TY, I actually blushed, swear to God!^ Excellent post.
And lastly:
- Do NOT read this in Michael Westen's voice!
How about (Pretentious) Days of Summer? I'd love to hear him tear that one a new one. Just watched it, and that last line? The new girl's name? I was all,
ARE YOU F** KIDDING ME?!
Oh, too late for that.
- Do NOT read this in Michael Westen's voice!
It's a generic indie romcom whose only defining feature is it's non-linearity. Remove that and it's nothing special.What's the problem with that. It was a great movie. The name thing was just a way of showing that you'll find someone new and it'll start all over again, no matter how important you think the girl is that just broke up with you. Just like the seasons change. The girl at the end was "Autumn"; there'll be a "Winter" after that. If you thought the name wasn't very realistic...well, that's not really what it was about.How about (Pretentious) Days of Summer? I'd love to hear him tear that one a new one. Just watched it, and that last line? The new girl's name? I was all,
ARE YOU F** KIDDING ME?!
I'd keep the no-attachments rule but deal with it more logically (shouldn't Padme be responsible enough that she'd take it seriously even if she didn't really understand it?)
the bad guys would be the ones doing the cloning (to create slaves).
I'd even keep the Space Jesus notion for Anakin, but make the prophecy more vague and open to interpretation - he could save the Jedi or destroy them - and how people read it depends on what they want to read into it.
Two Jedi parents might also explain why Luke and Leia are both force sensitive.
Why do we need the immaculate conception and the meaningless prophecy about "bringing balance?"
The core issue, though, is Anakin's personality and his turn to the dark side: it can't come from weakness and gullibility, but from the character's strength and conscious desire for more power.
Prequels are old news anyway, dead and buried, but for some reason, people like Plinkett keep necromancing them.
It's a generic indie romcom whose only defining feature is it's non-linearity. Remove that and it's nothing special.
He could have made fun of dozens other, MORE RECENT movies, but for some reason, his main focus are the prequels and Star Trek.It's for comedy.
He could have made fun of dozens other, MORE RECENT movies, but for some reason, his main focus are the prequels and Star Trek.
The only thing that ever bothered me about ROTJ was too much Ewoks. Other than that, it's a great movie. I never got the hate.
For whatever reason, for years I just assumed Mrs. Skywalker was a Jedi, too. (Possibly Obi-Wan's daughter when I was in a corny soap opera mood.Maybe Anakin's love interest is another Jedi? I don't see why she has to be a "princesse" type. Two Jedi parents might also explain why Luke and Leia are both force sensitive. A beautiful Jedi more advanced in her training than Anakin would seem to be the perfect object of desire for a young Darth Vader. It would also explain why both parties consider the relationship to be taboo at first.
The Sith Apprentice character also could use some streamlining. Darth Maul is too disposible, and Count Dooku could stand to be more compelling. The Emporer is in the background all the time, so the main villain in the foreground has to be Vader-level cool, or as close as possible. Make him a single villain for the whole trilogy until he is killed by Anakin in the third movie as part of his transformation into Darth Vader.
I would make him closer to Anakin's age as well, and very charismatic: somebody who can taunt Anakin and fuel the flames of his powerlust.
The core issue, though, is Anakin's personality and his turn to the dark side: it can't come from weakness and gullibility, but from the character's strength and conscious desire for more power.
The only thing that ever bothered me about ROTJ was too much Ewoks. Other than that, it's a great movie. I never got the hate.
Yeah, I guess... It would have been cooler if the final battle was about Rebels attacking the Imperial Capital or something (imagine X-wings and tie fighters dogfighting among the skyscrapers), with Luke and Vader facing off in Emperor's majestic throne room.Recycling the Death Star was amazingly lazy writing
Recycling the Death Star was amazingly lazy writing, and a preview of the lazy, film-the-first-draft approach of the PT.
I can definitely understand that complaint, but between the cool, half-built design and it's awesome use during the final battle (with it blowing up rebel ships left and right, and all it's crazy tunnels at the end), I thought Lucas somehow made the idea work.
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