Trekmovie.com
Geoff Boucher – formerly of the LA Times Hero Complex and Entertainment Weekly – has a great new podcast as part of the Nerdist Network – titled ‘Humans From Earth.’ And Star Trek writer/producer (and soon to be director) Roberto Orci was a guest for the second episode which just went online.
Geoff Boucher – formerly of the LA Times Hero Complex and Entertainment Weekly – has a great new podcast as part of the Nerdist Network – titled ‘Humans From Earth.’ And Star Trek writer/producer (and soon to be director) Roberto Orci was a guest for the second episode which just went online.
Orci hints at new setting
Much has been said about how both the 2009 Star Trek film and 2013′s Star Trek Into Darkness were very Earth-centric. But for the next one, Orci promises that will change…
Orci: In [Into Darkness] they set out finally where the original series started. The first two films – especially the 2009 [Star Trek] – was an origin story. It was about them coming together. So they weren’t the characters they were in the original series. They were growing into them and that continues on in the second movie. So in this movie they are closer than they are to the original series characters that you have ever seen. They have set off on their five-year mission. So their adventure is going to be in deep space.
Much has been said about JJ Abrams penchant for secrecy. When asked if he would follow the same course or would be more open, Orci was hoping to be more transparent…
Orci: I think it is going to be more of a mix. On the one hand you want the story to have surprises. Otherwise why even go to the movie?. On the other hand you want to share enough of it to let people know what they are going to get and what they can expect and what the experience is going to feel like. In terms of behind the scenes, audiences are now so savvy, I think it is kind of fun to be more transparent. And let people into the process of how you are doing things and let them watch you do the movie. You can see behind the scenes without knowing what the context of the scene is or what the story is.