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"Quiet Night at the Office"

David cgc

Admiral
Premium Member
34281_944228157092_5140088_51789822_3957059_n.jpg

Enterprise: Dennis Bailey
Drydock: Prologic9
Travel Pod: Matthew Parker and Henry Gibbens
Tug and Workbee: Alain Rivard
Backdrop: NASA
HD Version

I got another bite of the render bug the other day. I'm going to need that to start coming a bit more consistently again.

I originally visualized this angle with a Miranda-class ship, but I don't have a modern Miranda that'll hold up to this kind of proximity and detail. While I was assembling the scene, I found I'd already had one from soon after I did the night version of "Comparing Notes," but I hadn't been able to settle on a good angle. So I loaded in the old scene, aligned it to fit the picture in my head, added a bunch more spotlights, and rendered it.

I think this words much better as a night shot than the second version of "Comparing Notes" did. My initial inspiration for both shots, lighting and mood-wise was this photo of a cruise ship docked at night.

The background is from NASA's library of astronaut photos of Earth. It's actually a shot of the terminator. I desaturated it and then recolored it dark blue to represent a barely-visible nightside. Also, since I figured a night shot would require a longer exposure, I cranked up the motion blur well past 100%, so the various shuttlecraft that are buzzing around are barely-defined blurs.
 
Now why can't real movie CG look like THAT! It's like they're afraid of the "Soften" filter to blend everything together.
 
Now why can't real movie CG look like THAT! It's like they're afraid of the "Soften" filter to blend everything together.

Another site I posted it to generally agreed that I was a bit heavy on the grain, but I'm with you that it helps set the image together and take the CG edge off.
 
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