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Neil Gaiman: "My Doctor Who experience left me with a bad taste in my mouth"

I seem to recall "The Doctor's Wife" also had to be scaled down considerably for budget reasons. I'm blanking on the particulars, but I believe that lead to them using the makeshift TARDIS console and bringing the Tennant console out of moth balls.

IIRC, they had left Tennant's console room set standing precisely so it could be used for "The Doctor's Wife," even though it ended up just sitting there, gathering dust, for a while.

Gaiman had written a prologe/pre-credits scene for "The Doctor's Wife" that was chopped for budgetary reasons. Mark Buckingham adapted it as a comic stri for The Brilliant Book 2012, and it was later reworked as an Eleven/River web short by Moffat.

For me the problems with Nightmare in Silver most revolved around it feeling too much like a TNG Borg episode and not enough like a Cyberman story.

It's very Borg-y, yes, and I've sometimes wondered if "Nightmare in Silver" was part of the reason why IDW's Star Trek: The Next Generation crossover was so underwhelming; was there something they wanted to do, but "Nightmare in Silver" was doing it, so Assimilation 2 had to find a new plot and would up being whatever it was.

Gosh, "Nightmare in Silver" is one of my favorite DW episodes, thanks to Warwick Davis's performance and the character of Porridge both.

I like "Nightmare in Silver" a lot. In fact, I prefer it to "The Doctor's Wife." But I'm weird like that.
 
Not a fan of Nightmare in Silver, mainly because Cybermen. Boring, boring Cybermen. Warwick did a great job, but I'd have rather seen him in a better, less shit episode. :)
 
Also Gaiman had originally envisaged Nephew as a new alien but due to the budget considerations they had to reuse an Ood costume.

For me the problems with Nightmare in Silver most revolved around it feeling too much like a TNG Borg episode and not enough like a Cyberman story.

Except the Borg were done better at the time; "Nightmare in Silver" doesn't begin to improve on anything, which is something of a big thing. It didn't help how flippant "Nightmare" felt at times, though the era was also aimed mostly at 9 year olds so they'd have nightmares in real life regardless. It's still a great idea to convert the Doctor, but the execution was surprisingly flat - at least when it stopped being so campy and in ways that would make the 80s blush.
 
My main problem with Nightmare in Silver had more to do with the hype promoting it as "totally reinventing the Cybermen" but in the end it was a pretty bog standard Cybermen story that just gave the Cybermen a new look.
 
Good question: What is Matt Smith's best-ever performance as the Doctor?

That is a good question. I almost said the one with Vincent van Gogh, but, it's the guy who played Vincent... Maybe The Name of the Doctor?

I don't know. He's really good, but, there aren't stand out episodes that he did, he was just good through out for me. Which isn't a bad thing at all.
 
Except the Borg were done better at the time; "Nightmare in Silver" doesn't begin to improve on anything, which is something of a big thing. It didn't help how flippant "Nightmare" felt at times, though the era was also aimed mostly at 9 year olds so they'd have nightmares in real life regardless. It's still a great idea to convert the Doctor, but the execution was surprisingly flat - at least when it stopped being so campy and in ways that would make the 80s blush.

Oh yes, more like a poor Voyager Borg episode, it wasn't even done well.
 
I remember an interview with Gaiman where he said that it would be a shame to never get to write for Capaldi since he could hardly pass-up a Scottish Doctor. Now that Capaldi is gone, I agree. It definitely was. :(


Yeah. I've been reading a bunch of back issues of Doctor Who Magazine recently and they use that expression a lot! I've been very confused. You Brits can be so British sometimes! :p

Also, I seem to recall "The Doctor's Wife" also had to be scaled down considerably for budget reasons. I'm blanking on the particulars, but I believe that lead to them using the makeshift TARDIS console and bringing the Tennant console out of moth balls. I think Gaiman wanted to feature a lot more consoles. If they were able to make it work for "The Doctor's Wife," why not "Nightmare in Silver"?

IIRC, the original plan was to do "The Doctor's Wife" at the end of Season 5 but they ran out of money and replaced it with the much cheaper "The Lodger." "The Doctor's Wife" was then pushed back to Season 6.

BTW, I recall that something similar happened in Season 2, where there was an episode written by Stephen Fry that ended up being too expensive, so they replaced it with "Fear Her" and RTD announced that Fry's episode would be in Season 3. Whatever happened to that?

Nightmare in Silver was part of the seventh season, a year Moffat has admitted to feeling overworked and burnt out during (mostly due to things related to the fiftieth anniversary).

The more I look back on it, the worse Season 7 looks. The first half with Amy & Rory feels like a pointless addition to where we already left their story in Season 6. The 2nd half suffers from Smith & Clara having almost no chemistry together. Season 7 is the only season of the new series that fails to have even one episode that I would count as truly great. ("The Day of the Doctor" is a special. I don't count it as part of the actual season.)

Good question: What is Matt Smith's best-ever performance as the Doctor?

Depends on how you phrase the question. Matt Smith's best ever Doctor Who performance was his double role as both the Doctor & Mr. Clever in "Nightmare in Silver." However, his best ever performance as the Doctor is a trickier question. He's got some great bits in "The Eleventh Hour," "Amy's Choice," & "The Lodger." He shows some great range in "The Impossible Astronaut," going from his most goofy ("Oi, I'm up here being clever and no one is up here looking impressed! What's the point of any of you?!") to his most serious ("Don't play games with me. Don't ever, for a moment, think you're capable of that.") But, after careful consideration, I need to give the award to "The Pandorica Opens"/"The Big Bang." From his monologue to the monsters to his attempts to distract the Cyberman ("Look at me! I'm a target!") to his heartfelt goodbye to Amelia to his triumphant return just in time to invent the Drunk Giraffe dance, it's all the Matt Smith you could ever ask for distilled into a single 2-parter!
 
I believe the Fry episode never happened because he was always so busy and then Tennant moved on, which put an end to it since, according to Fry, it couldn't be done without The Tenth Doctor.
 
The more I look back on it, the worse Season 7 looks. The first half with Amy & Rory feels like a pointless addition to where we already left their story in Season 6. The 2nd half suffers from Smith & Clara having almost no chemistry together. Season 7 is the only season of the new series that fails to have even one episode that I would count as truly great. ("The Day of the Doctor" is a special. I don't count it as part of the actual season.)

I like 7a, I'd agree it's pointless but Matt, Karen and Arthur are just do damn watchable. 7b, well it's clear Moffat was spending much of his effort on the 50th and it shows. I'm not sure that Matt and Jenna had no chemistry so much as she was just a plot point, and no two writers seemed to treat her the same way. There are some truly drab episode in 7b, but, The Time of the Doctor is great and it has Gatiss' two best scripts (it's divisive I know but I bloody love the Crimson 'Orror!)
 
I didn't realize "The Crimson Horror" was divisive. :)

Gatiss is very good at Victorian pastiche, and if there were ever a 19th-century Torchwood series or a Paternoster Gang series (neither of which I really want, but I'm using these as examples), Gatiss would be the person I'd want showrunning it. i thought his novel, The Vesuvius Club, which is set in that era, was glorious fun.
 
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