Agree with a lot of good comments here, esp. from GalaxyX. Just wanted to add a few observations:
Baird was an editor originally, and like a lot of editors-turned-director (Robert Wise, for example) knows how to pace a film. Made a couple of decent popcorn actions films (Executive Decision, US Marshalls) and has apparently 'rescued' quite a few others in editing room (Demolition Man I think was one). Nem was one of better action late-Trek films for me. Think Frakes is better at character, but INS felt like a TV ep blown up to big screen.
Villain - the genius of TWOK is that without even knowing Space Seed, within that brief set-up on Ceti Alpha you get: Kirk abandoned me here, left us to die without caring and is responsible for wife's death. Plus - and this is real filmmaking skill, which you can appreciate on big screen 70mm viewing - Khan's books include Moby Dick and several others with revenge/power theme. All this in a tidy script101 capsule lets you know this is Khan v Kirk and no more really needs be said. As others have said so eloquently, NEM just goes on and on and never handles its Shinzon theme as succinctly or eloquently.
Battles - think NEM rift battle seq pretty good and probably best in late trek. But again, the genius of TWOK was to play it out as a naval battle. The music, suspense and stately majesty of ships just makes it superior to the more frenetic cgi versions.
Death - admit not a TNG fan so Data's death didn't move me. But if I was a non-trek fan just watching this as an action movie, I might still think: ok, so the robot-guy dies at end. But he's a robot so who cares? And anyway, isn't he still kind of alive in that dumb robot that looks like him? Talk about a get-out clause. Whereas in TWOK, the cool guy with the ears, the captain's best friend, sacrifices himself to save the ship. He really is dead. No contest. I imagine that when people first walked out of TWOK they probably thought: wow, Spock's dead but hey, he went out a hero. And even if there's not another film, you're going to be left with a bitter-sweet but ultimately uplifting feeling about friendship, sacrifice and good coming from evil.
Baird was an editor originally, and like a lot of editors-turned-director (Robert Wise, for example) knows how to pace a film. Made a couple of decent popcorn actions films (Executive Decision, US Marshalls) and has apparently 'rescued' quite a few others in editing room (Demolition Man I think was one). Nem was one of better action late-Trek films for me. Think Frakes is better at character, but INS felt like a TV ep blown up to big screen.
Villain - the genius of TWOK is that without even knowing Space Seed, within that brief set-up on Ceti Alpha you get: Kirk abandoned me here, left us to die without caring and is responsible for wife's death. Plus - and this is real filmmaking skill, which you can appreciate on big screen 70mm viewing - Khan's books include Moby Dick and several others with revenge/power theme. All this in a tidy script101 capsule lets you know this is Khan v Kirk and no more really needs be said. As others have said so eloquently, NEM just goes on and on and never handles its Shinzon theme as succinctly or eloquently.
Battles - think NEM rift battle seq pretty good and probably best in late trek. But again, the genius of TWOK was to play it out as a naval battle. The music, suspense and stately majesty of ships just makes it superior to the more frenetic cgi versions.
Death - admit not a TNG fan so Data's death didn't move me. But if I was a non-trek fan just watching this as an action movie, I might still think: ok, so the robot-guy dies at end. But he's a robot so who cares? And anyway, isn't he still kind of alive in that dumb robot that looks like him? Talk about a get-out clause. Whereas in TWOK, the cool guy with the ears, the captain's best friend, sacrifices himself to save the ship. He really is dead. No contest. I imagine that when people first walked out of TWOK they probably thought: wow, Spock's dead but hey, he went out a hero. And even if there's not another film, you're going to be left with a bitter-sweet but ultimately uplifting feeling about friendship, sacrifice and good coming from evil.