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NASA scientists advisors on new "Star Trek"

Admiral Buzzkill

Fleet Admiral
Admiral
The link:

http://www.space.com/entertainment/080211-star-trek-advisor.html

Some highlights:
he out-of-this world visuals in the new "Star Trek" movie will actually be based on science from our solar system. A NASA planetary scientist has joined the film's production team to ensure the scientific accuracy of the movie's astronomical scenes.

As the leader of the Imaging Science team on NASA'S Cassini mission at Saturn, Carolyn Porco has guided a crew of scientists and engineers responsible for illustrating the mission's results.

Porco now will also work on the new Paramount Pictures film as a consultant on planetary science and imagery.

"This is a fabulous opportunity to bring to a wider audience the discoveries we've made at Saturn, and the spectacular sights we have seen there," Porco said. "And what better way to do that than to make use of those discoveries in the crafting of imagery for one of the most popular movie franchises of all time."

Porco was invited to join the Star Trek Team by the movie's director and producer, J.J. Abrams.

"Carolyn and her team have produced images that are simply stunning," Abrams said. "I'm thrilled that she will help guide our production in creating an authentic vision of space, one that immerses our audience in a visual experience as awe-inspiring as what Carolyn's cameras have captured."
 
I believe that several of the covers of the Star Trek - Vanguard book series incorporate real images captured from space telescopes.
 
Oh, this is beautiful. Porco is the despicable cow who screwed astronomical artist Jon Lomberg out of rightful credit for the "Diamond Disk" message plaque he designed for the Cassini orbiter, and which was ultimately abandoned by NASA due to the ugly squabble going public(*). How utterly appropriate that somebody like that should be involved in a film project like this. :lol:

TGT

* Gregory Benford gave a detailed account of the sleazy episode in his non-fiction text, Deep Time: How Humanity Communicates Across Millennia (Avon Books, 1999).
 
Too bad the CBS-D team hasn't got one (a Nasa scientist) - the digital abominations they dare to call "planets" sure could need a little brush-up from reality! :vulcan:
 
And yet they remain massive improvements over the original TOS planets. :lol:

It's good that the new film actually has some scientists as advisors on the visuals. Of course ST:TMP had a couple of NASA types on board as well...the less said there, the better. :lol:
 
^Why? I thought TMP was visually stunning.

And the bridge designs and mechanisms were top-notch...
 
Starship Polaris said:
And yet they remain massive improvements over the original TOS planets. :lol:

Yeah, but that doesn't change the fact that the new planets could look a lot better. Why settle for cheap beer when you can get expensive wine? Because the beer tastes better than water?

Starship Polaris said:
Of course ST:TMP had a couple of NASA types on board as well...the less said there, the better. :lol:
Starship Polaris said:
Not so much.

One man's opinion....which cannot be appreciated unless he explains. What exactly didn't you like?
 
Starship Polaris said:
The link:

http://www.space.com/entertainment/080211-star-trek-advisor.html

Some highlights:
he out-of-this world visuals in the new "Star Trek" movie will actually be based on science from our solar system. A NASA planetary scientist has joined the film's production team to ensure the scientific accuracy of the movie's astronomical scenes.

As the leader of the Imaging Science team on NASA'S Cassini mission at Saturn, Carolyn Porco has guided a crew of scientists and engineers responsible for illustrating the mission's results.

Porco now will also work on the new Paramount Pictures film as a consultant on planetary science and imagery.

"This is a fabulous opportunity to bring to a wider audience the discoveries we've made at Saturn, and the spectacular sights we have seen there," Porco said. "And what better way to do that than to make use of those discoveries in the crafting of imagery for one of the most popular movie franchises of all time."

Porco was invited to join the Star Trek Team by the movie's director and producer, J.J. Abrams.

"Carolyn and her team have produced images that are simply stunning," Abrams said. "I'm thrilled that she will help guide our production in creating an authentic vision of space, one that immerses our audience in a visual experience as awe-inspiring as what Carolyn's cameras have captured."
That's OUTSTANDING news. I'm not familiar with the lady in question, but it's good to see that someone on the team is going to be "fact-checking" the science, like Jesco Von Puttkamer (sp?) did for TMP. That's been my single biggest beef with post-TMP Trek... the tendency to make the "treknology" in contradiction, in some ways, to real, known science.

With her, if she has any voice, at least we'll know that the E will have a real parabolic dish for the main deflector, complete with spike! :thumbsup:
 
The God Thing said:
Oh, this is beautiful. Porco is the despicable cow who screwed astronomical artist Jon Lomberg out of rightful credit for the "Diamond Disk" message plaque he designed for the Cassini orbiter, and which was ultimately abandoned by NASA due to the ugly squabble going public(*). How utterly appropriate that somebody like that should be involved in a film project like this. :lol:

TGT

* Dr. Gregory Benford gave a detailed account of the sleazy episode in his non-fiction text, Deep Time: How Humanity Communicates Across Millennia (Avon Books, 1999).
I agree that the whole Lomberg/Porco disagreement was an awful event that led to the exclusion of the Cassini Diamond Message (although I think Simon Bell's photo showed us humans a bit TOO idyllically anyway ;) ).

However, personal feelings aside, she is no doubt a very capable scientist and is regarded among her peers as quite a visionary in the realm of planetary science. One would need to weigh the negatives (the fact that some find her despicable, whether that be an accurate perception or not) with the positives (she certainly knows her stuff).

I worked with several people in my lifetime whom I found personally reprehensible for one reason or another, but that did not preclude me from seeing that they were very adept in their fields, and I would welcome the chance to work with them, based on the fact that we all have a job to do and our final product would be that much better because of their inclusion on the team -- which is ultimately the important thing.

...i.e. I don't have to like someone to work with them or to respect their ability and talent, nor does J.J. Abrams need to like everything about Ms. Porco to work with her to or respect her ability and talent.


OT:
TGT - I always found it ironic that the reason that photo of a group of humans sitting on the beach in a pastoral setting -- all getting along splendidly -- was ultimately not included on the spacecraft was due to the fact that two humans could NOT get along well enough to agree who should get credit for the Diamond Message. Ironic indeed.
 
OphaClyde said:
^Why? I thought TMP was visually stunning.

And the bridge designs and mechanisms were top-notch...

It looked like a key-party was going to break out at any minute.
 
Squiggyfm said:
OphaClyde said:
^Why? I thought TMP was visually stunning.

And the bridge designs and mechanisms were top-notch...

It looked like a key-party was going to break out at any minute.

I think people let a crappy script cloud good production values. TMP had perhaps the best production values of all the Trek movies so far.
 
Jackson_Roykirk said:
However, personal feelings aside, she is no doubt a very capable scientist and is regarded among her peers as quite a visionary in the realm of planetary science.

Perhaps, although admittedly my own interest in the planetary sciences is restricted to developing ultra high-precision relativistic Solar System ephemerides employing techniques developed by - amongst others - Soffel and Brumberg. Anyhoo, if I may quote a couple of paragraphs from page 131 of Deep Time:

Bruce Murray, a former head of JPL and now a professor at Caltech, speculated openly that it was no coincidence that Porco's sudden seizure of the message and refusal to divulge its contents came so late. Carl Sagan, an old Lomberg collaborator, had died only a few weeks before her move against Lomberg, and while alive would "surely have intervened decisively." As a springboard to the national stage, the diamond would have been eye-catching. "In the end, she appeared to want this more than she wished the marker to fly at all."

Porco's high NASA connections had seemed an asset when we were plotting how to get the marker on the spacecraft; now they were clearly a liability. She had no fears of getting bounced off the mission, Murray said, for a former principle investigator on Voyager told me, "It's virtually impossible to get a NASA scientific employee fired. Despite major efforts and documented proof I was unable to ditch two incompetents on my team, and they were mere underlings."

Don't you think it somewhat suggestive that the unnamed Voyager PI would specificaly invoke incompetence when choosing an example to illustrate the issue of Porco's job security? In an event, she may very well be able to select the correct composition, color and opacity of a fictional exoplanet's atmosphere for ST:XI, but I have my doubts when it comes to her ability to generate a sense of technological verisimilitude by backporting relevant real-world concepts into Trek's 1930s space opera universe on subjects ranging from speculative astronautics to life on 23rd century Earth.

TGT
 
Kegek said:
Does this mean Saturn will appear in the picture?

No, it just means that deflector shield plating will fall of the Enterprise, hit the nacelles on its lift-off from San Francisco fleet yards causing a breach in the starboard power coupling, effectively destroying the ship. THAT is why the TOS Enterprise looks different from this one.

Continuity problem solved. Thank you NASA! I knew they were good for something. :vulcan:
 
OphaClyde said:
Squiggyfm said:
OphaClyde said:
^Why? I thought TMP was visually stunning.

And the bridge designs and mechanisms were top-notch...

It looked like a key-party was going to break out at any minute.

I think people let a crappy script cloud good production values. TMP had perhaps the best production values of all the Trek movies so far.
Agreed. With the exception of the god-awful pajama-uniforms, I preferred the presentation of the ship and the presentation of the science and technology, as well as the effects, in TMP to anything seen later.

If only there'd been a compelling STORY to go along with all of that... ;)
 
Cary L. Brown said:
OphaClyde said:
Squiggyfm said:
OphaClyde said:
^Why? I thought TMP was visually stunning.

And the bridge designs and mechanisms were top-notch...

It looked like a key-party was going to break out at any minute.

I think people let a crappy script cloud good production values. TMP had perhaps the best production values of all the Trek movies so far.
Agreed. With the exception of the god-awful pajama-uniforms, I preferred the presentation of the ship and the presentation of the science and technology, as well as the effects, in TMP to anything seen later.

If only there'd been a compelling STORY to go along with all of that... ;)

Yeah, I agree there. Pajama-uniforms were bad, story was weak, but the rest was amazing. I thought the Engineering set was great.

Of course, the refit Enterprise was the best!
 
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