRiKfrzmyQwU6ceuWrOMQc786HG9RKrDbG4pDf43g8R6dpn3ut_03f59Ums-4wiE7vas7uSEdbmZ-Yu29ghbPoZKn0qbnaB2erVedbzX-61CKptJl1hqWF1shrQujfYQC83RQXBRsT43Mb-5vw_aW74ZMyngLt0x_fCm4huPcnichwJMVtrTP6qtZUQtUD5A0L_IuCwFc0euTX-3ZA3ix57Gcl06TzByBE_9p4p673WAIsDgQZ8FWNEuwcguNnhs3QIH-qp9gqVbcfkyB8omKqI=w410-h503-s-no
 
Last edited:
Have the folks in the "noncanon names for canon characters" thread noted that a guard Bashir knocks out in "Crossover" is here identified as the mirror Cenn Desca? I don't think there are any great shots of him in the episode, and Memory Alpha doesn't know who played him, but here he is:
AJFCJaV4kHPHndynPCQBA2f0DXmNVGSuYxD5y8waiR03hI4b-gtYsB3p5U6Tew_qOu4argR1GdQav7MdA3EywM8xJIh4g75rE-IurNkZlc94Me3zA-n-m1G-0owNezS5_FbBvRvBtsEO1Ggi5LI8WtAcQfK-RHu9rTQoy9UONQz_3JngZfM4xhJNE3VswCfDQ-6Mscvc2-tM6i7CKUOVutrFnrf3QY25qKpCCYrknQpXL-VgUuPc8VB6ZN2IPuYikwL8fBwWD1BCT5vKmFSN1R6r-MtvMuGhnhiQfmZ7pk2dV88oR4lSwT_KOF0zsCGG8JuxMz1qdC0pGadlEr4DXEcDZwd0B5TO7Dx28MG8hErAfWTkImrG4p15ke3tjm2GRmi5ygNLId7Afpu7i7n3pUNtKrOhLJ9J_6n-hs5SX7uR2MSAXDXUTizgv_GjKNKliyKBUWRnFsJBSTci1ITF8XpxNy1Uq59xgqFnMRJBpbIAYELZqYPakc-3z9TPWgmLHskMicLYhip2gy_U7CSIVWj6SkNKZ-olsTflDf8iWQut3kzhFoPFtqHtjDycIj_Nrq7PqhZp3j4zs06ZkhhTaNVhCDr1BFb-9S4FHypaATCcU4BvxTsp6NZHbe6enLZU-PvWMWsaXRiKfrzmyQwU6ceuWrOMQc786HG9RKrDbG4pDf43g8R6dpn3ut_03f59Ums-4wiE7vas7uSEdbmZ-Yu29ghbPoZKn0qbnaB2erVedbzX-61CKptJl1hqWF1shrQujfYQC83RQXBRsT43Mb-5vw_aW74ZMyngLt0x_fCm4huPcnichwJMVtrTP6qtZUQtUD5A0L_IuCwFc0euTX-3ZA3ix57Gcl06TzByBE_9p4p673WAIsDgQZ8FWNEuwcguNnhs3QIH-qp9gqVbcfkyB8omKqI=w410-h503-s-no


I certainly noted it in the various "cast Lit characters" threads of the past, but I could never get a good shot either, and whatever link you uploaded there didn't come through...

.
 
Last edited:
Deep Space Nine: Force and Motion by Jeffrey Lang
Published:
June 2016
Time Span: January 9-10, 2386 (and innumerable flashbacks)

One of my favorite novels is Lawrence Durrell's Justine (1957), which is told not in chronological order. Rather, at one point the narrator tells us, "What I most need to do is to record experiences, not in the order in which they took place—for that is history—but in the order in which they first became significant to me." Most Star Trek books are told fairly conventionally from a structural point-of-view; they begin at the beginning and proceed to the end. Even when they jump around a bit, that tends to be pretty structured.

Force and Motion is no Lawrence Durrell novel (for that to be the case, it would have to drop all the very helpful captions and just leave the reader to sink or swim) but it's still one of those rare, refreshing Star Trek novels that seems more interested in being a novel than in being Star Trek, if that makes sense. Nog and O'Brien are visiting Robert Hooke station to meet up with O'Brien's old captain, Benjamin Maxwell of the Routledge (see TNG's "The Wounded"), who is now the station's maintenance engineer.

In the present, there's a crisis: the station exists outside of Federation space in order to enable its residents to pursue a variety of slightly unusual experiments (my favorite was the one researching quantum beekeeping with fractal honeycombs). When Nog and O'Brien arrive, one of the experiments, a living breeding ground for microorganisms, is set free, seeking out a new energy source, threatening the integrity of the station. Nog and O'Brien and Maxwell must work together to save the other researchers and contain the threat. This is fun stuff—it's hard for DS9 as a series to incorporate "strange new worlds" but this one is able to pull in a lot of strange new concepts, and it has a bit of a classic Star Trek feel to it, with clever problem-solving. (In what is always a good sign, I found myself thinking of how I would rebuild it into a Star Trek Adventures module. Fairly easily, I think.) Mother is a neat idea, the spiders are fun, and I liked who the "villain" turned out to be.

That said, I wanted a bit more depth in the present-day stuff. It sets up some strands and ideas when it comes to O'Brien and Nog that I wish had been explored a bit more than they were: Nog and O'Brien needing to make new friends on this new station, Nog's recent trauma with Active Four and older traumas like Empok Nor. These are bubbling in there, but by novel's end, aside from the fact that they had gone through a crisis together, I didn't feel like Nog and O'Brien had grown closer much.

In the past, we see snippets of Benjamin Maxwell: him days after the Setlik III massacre, him just after the events of "The Wounded," him in therapy in New Zealand, him during the Destiny trilogy, him coming home to find his mother dead, him trying to settle into a new life. But these are all out of order scattered throughout the book. And it's not just him either, there are flashbacks to O'Brien during his time on the Routledge, Nog hanging out with Jake after school, O'Brien following "The Wounded," Nog meeting up with Jake for New Year's, and more.

Whenever a novel has a weird structure, I think it's important that that structure be significant. Like, anyone can choose to tell their story out of chronological order, but what prevents it from just being a gimmick? Well, if the form of the novel intersects meaningfully with the project of the novel, then it works. The project of Justine is the narrator attempting to understand Justine but eternally being unable to do so. He writes of one of his failed novels, "In art I had failed (it suddenly occurred to me at that moment) because I did not believe in the discrete human personality. ('Are people', writes Pursewarden, 'continuously themselves, or simply over and over again so fast they give the illusion of continuous features—the temporal flicker of old silent film?') I lacked a belief in the true authenticity of people in order to successfully portray them." Hence, the book is told out of order because the narrator doesn't believe in the continuity of people.

Force and Motion is told out of order for a very different reason. Benjamin Maxwell may have been a captain, but he started his career as an engineer and he ended it as one too: his goal is to put broken things together. In this case, the broken thing is Maxwell himself—his pieces are scattered all across the novel, and as we put them back together, so does he. Maxwell is a man who wanted to fix what he found, and when he lost his own family, he couldn't put himself back together anymore. Here, he rebuilds himself, not quite as he was before, but into something that works. Given how his first attempt to do so led to him leading a deadly attack, I really liked how his second attempt to rebuild focused on the protection of life at all costs—even the lives of a band of pirates. In the end, he gets to do something he'd never done before, and he gets to protect a new life-form. I loved a lot of the snippets we saw of him across the years: him in therapy telling stories about gerbils and (somewhat surprisingly) him talking to Worf were particular highlights. I've seen some complaints there should have been fewer flashbacks, or they should have been more linear, but to be honest, if that was the case, it wouldn't be a better novel, it would be a different one. It wouldn't come together.

There are lots of thematic connections without them hitting you over the head, lots of depth to mine here. In the end, Maxwell finds some broken creatures and helps them the way he failed to do so many times before. It's a meaningful ending to a good book.

This was to be Jeff Lang's last contribution to the Star Trek line, which is a real shame, because I felt like he was developing into someone like Una McCormack, an interesting distinctive voice with real stories to tell. I sort of felt like they gave him The Light Fantastic as a sop for mining his work so heavily in Cold Equations, but if so, I'm impressed and glad he was asked back to write this.

Continuity Notes:
  • In one flashback, Nog is tending bar while O'Brien and Bashir talk about the Alamo. Did Nog really keep working in the bar when he was a cadet on his field placement?
  • Given the book picks up on O'Brien's arachnophobia from "Realm of Fear" it seems weird it didn't also acknowledge him having a pet spider from the same episode.
  • One of the flashbacks indicates that as of when Nog and Jake were kids, Nog's mom was already dead; this contradicts Ferenginar: Satisfaction Is Not Guaranteed, where she makes an appearance.
  • Unlike some other recent DS9 books, this seems to slot into its location fairly well; the flashback of Nog and Jake on New Year's is set between The Poisoned Chalice and Nog's return to the station in part 2 of Ascendance.
Other Notes:
  • I hadn't realized until reading Force and Motion how similar O'Brien and Nog were in one sense—they are both great vehicles for suffering. DS9 is famous for its "O'Brien must suffer" episodes but only upon reading this book did it really dawn on me that we got a string of "Nog must suffer" episodes too: "Empok Nor," "Valiant," "The Siege of AR-558," "It's Only a Paper Moon." I guess just like O'Brien's everyman status makes him a good vehicle for suffering, so too does Nog's innocent status.
  • There are lots of good flashbacks, some of which I've already mentioned. The Worf one is excellent: "It might be an honorable course of action... But I do not think he would sleep well." The best day / worst day ones were also good. Also Maxwell waiting for the Borg and frustrated he can't serve in defense of Earth. Maxwell saving a dog. I liked the two with Jake a lot, especially Jake's reflections on what happened to Sisko after Jennifer died, which has some nice but not overdone parallels to Maxwell. Nog watching O'Brien and Bashir when they beat the Alamo was good, but even better was O'Brien's present-day explanation of why that moment mattered so much.
  • It's nice to actually have a novel that actually makes some use of O'Brien, even though he's been back on the station for some five novels now, and we get some small updates on his family. I will never believe that Miles O'Brien lived on Cardassia as long as he lived on Deep Space 9, but this book does tell us that Kirayoshi resents having to live on the station. It would be interesting to see a kid who would rather live on Reconstruction-era Cardassia than the new Deep Space 9!
  • There are lots of small nice moments of character here; I particularly liked one where Maxwell notices how much in sync Nog and O'Brien are on p. 133. Nog feeling like he's not as good friends with Jake's wife as he'd prefer rings true to my experience of what happens when a long-distance friend gets married.
  • "Do they have ships that just clean up the mess after the big ships are finished doing whatever they need to do?" Well, actually, yes! Jeff Lang got that one right many years in advance.
 
Bit of a slowdown; I'm almost done with Armageddon's Arrow, but now the Hugo finalist list is out, so I'll be fitting in other reading around that.
Jeff Lang is definitely underrated. Great comments; love the analysis of the deeper meaning of the novel’s structure.
Thanks!
He's also a very nice guy.
I don't think Jeff was at Shore Leave either time I was there. Shame he's never really had a non–Star Trek career; I would buy a book from him!
 
I don't think Jeff was at Shore Leave either time I was there. Shame he's never really had a non–Star Trek career; I would buy a book from him!
The only non-Trek work of Jeff's I've read is the Grendel Tales mini-series he wrote in the late 90s and the Fantastic Four novel he wrote for Pocket about fifteen years ago. I'm sure there's other stuff out there.
 
The only non-Trek work of Jeff's I've read is the Grendel Tales mini-series he wrote in the late 90s and the Fantastic Four novel he wrote for Pocket about fifteen years ago. I'm sure there's other stuff out there.
Not according to ISFDB, but I would happily be corrected.
 
The Next Generation: Armageddon's Arrow by Dayton Ward
Published:
June 2015
Time Span: early January 2386

What's this... a Star Trek book about... exploring space!?

Armageddon's Arrow finally delivers on the premise promised some fourteen books ago(!), that Starfleet would get back to exploration. It's a decently enjoyable book that takes the Enterprise out into a totally new area of space, where they encounter a derelict planet-destroying weapon from a century in the future, its crew still in hibernation. It's got a bit of a classic TNG procedural feel, as the crew works to uncover what it is and what's going on... only then things begins to escalate as the enemy of the civilization who built it turns up and demands it as the spoils of war.

Like Force and Motion, I kept thinking what a strong Star Trek Adventures RPG scenario it would make: it's got basically three acts, and it piles on the complications. My complaint, though, would be that the opening act is a bit of a plod, because the reader knows more than the characters because of a totally unnecessary (and incredibly dull) two-chapter prologue about the launch of the weapon. (Similarly, the back cover probably gives away more than is strictly needed.) Strip that out and you'd have a tighter mystery. I also felt that the book kind of ignored the potential complications at times: I didn't think it was obvious, for example, that Picard ought to hand the Armageddon's Arrow over to the enemy species, but he did; wouldn't timeline contamination worries trump Prime Directive worries? Maybe not, but this is TNG—I expect a nice meeting scene where the characters debate all this! This happens a couple times, and I kept thinking that in my putative STA game, I'd make the players hash this stuff out a bit more. The temporal issues mostly come in form of the characters repeatedly (too repeatedly) worrying about what the DTI will say about this, rather than worrying about what's happening in the present of the story.

Still, it's got some fun twists and turns, and Ward has a good handle on the characters. Nothing here will knock your socks off character-wise, but they also don't feel forgotten as they did in Takedown. Lots of characters have little arcs and stuff to do; it's the first time the TNG books have actually felt like an ongoing series since Losing the Peace! Hopefully we can get more of this going forward. I found that I'd actually missed T'Ryssa, for example, and Tamala Harstad has more to do here than in all her previous appearances put together. That said, some of the new characters are still a bit nothingburger (who cares about Dina Elfiki? and I guess only Una could make me care about Aneta Šmrhová). On the other hand, Worf gets some truly hilarious one-liners; my poor wife had to listen to me try to explain the one about time travel.

So yeah, I don't think this will set the world on fire... but if I wanted my world set on fire, to be honest, I wouldn't be reading Star Trek books! This is largely what I want out of my tie-in fiction, and I look forward to more TNG books in this vein.

Continuity Notes:
  • The reference to the events of Takedown is so vague it seems pretty clear that Dayton Ward had literally no idea what it was about.
  • The book carefully references a bunch of previous planet-killer-focused stories: "Devices and Desires" from Constellations, Vendetta, and Before Dishonor. Perhaps a bit too carefully; I got confused by the detailed recap of Vendetta, and I've read it. (Though summarizing Vendetta after summarizing Before Dishonor was disorienting.) The book even claims the idea that the Preservers built the doomsday machine (from Vendetta) is still the going theory; I'd thought modern Star Trek fiction had been a bit more attentive to the fact that the only confirmed Preserver intervention in canon was in the eighteenth or nineteenth century, not the one hundred thousand years ago that the planet-killer dates from, so I was a bit surprised to read this.
Other Notes:
  • Picard lampshades that the Xindi weapon test in "The Expanse" makes absolutely no sense, which amused me.
 
Titan: Sight Unseen by James Swallow
Published:
October 2015
Time Span: early 2386 (a few months after The Fall)

I remember enthusing to Marco Palmieri about Titan at Shore Leave 2008, calling it my favorite original Star Trek fiction concept. There was a scene in the first or second book (I forget exactly which) that brought it all to life for me: a conversation between a bunch of Titan junior officers at the "Blue Table," where we saw this delightful array of perspectives and ideologies all in play together, all working toward the same goal. Subsequent novels tapped into that too; my particular favorite was Geoff Thorne's Sword of Damocles, but many were good.

The last few Titan novels, though, have foundered. Seize the Fire—as covered here—was dreadful and Fallen Gods was even worse. The Poisoned Chalice was a good read, but its events promised a big change to the Titan format: the promotion of Will Riker to admiral. What would Titan look like with its lead assuming new responsibilities?

Sight Unseen only kind of answers that question. I don't think it's impossible for a Star Trek series to have an admiral as its lead, but it would have be different from what we are used to. Sight Unseen kind of plays lip service to that, and it informs the character details of the novel in important ways, but not the overall plot. Admiral Akaar pulls Titan off its mission of exploration to serve as Admiral Riker's flag in handling a sector on the Federation frontier... but Riker doesn't do any of the kind of things you might do as an admiral; the ship goes to answer a distress call and does some investigating. Not to complain about what this book isn't and probably isn't even trying to be, but I kept thinking about C. S. Forester's Admiral Hornblower in the West Indies, which really effectively took a captain character and gave him the new problems of admiralcy.

So I am of two minds because in sort of ignoring Riker's promotion, the book sticks closer to the core of what makes Titan appealing, but also it undermines the integrity of the series as it's developing because it is clearly shying away from its own status quo changes. This isn't exactly an "exploration novel" like many Titan books have been, but it does hew closer to the strengths of the Titan series than we've seen since James Swallow's last contribution, 2009's Synthesis. We have mysteries in space, daring rescues, clever problem-solving, good teamwork, and meaningful character conflict all in a fairly slick, well-written package.

Titan goes to rescue another Starfleet vessel that itself was assisting a recently contacted alien race with their new warp drive technology... only it discovers that both have fallen victim to the "Solanae," the mysterious aliens responsible for the events of the TNG episode "Schisms" (one I've never seen, fact fans). The creepy aliens begin preying on Titan's crew, and for Will Riker and Sariel Rager in particular, it brings back some bad memories. Soon, though, things get ever more complicated.

It's one of those books that's filled with little bits that work and all add up to make it fairly effective. Like I said, it doesn't feel like Riker is really doing admirally things... but the book does make good use of his and Captain Vale's new sets of responsibilities as well as Riker's previous experience with the Solanae. Riker is untrusting and paranoid, Vale is more open-minded and idealistic. It's not what we usually expect, but it makes sense for both characters, and it leads to some good conflict and moments between them. Riker getting to meet his own torturer (and what that torturer does) was good, too.

I also liked new characters Ethan Kyzak, a Skagaran rancher, and Sarai, the new executive officer. Kyzak is fun, and gives us a few good moments in the book, and Sarai brings some useful tension to the perhaps overly cozy Titan crew without crossing the line into villainy.

We also get good moments for lots of other Titan characters: Ra-Havreii and Pazlar and Torvig and WhiteBlue and especially Zurin Dakal. Some long-running threads are paid off; I have felt like the minor Titan characters have kind of been in stasis since Synthesis, so it's good to see them in motion again.

There are also lots of great sequences: the away team drifting in space, the creepy action on the Titan against the Solanae replicators, the Titan's purposeful creation of a wormhole, the way the transporter is used as a weapon, the rescue operation from the Solanae prison. Lots of clever, interesting stuff; the book was... well, fun isn't the right word given how grim it could be, but it balances the darkness well with punch-the-air moments.

There's an implacable enemy here, but the book also reaffirms in post–The Fall fashion the return to optimistic Federation values at the same time. This isn't going to be my favorite Titan novel, but it is a solid one, and despite my misgivings about its premise and the series's change of concept, proves that my favorite original Star Trek fiction concept still has legs on it. (I also have a bad feeling it may be the last Titan novel to do that, but I'll try to stay open-minded.)

Continuity Notes:
  • I feel like, some small mentions aside, you could go straight from The Poisoned Chalice to Sight Unseen. The scenes in the beginning about Riker becoming an admiral and Vale becoming a captain feel like they pick up right from Swallow's previous book, without the events of Absent Enemies and Takedown; it doesn't feel like Riker has done any admiralling or had any meaningful interactions with Vale.
  • The book is right to point out that Seasons 4-6 was a pretty creepy time on TNG: Rager mentions "Schisms" and "Night Terrors," but you could add "Violations" and others I'm sure I'm forgetting. (Despite Rager saying "that year," though, "Schisms" and "Night Terrors" are set in 2367 and '69 if you believe the Okuda Chronology, or 2366 and '68 if you believe me.)
  • There's a reference to the TNG Dominion War novels by John Vornholt, which surprised me... but I actually feel like I read a different one of those recently. In one of David George's DS9 books? Am I imagining this?
  • Despite a mention of Vale fighting Remans in Absent Enemies being acknowledged as a mistake (and even deleted from the text, thanks to the magic of ebooks), this book reiterates that she was on the Enterprise-E during Nemesis, despite what we actually saw in A Time for War, A Time for Peace.
Other Notes:
  • It was cute to see Starship Spotter established as an in-universe text.
  • I guess I will never get my dream of a Ravel Dygan / Zurin Dakal team-up, alas.
  • This is the third Riker story in a row, after Absent Enemies and Takedown, to be a direct sequel to a TNG episode. It's beginning to make the world of Titan feel a bit insular.
And that brings an end to this batch of five!

BOOKS REMAINING: 16
ESTIMATED DATE OF NEXT BATCH: March 2024
ESTIMATED DATE OF COMPLETION: July 2025
 
Sarai is a great character! I was not a fan of the shift to Admiral Riker stories since I was a huge fan of Titan's original format; most of them felt whatever to at least pretty okay. This was pretty okay for me, but it has the problem of taking a cool mysterious alien species from a series and making them...just another race of aliens. I think this is the one that humanizes them a bit and gives us some examples of 'not super evil' ones? It's been a while since I've read it.

Also, you should probably watch Schisms, because that is prime TNG right there.
 
I think this is the one that humanizes them a bit and gives us some examples of 'not super evil' ones? It's been a while since I've read it.
Yes, that's right.
Also, you should probably watch Schisms, because that is prime TNG right there.
TNG is the one Star Trek show I've never watched systematically, just whatever random episodes I've come across over the years. DS9 onwards I watched as they aired, the original I went back to once it hit DVD, but I've never felt the burning desire to fill in my TNG gaps. :shrug:I don't know why, I guess I assumed it will happen eventually, but thirty years into being a Star Trek fan maybe it won't unless I am proactive about it!
 
ESTIMATED DATE OF NEXT BATCH: March 2024
I was spot-on correct! I am about to board a flight, and will start The Long Mirage on the plane.

Phase Nine: 2386 (continued)
46. Deep Space Nine: The Long Mirage by David R. George III
47. Deep Space Nine: I, the Constable by Paula M. Block & Terry J. Erdmann
48. Prey, Book 1: Hell's Heart by John Jackson Miller
49. Prey, Book 2: The Jackal's Trick by John Jackson Miller
50. Deep Space Nine: Gamma: Original Sin by David R. George III
 
Deep Space Nine: The Long Mirage by David R. George III
Published:
March 2017
Time Span: late January 2386

The Long Mirage picks up from the last David R. George III Deep Space Nine novel, Ascendance, following up on the stories of Quark, Ro, Nog, Kira, and Odo, most prominently. And this is absolutely going to sound like damning with faint praise, but... it is a book about people with goals trying to accomplish them! After my frustrations with Ascendance ("Can you really write sixty pages of a novel with no clear narrative direction? Apparently so."), this is a blessed relief. Quark wants to find Morn... and sets out to do so. Ro wants to avoid her boyfriend and figure out her relationships with Quark... and sets out to do so. Nog wants to fix Vic Fontaine's program... and sets out to do so. Kira wants to figure out the mystery of the falsework and help with unrest on Bajor... and sets out to do so. Odo wants to find out what's going on with a Dominion ship approaching the station... and sets out to do so! Amazingly competent plotting. I'll tackle each of these in turn, and talk about the extent to which they work.

A long-deferred thread in this series has been what happened to Morn... and to be honest, I don't think what happened to a glorified extra is sufficiently interesting to drag out for years of both publication time and story time. But in this book, instead of getting updates on it from some other character, Quark actually goes to find out for himself, and Ro comes with him. So that's nice, but in the end, the two characters don't really accomplish much themselves; basically, they bump into some other characters also looking for Morn, and those characters tell them everything they want to know, and that's it. So although Quark and Ro are actually taking action, their actions don't really drive the narrative, nor do they really do anything interesting or clever. Their relationship gets a couple good scenes but nothing in it seems to really resolve or develop.

In the Nog plotline, he and Candlewood (DS9's science officer who, like most of the new crew, lacks any kind of personality or character hook) go into Vic's program to unravel its issues once and for all. Okay, so I am glad this has finally happened, but it beggars belief that it took Nog two years to undertake the really obvious action of asking Felix for help. What follows is a fun enough Las Vegas escapade, but like the Quark/Ro plot, it's undermined by someone turning up and explaining everything to Nog rather than Nog piecing anything together himself. On the other hand, Nog does get some good moments of coming up and executing a plan... which does actually work! Of all the book's plots, this is the most successful, though I wish it had felt like something was actually stake for Nog rather than us constantly being told this was the case. I also did appreciate how it turns out that the Morn and Vic plots actually go together.

The Kira plotline is okay. I can't really muster up any enthusiasm for her relationship with Altek Dans, and I refuse to believe there's anyone out there who can. I did like she got a classic Kira moment, in doing the right thing that no one else liked. I didn't find the resolution to the falsework dilemma very compelling; the whole thing about a remembered childhood comet seemed fairly uncompelling and circumstantial.

The Odo plotline is, alas, like the ones from earlier Deep Space Nine books, in that no one is called on to make a choice. The ship of Dominion refugees turns up, they tell Odo what they're doing, the end. There are no interesting decisions or character moments at all. Like, why even do this?

So yes... this is probably the best of the post-Destiny Deep Space Nine novels, in that the characters actually try to do things... but it's still pretty boring and could have been a lot better.

Continuity Notes:
  • This does reference The Light Fantastic, but the Nog stuff doesn't have any reference to Force and Motion. We do learn a little bit about what the O'Brien kids are like as teenagers, though, which is nice.
Other Notes:
  • Occasionally we get scenes from the third-person limited perspectives of holosuite characters. I don't think this makes any real sense. Surely they do not have interiority?
  • Characters in this book are often weirdly skeptical of people's claims to have traveled through time given this is, you know, Star Trek.
  • Compared to other DS9 books of this era, this one has surprisingly little recapping; indeed, unlike Ascendance, which constantly recapped itself, this one barely recaps previous novels at all. Thank the Prophets!
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top