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Predictions for Star Trek under Skydance?

It's yet another TOS reboot.
Don't we already know this isn't what they're doing?

IIRC, this is the only new project that has been announced since Skydance took over:

sources say Goldstein and Daley’s film is a completely new take on the Star Trek universe and not connected to any previous or current television series, movie or prior movie development projects.

That pitch falls in line with Skydance founder David Ellison’s recent comments on an earnings call where he said the next Star Trek film would not be a sequel in the Chris Pine-led series but something different with new actors.

This actually sounds very good to me. Something NEW and Goldstein/Daley are pretty talented.
 
Hearing that I don't "get" Star Wars is fairly common

there's a reason for that:

the Star Wars fan upset that the franchise's heroes now include (::clutches pearls:: ) women and people of color
:rolleyes:
The writer's just another disinformation troll trying to portray the film as groundbreaking in ways that it absolutely wasn't. But you didn't need Wired for that, you could get it right here on TrekBBS.
 
Will the show pivot away from "Woke" stuff. Maybe, new owners are more conservative, so will probably trend in that direction.

Trek has been "Woke" since 1966.

Will they give us classical exploration, fun, cerebral stuff like days of yor? maybe.

You're talking about fans who don't read, who equate anything "cerebral" with being "woke".

"Measure of a Man" would put these people to sleep.
 
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SFA season 2 filming wrapped last week.

Which means for the first time since discovery was announced in 2015, there’s no TV Trek currently being produced or any greenlit projects waiting to be produced.

That we know of at least.

Not counting SNW and SFA’s seasons currently in post production obviously
 
It’ll be interesting to see where the franchise goes next. To be honest, I’m expecting a full clean slate, and I’d be surprised if the Kurtzman era continues. That’s a shame, because overall I’m really enjoying SFA at the moment.

It’s not that this era has been unsuccessful - it just feels like they want to take the franchise in a different direction. I wouldn’t be surprised if that involves creating a more connected movie/TV/expanded‑media universe.

One challenge, I think, is that in trying to elevate Star Trek to a big “tentpole franchise,” they’ve positioned it alongside things like Star Wars and Guardians of the Galaxy - big, action‑adventure, space‑opera sci‑fi. That comes with certain expectations. the Kelvinverse movies have felt catered towards that big, space opera action adventure audience, and the streaming shows have sort of reflected that tone, look, and approach. Less so on TV, but in the movies at least thats lost some of the ST optimism, thoughtfulness, pondering on life and moral debates etc that makes ST distinctive as a franchise.

What I’d love to see is a new approach - less Star Wars/Guardians, but inspired by higher-concept science fiction tentpole films like Interstellar, The Martian, Inception, or even The Matrix - still epic, still ambitious, but a different flavour of science fiction. Something that enables big, ambitious science fiction concepts in the universe, but gives more room for Trek’s trademark philosophy and thoughtfulness, while still delivering the scale expected of a major franchise. The issue is that ST's strength has come from it's moral quandaries, it's philosophical debates - and the space-opera model sometimes risks losing that. Something more in the realm of epic science-fiction, not space-opera, would give ST a more distinct flavour whilst having chance to play to it's strengths AND have the action and effects people love. Set it in the universe, keep the values, but movies could be individual stories.

My personal preference, though, would be to take a lesson from the recent Alien and Predator revivals. Both found success again with smaller, more focused budgets after years of trying to chase blockbuster‑level box office with blockbuster-level budgets with mixed results. Give Star Trek a modest but solid budget - enough to look great and deliver one or two standout set‑pieces. That’s exactly what the franchise used to do, and it worked right up until Nemesis.
 
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The issue is that ST's strength has come from it's moral quandaries, it's philosophical debates - and the space-opera model sometimes risks losing that. Something more in the realm of epic science-fiction, not space-opera, would give ST a more distinct flavour whilst having chance to play to it's strengths AND have the action and effects people love. Set it in the universe, keep the values, but movies could be individual stories.

People are tribal. It's hard wired into our DNA. It's what has kept the species alive for two million years.

This notion that someday people are going to lock arms and skip down the primrose path together in unity and brotherhood is fanciful and naive. It ignores millions of years of evolution.

Surely the past ten years should've taught us that.

That said, we DO have the power of choice:

Captain James T. Kirk said:
"We're human beings with the blood of a million savage years on our hands, but we can stop it! We can admit that we’re killers, but we're not going to kill today. That's all it takes. Knowing that we're not going to kill TODAY."

Kurtzman Trek has gone back to the TOS era in a sense. It's acknowledged the dark, primitive side of human nature. It's a needed corrective to the chirpy, overly optimistic, sun splashed world of TNG.
 
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People are tribal. It's hard wired into our DNA. It's what has kept the species alive for two million years.

This notion that someday people are going to lock arms and skip down the primrose path together in unity and brotherhood is fanciful and naive. It ignores millions of years of evolution.

Surely the past ten years should've taught us that.

That said, we DO have the power of choice:



Kurtzman Trek has gone back to the TOS era in a sense. It's acknowledged the dark, primitive side of human nature. It's a needed corrective to the chirpy, overly optimistic, sun splashed world of TNG.

I would generally agree, but I do think the aesthetic, the principles of Star Trek in movie form have leaned into a sort of generic space-opera action/adventure trope. Star Trek has always traditionally been a little more/different to that - and I think that spirit could be leaned into a little more without losing "epicness"
 
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