And people keep going on about Moffat’s Who having no emotion? I really don’t get it, especially given some of the things we’ve seen this series alone in The Doctor’s Wife, The Girl who Waited and the God Complex. Just because Tennant and Billie aren’t emoting like crazy and the Murray Gold score isn’t ratcheted up to eleven doesn’t mean the emotion isn’t there. It’s just quieter.
I'm not sure who you're referring to when you say "people keep going on about Moffat's Who having no emotion." I for one don't think that at all. But, as I've said before, and which you affirm above, Moffat's is quieter. It's more emotionally restrained. Which is not bad, but it is different.
Personally, I miss the mania. I miss the actors emoting like crazy and the Murray Gold score being ratched up to eleven. I miss those moments of absolute transcendent emotion, and I wish Moffat would do it more often. He comes close sometimes -- the Doctor running around in "The Eleventh Hour;" the TARDIS returning in "The Big Bang;" Abigail singing at the end of "A Christmas Carol" (and, to his credit, it turns out that Moffat does sustained Christmas schmaltz better than RTD); the Doctor and TARDIS!Idris chasing the runaway House!TARDIS across the universe in "The Doctor's Wife." But, (with the exception, I would argue, of the finale of "Vincent and the Doctor"), Moffat's Who never quite reaches that level of transcendent euphoria that RTD could reach, and I'm sorry for that.
What is interesting to me, though, is that his Who is more consistently melancholy than RTD's. That's not a bad thing at all -- while I think that RTD reaches greater heights of sadness in short spurts, like Rose's loss in "Doomsday" or the Doctor's scenes with Adelaide in "The Waters of Mars" or the final scene between Wilf and the Doctor in "Journey's End" -- I think Moffat's work has a more steady sense of sadness underlying much of it, which means that he does tragedy better than RTD on the whole. "The Girl in the Fireplace," for instance, isn't just tragic because the Doctor loses a woman he loves; it's tragic because you can tell he feels fundamentally alone and has for a very long time. "Forest of the Dead" isn't just tragic because the Doctor loses River Song; it's tragic because you can tell the Doctor has lost someone he cared about and trusted implicitly before, once upon a time, and now he's realizing he's going to have a similar doomed relationship with River in the future. There's a consistency to Moffat's works' melancholy that lends it an extra dimension of sadness that I think RTD's work usually lacks.
But, the other side of that is, I think that underlying melancholy is often present even in episodes where it needn't be, and so I think it tends to prevent even his happy endings from reaching sheer euphoria. Moffat does Christmas schmaltz better than RTD, and how brilliant is it that there's a Doctor Who Christmas song? -- and yet the joy of Abigail's love redeeming Karzan and saving the day is undermined by the knowledge that she will soon die. The TARDIS may return the Doctor to reality at Amy's wedding, but the happiness of his survival is undermined by the sadness of his initial absence, and by the knowledge both of the costs of his upcoming relationship with River (and by the sense of could-have-been that continues in some ways to underly the Amy/Doctor relationship -- Amy's made her choice, but they're both keenly aware of what might have been, hence the "you may definitely kiss the bride" bits).
I love them both, mind you, but I definitely miss the mania and euphoria that RTD could bring to it. The Doctor's return in "Last of the Time Lords," or the TARDIS towing the Earth back home in "Journey's End" -- moments like those are pure magic, and I do miss them.
This isn’t to say there aren’t things about the RTD era I miss, and for me the real shame of the Moffat era is that he doesn’t have an RTD to handle that one tonally different episode a series, in the way that RTD had Moff.
It would be really wonderful if RTD could come back and do one episode a year the way Moffat used to, wouldn't it? Oh well -- at least we got to see RTD write for the Eleventh Doctor in Death of the Doctor over on Sarah Jane Adventures last year.