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Spoilers Picard 1x1, "Remembrance"

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… And to suggest DISCO is darker than the Aliens films is laughable.

I agree. :guffaw: [<-- me laughing at the comparison]

I however, don't expect Picard to get any much darker than TNG got, because I don't see any evidence of that kind of interest from Stewart or Chabon.

Mostly agree. I think they'll go more "thriller" than "dark" however it will get a touch darker than TNG generally got … relatively speaking.
 
She was younger than Picard was then. That said, would you want to live alone in and on a property where the rest of your immediate family died, if you had other options? I could believe she decided to move and live somewhere else after the tragedy and not really want to return.

She may have stayed at Chateau Picard for awhile and then moved on after getting over Robert's death. People can have more than one spouse in their life.
 
For me, DS9 is still the gold standard of Star Trek discussing the issues of ethics and morality as something more than a hypothetical black and white scenario. "Good" people did bad things, and "bad" people did heroic things. I crave that kind of exploration again, and with the same (or better) quality of writing and storytelling. Picard seems up to the challenge, I hope.
 
Simplistic worked because they were wrapping things up in 48 minutes vs. eight hours. They were giving a complete story (beginning, middle and end) in those 48 minutes. And things weren't always simplistic as shown in episodes "A Private Little War" or "The High Ground".

Lol. A Private Little War has been rightfully been accused of being a simplistic apology for the Vietnam War almost from the get go. As for The High Ground, it's not much better, but demonstrates that The Federation and Starfleet in general and Picard in particular were never interested in problems where people were dying if it was anything that would be complicated to resolve. Kind of plays into the new series really.
 
As good as Balance of Terror is, It also wraps things up very neatly in a bow and its statements on racism and blindly demonizing an enemy are pretty simplistic. Most TOS episodes are pretty simplistic. So why is simplistic good in TOS and not good in DISCO? After all, they are set in a similar era. Is simplistic not OK for Picard, even though it was OK to make things simplistic in TNG?

Because of "context." The context of time in which the respective TV shows (Discovery vs TOS; TNG vs Picard) were produced (which is the same reason we forgive the disparity in set and costume design and overall look). Audience expectation is a bit more sophisticated and demanding. Hell, today's internet would generally shred a series that was as straightforward as TOS today.
 
I think the one thing that stuck out to me, was the Romulan at the end that pretty much looked like Discovery Spock. A little too spot on.

Lol. A Private Little War has been rightfully been accused of being a simplistic apology for the Vietnam War almost from the get go. As for The High Ground, it's not much better, but demonstrates that The Federation and Starfleet in general and Picard in particular were never interested in problems where people were dying if it was anything that would be complicated to resolve. Kind of plays into the new series really.

Have to agree to disagree.
 
I agree. :guffaw: [<-- me laughing at the comparison]



Mostly agree. I think they'll go more "thriller" than "dark" however it will get a touch darker than TNG generally got … relatively speaking.

Well, it does start off with our main character a shell of himself who's wasted 15 years of his life after suffering the most heart breaking and humilating failure of his life. Pretty depressing that. Mind you, something that I could always see coming at some point, even back in '87.
 
Because of "context." The context of time in which the respective TV shows (Discovery vs TOS; TNG vs Picard) were produced (which is the same reason we forgive the disparity in set and costume design and overall look). Audience expectation is a bit more sophisticated and demanding. Hell, today's internet would generally shred a series that was as straightforward as TOS today.

The Orville get a lot of love, at least from some quarters, and its intentionally as simplistic, possibly even more so than similar TNG and TOS concepts it copies. There's a whole lot of people pining for the good old days right now.
 
Not a show that I see as getting any darker than your average DS9 outing.

Agreed. Darker than TNG and lighter than DS9. :techman:

For me, DS9 is still the gold standard of Star Trek discussing the issues of ethics and morality as something more than a hypothetical black and white scenario. "Good" people did bad things, and "bad" people did heroic things. I crave that kind of exploration again, and with the same (or better) quality of writing and storytelling. Picard seems up to the challenge, I hope.

I agree that DS9 is the gold standard for Star Trek in many ways, however, "quality" is not mutually exclusive to "darker." I think Deep Space Nine was a much needed evolution in Trek's writing and maturing process to stay relevent. I also believe Discovery and Picard are also evolutionary steps in that CBS is focused on making the franchise competitive. Part of that is these shows have to be sought out and paid for to see. These new offerings pretty much operate on commission rather than salaried (like network shows … how's that for a metaphor?).

Another sign of the times to contextualize Discovery and Picard: DS9 was penalized for its relative sophistication and complexity by lack of studio support and promotion while the recent CBS offerings are embraced and heavily promoted.
 
Another sign of the times to contextualize Discovery and Picard: DS9 was penalized for its relative sophistication and complexity by lack of studio support and promotion while the recent CBS offerings are embraced and heavily promoted.

I know I'm in the minority, but I don't think Discovery was remotely as sophisticated as any Trek that came before it (and really struggles against many of the shows in the new landscape). I'm still out on Picard, because we simply don't know where it is headed.
 
Agreed. Darker than TNG and lighter than DS9. :techman:



I agree that DS9 is the gold standard for Star Trek in many ways, however, "quality" is not mutually exclusive to "darker." I think Deep Space Nine was a much needed evolution in Trek's writing and maturing process to stay relevent. I also believe Discovery and Picard are also evolutionary steps in that CBS is focused on making the franchise competitive. Part of that is these shows have to be sought out and paid for to see. These new offerings pretty much operate on commission rather than salaried (like network shows … how's that for a metaphor?).

Another sign of the times to contextualize Discovery and Picard: DS9 was penalized for its relative sophistication and complexity by lack of studio support and promotion while the recent CBS offerings are embraced and heavily promoted.
Well, when I say quality I mean how they took pains to make the characters nuanced, to make their words believable not just for us, but for themselves. These weren't people who believed Starfleet was always good, or that the needs of the Cardassians were without merit. They pushed to make you understand how the other side of the coin lived, and took positions that could be often controversial. In The Pale Moonlight is a damned good episode for a reason, and not just because it's darker, but it does help.
 
I can vouch for that. They don't make anime like that anymore. I highly recommend Armitage Iii: Poly Matrix to anyone. Anyone who's cool, that is.

I haz them on DVD, having lost my VHS.

However, I no longer have multi region player :(

On plus side, it’s how I figured out BR2049 from the trailer xD
 
I agree. :guffaw: [<-- me laughing at the comparison]



Mostly agree. I think they'll go more "thriller" than "dark" however it will get a touch darker than TNG generally got … relatively speaking.

I did t say it was darker, I said it was more grimdark :p
(Though I had also temporarily forgotten Alien 3. That happens)
 
I know I'm in the minority, but I don't think Discovery was remotely as sophisticated as any Trek that came before it (and really struggles against many of the shows in the new landscape). I'm still out on Picard, because we simply don't know where it is headed.

I disagree. Not to put words in your mouth but it reads to me that your complaint has more to do with "quality" than "sophistication." I think folks could rightly argue that Discovery was perhaps overly sophisticated to the point of getting in its own way (a lot of which I chalk up to the high showrunner and writing turnover). Again, overall, I love Discovery and give it a thumb's up, however, I am not blind to it's short cummings. As for "Picar," I agree, one episode is not enough to judge but it is enough to have made me hopeful.

Well, when I say quality I mean how they took pains to make the characters nuanced, to make their words believable not just for us, but for themselves. These weren't people who believed Starfleet was always good, or that the needs of the Cardassians were without merit. They pushed to make you understand how the other side of the coin lived, and took positions that could be often controversial. In The Pale Moonlight is a damned good episode for a reason, and not just because it's darker, but it does help.

Excellently put. For the record, "In the pale moonlight" was brilliant and definitely "gold standard!"
 
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