Route 66 was an iconic role and Milner made it great. It would be easy for Tod to be unsympathetic to viewers, a rich kid who didn't have a job but could afford to travel around in the newest-model Corvette, but Milner had such a easygoing charm it worked perfectly. And Adam-12, well, when I was a kid I thought Officer Malloy was about the coolest character around. His dry sense of humor and bemused patience with some of the odd characters he encountered was priceless. Besides the way he worked with his rookie partner, I also really liked his interaction with his boss, Mac (the also very cool William Boyett) and the other officers like Wells and Woods.
I have never really seen Route 66(A few minutes once) and was planning on watching it soon.
Actually, that's not quite true. He grew up rich, but was fairly destitute in the show. The car was the only thing he had, because it was left to him by his father (or something like that). He and Buz (or Link) had to take jobs in pretty much every episode to support their travels.It would be easy for Tod to be unsympathetic to viewers, a rich kid who didn't have a job but could afford to travel around in the newest-model Corvette, but Milner had such a easygoing charm it worked perfectly.
Agreed. Route 66 is pure Americana of the Kerouac era. I'm still working on seeing them all, but I've never seen one yet that wasn't spellbinding. And most of them were written by the same guy, Stirling Siliphant, who was an amazing and prolific writer.I have never really seen Route 66(A few minutes once) and was planning on watching it soon.
Highly recommended. If you're a fan of 1960's TV drama and haven't seen ROUTE 66, that's like being a fan of Elizabethan theater who is unfamiliar with the works of Shakespeare. It is a superlatively-written series, and so consistent that its worst episodes are excellent and its best are bonafide classics of the genre.
Actually, that's not quite true. He grew up rich, but was fairly destitute in the show. The car was the only thing he had, because it was left to him by his father (or something like that). He and Buz (or Link) had to take jobs in pretty much every episode to support their travels.
I agree completely about Stirling Siliphant.
The stories he churned out, week after week, were incredible. He would produce a stinker now and then, but they were few and far between.
He deserves a spot alongside Rod Serling and Paddy Chayefsky on the Mount Rushmore of B&W television writers.
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