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Rate the full-length Christopher Nolan movies

Elemental

Rear Admiral
Rear Admiral
This includes:

Memento
Insomnia
Batman Begins
The Prestige
The Dark Knight
Inception


If you want to include Following too feel free but I don't think most have seen it and some don't consider it "full-length".
 
This is tough. Nolan is probably my favorite director working today, and he hasn't yet made a sub-par film. Here goes nothing:

1. Inception
2. Memento
3. The Dark Knight
4. The Prestige
5. Batman Begins
6. Insomnia
 
Memento and The Prestige are his only standout works. Insomnia has some interesting ideas but fails to develop them in an interesting fashion. Batman Begins and The Dark Knight are competent enough for what they are, but only the latter is at all notable and then only for Heath Ledger's performance.

I haven't seen Inception yet.
 
Dark Knight
Inception
Batman Begins.

Those are the only ones I've seen but after seeing Inception and still being impressed over TDK two years later I'm intereseted in checking them out.
 
Memento
Following
Batman Begins
The Dark Knight
Insomnia
The Prestige


I haven't seen Insomnia yet, and I've only seen The Prestige once.
 
Never saw Memento. I remember liking Insomnia, but I don't remember enough about it to really have an opinion right now. Hated The Prestige. Well, I loved it until the nonsense ending with the clones.

So...

Inception
The Dark Knight
Batman Begins
Insomnia

Memento (I hope I like it more than The Prestige)

The Prestige
 
The Prestige
The Dark Knight
Memento
Batman Begins
Insomnia

Curious as to why you didn't like The Prestige, RoJoHen... the part about him duplicating himself is evident from the very first shot where we see all the top hats, and then see The Great D'Anton dying in the tank. I didn't think that was a last minute revelation like the other.

And I loved Following... and it's 69 minutes, not really a short film...
 
Curious as to why you didn't like The Prestige, RoJoHen... the part about him duplicating himself is evident from the very first shot where we see all the top hats, and then see The Great D'Anton dying in the tank. I didn't think that was a last minute revelation like the other.

I know they had been setting it up from the beginning, but I still didn't like it. You can't just use electricity to duplicate a live human being. It was just a little too much of a stretch for me.
 
Following is 69 minutes. Most of the time, a feature film has a running time of at least 70 minutes. Following is close enough in my book. It's certainly not a short.
 
I have only seen four of them, so:

1. Memento
2. The Dark Knight
3. Batman Begins
4. Insomnia

All are amazing films, however.
 
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I haven't seen Insomnia, but as for the others...

The Dark Knight
Inception
Following
Memento
Batman Begins
The Prestige

And The Prestige is far from a bad movie, it's just a little less zippy and watchable than his others.
 
I wanna' see JA's head explode trying to answer this. :lol:

ScannersExplodingHead.gif


With that out of the way, here's my ranking after a lot of contemplation:

1. The Dark Knight - This probably gets my top vote because I am foremost a Batman fan than a Christopher Nolan fan, and this is the definitive Batman movie. I can watch this movie over and over and never tire. I can also watch this movie sequentially: the bank robbery, Batman's introduction, the Hong Kong sequence, the scene leading up to The Joker crashing Bruce Wayne's fund-raising party, the convoy chase down Lower Wacker and LaSalle, etc. The movie is terrific as a whole but also has a lot of fantastic individual sequences.

2. Insomnia - This was the first Christopher Nolan movie I've ever seen, so it has a special resonance in my heart. For some reason I was really able to connect to this film. All of the performances -- Al Pacino, Robin Williams, Hilary Swank -- are top notch and Nolan really sets a wonderful mood and atmosphere. The setting really helps set the mood, but everything else is drenched in this very specific atmosphere and Nolan absolutely lures you into Dormer's mindset. That's what Nolan really does best: he brings you into the mind of the characters you're seeing, and on that level Insomnia succeeds exceptionally. This might be Chris Nolan's most straight-forward and procedural movie, but it is also his most emotionally satisfying outside of possibly Inception.

3. Batman Begins - While The Dark Knight might have been the definitive Batman movie, this is really the definitive movie about Bruce Wayne. After four consecutive movies where it seemed they were more concerned with the villains rather than Batman himself, the movie finally delves into the psychological nature that drives Batman. The same approach Nolan took with Insomnia -- bringing you into the mindset of Dormer -- is applied here and you really get into Bruce Wayne's head.

4. Inception - I've seen almost every Nolan movie countless times, and I've only seen Inception twice so this might make its way up my list in the months and years to come, but this might've been the most conceptually interesting film Nolan has done since Memento, I think I need to see it more and absorb it more to say that it is his best film. I absolutely love this movie for the meditations it has on letting go of grief, the distinctions between reality and fantasy and ultimately choosing between the two, but for some reason I have yet to ascertain and determine if I am entirely captivated by it to rank it higher on my list... yet. I definitely need to see it more.

5. Memento - For a movie that is probably Christopher Nolan's first call-to-fame and his most famous/acclaimed, I had a hard time understanding and getting absorbed into the nature not only of the storytelling but of the characters. People have criticized Nolan's work of being slightly cold and artificial -- entirely concerned with the mechanics of the plot rather than the emotionalism of the characters -- and I think that's most true with Memento. I could relate to Dormer in Insomnia or Wayne in Batman Begins or even Cobb in Inception but I had a hard time relating to Leonard. However, I have significantly warmed up to this movie since my initial viewing. I don't think it works as well as Nolan might have intended, but the ending is a real dozy and completely alters the way you view the film and Leonard as a character. As a matter of fact Nolan has a fascination with endings of circumstance -- just take into account the endings for Following, The Prestige, The Dark Knight, and Inception. They define those movies, and the ending for Memento pretty much defines the movie on a whole.

6. Following - Surprise it may be, but I've only seen this movie once (or twice -- not entirely sure). It's the one Christopher Nolan movie I'm least familiar with. For what it is, it's an impressive accomplishment -- a 70 minute film made for only $11,000 that has all of the trademarks Nolan will come to brand -- a complicated, psychologically dense plot with a flawed lead character and a non-linear storyline. It's pretty noteworthy especially considering this was Nolan's first feature-length movie and he wrote, produced, edited, shot and directed it. This didn't leave quite the impression on me that Nolan's other movies had, but it's a really inspiring beginning to his career and very curious to watch if you want to witness the beginnings of Christopher Nolan as a filmmaker and all of the trademarks that'll pop up in all of his movies since.

7. The Prestige - This is probably my least favorite Christopher Nolan film probably because I feel like it is his most artificial. I couldn't really get into the story as much as I wanted to (and believe me, I tried) and none of the characters really seemed all that genuine or interesting. I understood what Nolan was trying to do with the Borden and Angiers characters and once again he excels at tapping into the obsessive nature of people (and he does do an excellent job at convincingly creating this rivalry between them...) but something about the film just didn't quite connect me with as much as I had hoped. It's still a great film.... beautifully shot by Wally Pfister, with a great moody score by David Julyan and some excellent acting, but for some reason I just couldn't get into this film unlike the others Nolan has done.
 
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