...but the baby steps were giant steps compared to Flash Gordon or Buck Rogers or Lost In Space. Or, arguably, nuTrek.
I'd argue that from an entertainment perspective, the Abrams films were a giant step up from much of the Star Trek with Rick Berman's name on it.
As a feast for the senses and action-delivery-system, Abramstrek is
streaks beyond anything else in the franchise, there's absolutely no contesting that. The most disastrous flaw of Berman-era Trek was that it got so used to painting inside the lines of "canon" visual style that it forgot that maybe it should attempt to do something exciting and fresh. For visual design*, style, verve, nuTrek is the clear winner... and Trek is an
action franchise first, which earns it huge points on that score.
Let me set down my Cup of Hatorade for a moment and tell you some things I
love about nuTrek: the uniforms, a great update of the classic look. The visuals overall**: in and of themselves, I think the design and CGI teams deserve a damned large share of credit for the financial success of the films. The action set-pieces -- especially space-diving in ST09, Khan and Kirk's space-shot in STID, Quinto's Khan yell (whatever dramatic-structuring nitpicks one might have with it, in and of itself it was good fun) and Spock's subsequent battle with Khan.
All damned good stuff.
(* Except perhaps for the incredibly lame-assed product placements.)
(** Excepting the Apple Store bridge sets and the absurd preponderance of lens flare, everything else was great.)
The radiation was off the scale as they crossed the barrier in Where No Man Has Gone Before.
So the radiation was actually the source of Gary Mitchell's powers? I'd always thought it was something undefined about the region of space, just like the "Barrier" didn't register in the ship's sensors but did in the mind.