To be honest that was back in post 246 !Sorry I missed where you said it would be optional.
To be honest that was back in post 246 !Sorry I missed where you said it would be optional.
Then get the blu-ray release, you have a choice there.There's also the example of if one wants to watch TOS on broadcast television or streaming one is NOT given a choice. It's TOS-R. So however they are going to spend their money to make DS9 "future-proof" that is most likely going to be the most widely and easily available presentation of the show going forward.
I do. And I have.Then get the blu-ray release, you have a choice there.
Cropped for widescreen never looks "right." Even with safe areas and overscan, you're still losing information. Heads get cropped, everything looks a little too tight. Not to mention grain is higher. Lost in Space was cropped for the most recent DVD release and it looks wrong. Not as bad as some others, but it wasn't meant to be seen that way.
Stargate SG-1 was filmed in 16:9 from the start and aired in both 16:9 and 4:3That is why they will likely go with the cheapest option. Something along the lines that was done for Babylon 5 or Stargate SG1 IMO.
It depends. None of the Star Trek shows (nor SG-1 or Babylon 5) were shot on videotape (well, standard-definition video), but they were edited on video (again, SD video). So to make them in HD (properly), you'd have to track down the original film from before it was edited, assuming it still exists and is accessible, and rebuild the episodes from that. It's like resetting the clock back to right after they finished filming the episodes, and everything visual that comes after that (editing, color correction, and visual effects) has to be done again, as if for the first time.I always thought the big issue was stuff filmed using film vs stuff using video.
Thank you for this post. I went into this thread worrying about the DS9 remaster/upscale/whatever and your posts have been extremely informative and give me hope that whatever they choose to release will be better than the DVDs we have currently. Cheers.Season 3 onward, if I remember rightly, was designed for 16:9 in mind...
Even better: Since they're going to the original film negatives, they have an opportunity to re-frame every camera angle change from the older seasons to best-fit the new ratio. So the net result may not be that bad, since the generic upscales and aspect ratio changes just slap on some matte bars without bothering to re-center vertically the old 4:3 material, leading to chopped off heads, hidden details needed for the plot's progression, and the opening/closing credits.
But the latter half of DS9 did have 16:9 in mind, so that's more than half the battle already. S1-3 does add to some costs, but it's nominal. Especially compared to the new f/x needing to be rendered or superimposed. (B5's original f/x are the same but they're not atrocious in of themselves. )
And after reading comments to other remastered goodies like:
Sifting through some of them and I hope I got the right one, some say that the upscaling AI isn't as much a panacea as some like to believe, and - more importantly despite the tangent - the master reels may have been destroyed, so what was released on blu-ray is the only surviving master. Modern AI techniques are definitely better than what was around then, and the higher-detailed the source material, the better the upscaled result will be -- so all the hype of "DVD to 4K", which is garbage because 480i simply lacks the detail end of story, the blu-ray surviving master is clearly grainy, but also has more detail than the 480i ever had -- this could be cleaned up a bit easier. But there's still an upper limit that's less than the original 35mm film negs, which sound like they're gone forever. That's when software algorithm alternatives genuinely come in handy. But if the original is there, definitely try to preserve it. If nothing else, what does exist does. If nothing else, the B5 scenes mixing the cgi with live action could potentially have the frame rate equalized by comparing an array of adjacent frames and smoothing them out. But I digress again.
* but the whiny comments are ubiquitous so it's all good
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