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Opening Teaser and Part of Act I of "Enemy:Starfleet" Released

OK... Now you have my full attention. This opening looks, and more importantly feels, more like a TOS episode than anything Cawley has done so far. World Enough and Time was a great episode, but was honestly too slick and well done to feel like the 1960s. The rest fall short (some more than others) because of the obvious lack of funds, know-how, and talent; certainly no shortage of devotion and hard work.

This glimpse of Enemy Starfleet could fit right in to the weekly adventures of Shatner and Nimoy. The situation, the dialogue, the timing, even the performances feel right. Now, I don't want anyone to feel rushed, but I'll be waiting for this one.
 
It appears you are using a different camera and/or lens set for the bridge shots? RED ONE possibly?
 
In a way, it kinda reminds me of how Arena opened, attacked on the surface then a pursuit of the enemy. Tough to get use to another new Spock, but it is what it is. Nice continuity with McCoy and Kirk talking about Peters loss.
 
Fun intro. I like that they're moving into more of a 70's style with the little fighters.
 
The planetside shots are really great. Looking forward to more.
 
Very nice indeed. I have a couple of thoughts on the clip.

Good: I know us Trek fans are supposed to be more thoughtful, but I continue to be really impressed with the FX. From the opening shots of the Enterprise to the last few frames, they were terrific! :bolian:

Not-So-Good: What is it with the Kirks and their hair? I understand why the captain has some long locks, but Peter looked like he had a beaver on his head. Was our hair really that long back in the 1960s? Sheesh! :vulcan:

As always, looking forward to more coming our way! :techman:
 
Very nice indeed. I have a couple of thoughts on the clip.

Good: I know us Trek fans are supposed to be more thoughtful, but I continue to be really impressed with the FX. From the opening shots of the Enterprise to the last few frames, they were terrific! :bolian:

Not-So-Good: What is it with the Kirks and their hair? I understand why the captain has some long locks, but Peter looked like he had a beaver on his head. Was our hair really that long back in the 1960s? Sheesh! :vulcan:

As always, looking forward to more coming our way! :techman:

1. Peter Kirk's hair only seems out of place and "non-reg" in a 20th or 21st century military service outfit; we really don't know what hair styles will be acceptable in a 23rd century Starfleet. (Example: When I look at 18th and 19th century naval hairstyles, they are pretty long.)

2. If you give Peter shorter hair, the hairstyle begins to look military instead of pseudo-military. (The term Roddenberry used was actually "semimilitary.") So, we need to find ways to reinforce the "semi-" part and not the "military" part. Hair that would be inappropriate for the 20th or 21st centuries might therefore be the exact kind of thing you would want to rely on to convey that the organization merely a "futuristic" semi-military organization.

3. Janice Rand's crazy basketweave beehive is also out of place in a pseudo-military service outfit but most people don't complain about that (although a few do).

4. Walter Koenig had to wear a wig for his first few episodes while his "non-reg" longer Beatle-style hair grew in. So, the "new young character that kids can relate to" whether he's in 1967 or 2007, always needs to have an appropriate hairstyle so that, well, the kids can relate to him.

5. When we changed our moniker from "New Voyages" to "Phase II," we decided to adopt many of the art designs from the ill-fated 1970s Phase II series. This includes the costumes, some props, some sets (if and when we get to them) and, yes, even the 1970s hairstyles. We now allow a couple of our characters to have some facial hair (just as Scotty adopted a moustache in TMP). DeSalle has a goatee. But we gave Peter Kirk a mullett and a few of the women have had Farah Fawcett-type feathered hair instead of the hairstyles Virginia Darcy, Jean Austin, and Pat Westmore created on TOS. And, of course, the flip side of the coin is that we also have had bald crewmembers--something they never really would have done in TOS.

Peter Kirk's hair faithfully recreates hairstyles seen on the men in screentest footage shot for the original Phase II series. The hairstyles will be one of the ways we try to "recreate" the Phase II series instead of just recreating TOS. So Bobby has Phase II '70s hair instead of '60's TOS hair. It's a shorthand way of conveying that this isn't exactly your father's TOS Star Trek. (We gave Scotty a "non-reg" moustache, too.).

6. Peter's heart isn't really in Starfleet in many ways and we need a quick way of showing that rather than saying that in dialog. He's ambivalent about being there and, as we've seen, he came on board the Enterprise mostly to be with Lt. Alex Freeman. Giving Peter longish hair is an intentional way of showing that he's not really toeing the Starfleet line.
7. After five episodes with Peter's long hair, I believe we'll find that it's no longer really working for Peter--and as he grows up and he finally takes his position and responsibilities in Starfleet more seriously, he'll be adopting a more "appropriate" hairstyle to convey that he's really, finally joined the team. So, shortening his hair is something we'll start seeing in "Kitumba."

8. As for James Cawley's hair, it's no secret that in "real life" James is one of the top box office draws in the country as an Elvis impersonator. Depending upon when our Phase II shoots happen in relation to James' Elvis gigs, James might need to keep a somewhat Elvis-ish hairstyle--sometimes even including muttonchops. If that's the biggest challenge our production faces with each shoot, we're in good shape.
 
>>7. After five episodes with Peter's long hair, I believe we'll find that it's no longer really working for Peter--and as he grows up and he finally takes his position and responsibilities in Starfleet more seriously, he'll be adopting a more "appropriate" hairstyle to convey that he's really, finally joined the team. So, shortening his hair is something we'll start seeing in "Kitumba."<<

1-7. No need to convince me that Phase II is good even though I thought some of the characters had longer hair than I would have liked in the segment. I knew about Keonig's wig and Rand's beehive. While this takes place in the future, it's watched by people now. And by the way, I still loved the FX regardless of the length of the hair of the person doing it. :bolian:

>>8. As for James Cawley's hair, it's no secret that in "real life" James is one of the top box office draws in the country as an Elvis impersonator. Depending upon when our Phase II shoots happen in relation to James' Elvis gigs, James might need to keep a somewhat Elvis-ish hairstyle--sometimes even including muttonchops. If that's the biggest challenge our production faces with each shoot, we're in good shape.<<

Correctamundo. If long hair was a big turnoff for me, I don't know that I would have made it past the first couple of New Voyages, but I'm still very much here. :techman:

One other thought: I like the new Spock, but it does take a couple of viewings to adapt to the person playng the role. Still, I thought he did a nice job with the mannerisms and look forward to seeing more. :vulcan:

Did I mention how much I liked the FX? :bolian:
 
That looks great and I can't wait. Just a couple of comments ... first, with regard to the above about Peter Kirk's hairstyle, I agree it would be non-regulation, simply because anything that could interfere with performance would be non-regulation. Long in the back is no problem, but long in the front so that it could fall into the eyes during combat would be a big problem. But, this is the future, so maybe they have some kind of super-hairspray that we don't know about.

Second, from what was released earlier, looking at young, handsome James Cauley making out with a woman in her 70's ... well, um ...
 
Luna is a beautiful WOMAN, who certainly does not look or act her age! If I fare as well, I assure you I will celebrate! Also, you need to see the episode, She has the ability to control minds and bend then to her will. As a teenager, I thought she was HOT, Now I think she is Beautiful, inside and out.
And Thanks for saying I am young and handsome!
James
 
Was I the only one expecting McCoy to say when the shooting started, "You know, this seems a little familiar."?
 
Neo/fx: No, the bridge shots in this clip were not filmed with a RED ONE. The location and bridge shots were filmed with the same type HD camera.

We did use a RED ONE for most of our Kitumba filming and have since decided against ever using it again, because we simply don't have the support for such a camera and it is very unlikely that our product will ever be released in IMAX...therefore making it necessary for us to "dumb down" the footage anyway.
 
Neo/fx: No, the bridge shots in this clip were not filmed with a RED ONE. The location and bridge shots were filmed with the same type HD camera.

We did use a RED ONE for most of our Kitumba filming and have since decided against ever using it again, because we simply don't have the support for such a camera and it is very unlikely that our product will ever be released in IMAX...therefore making it necessary for us to "dumb down" the footage anyway.

Thanks for the info...Was the 'blur' around the background and foreground characters when focused on DeSalle done in post, or are you using a different lens on your HD camera?

Also, the Red One is not just for IMAX :)...however, I see your point that it is a VERY expensive camera to use for something that is not revenue generating. It does give some fantastic images, however.
 
Looks great! You guys on the Phase II team always do such a great job. I can't wait to see the whole episode.
 
Thanks for the info...Was the 'blur' around the background and foreground characters when focused on DeSalle done in post, or are you using a different lens on your HD camera?

Also, the Red One is not just for IMAX :)...however, I see your point that it is a VERY expensive camera to use for something that is not revenue generating. It does give some fantastic images, however.

Let me preface by saying I'm not a member of the camera team, so I can't give specifics...and I may get spelling wrong. However, it was the DP's choice to shoot ES and The Child using a "rack and pinon" focus lens, and thus giving most of the episode the "close up" focus of the speaker and the "blurred" background. It was an interesting experiment and it gives a new look to the episodes.

The main problem we encountered with the RED ONE is the lack of computer support that was needed to ingest the footage and later deal with it. Our equipment is not sophisticated enough to deal with it effectively... and, as you pointed out, we don't have the money for such a massive upgrade. But, yes, Kitumba does look spectacular!
 
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