Glad to see you back at it.
If I can make a suggestion? Your films would feel "smoother" if you didn't cut to CHARL-E every time he speaks and back when Tom does. It feels very choppy. Let some of CHARL-E's dialog happen in shots with Tom, or at least flow over the cuts, so the line overlaps the cut. Since CHARL-E doesn't move, at least seeing Tom's reaction as he speaks would keep the scene more alive. It's a small thing that will make a big difference.
If I can make a suggestion? Your films would feel "smoother" if you didn't cut to CHARL-E every time he speaks and back when Tom does. It feels very choppy. Let some of CHARL-E's dialog happen in shots with Tom, or at least flow over the cuts, so the line overlaps the cut. Since CHARL-E doesn't move, at least seeing Tom's reaction as he speaks would keep the scene more alive. It's a small thing that will make a big difference.