Voted Pine - as usual. GREAT images Ria, thank you. 

Thank you.I suspect my wife would pick Dr. McCoy/Urban- guess I'll steer her to this thread and find out.
Just curious, ladies- would you pick Artemus/Ross Martin or Jim West/Conrad?
http://www.imdb.com/title/tt0058855/
My wife had a thing for Ross Martin, who I would bin as more McCoy-like- she always had a thing for the more serious, thinking/opinionated types (like me)
The cool thing is I look more like Urban (at least when my weight is under control)
I am a big fan of all of them. I just finished watching the whole series again on DVD. I hadn't seen it since I watched it first run on CBS.Just curious, ladies- would you pick Artemus/Ross Martin or Jim West/Conrad?
An Officer, you new avi is scrumptious.Nice location line, too.
I like the way they keep their bruises and cuts throughout the movie. Even Sulu keeps his banged-up face from the drill platform fight.
Bones all the way, baby. :P
Nice, back or front.And Robert Conrad's Jim West is what made me aware as a young girl that men could look in tight pants, especially from behind. So I would pick Jim West/Conrad although my fave here is McCoy/Urban.
Wow, you're good!Two for the price of one Kirk episodes, WINNING formula! I guess that's why the did it so often:
Mirror universe Kirk
Weak Kirk versus strong Kirk
And of course your robot Kirk
Maybe there was one more?
I read where Abrams said he wanted sets, locations and everything to look as real as possible; use CGI just where needed. It really adds to the real human and real Earth quotient, so that we can feel like it's our real future.That is one of the things I liked too. It was more gritty and realistic.I like the way they keep their bruises and cuts throughout the movie. Even Sulu keeps his banged-up face from the drill platform fight.
we need a poll for the gay folks.
when I came of age, I realized the smart libido was on the power guy.I am a particular fan of both Jims.
Yeah, I hope fans' criticisms don't put the chill on him on that score; I like them, too. He talked about the lens flares in that same interview. He said it was part of the real look he wanted, as though people were using real cameras of the 1960's. And that's why he filmed it in 35 mm, too.
Crusher Disciple, it's confusing isn't it, when you're no longer sure what thread you're in.![]()
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