The story wasn't weak, just poorly paced (IMO).Lloyd_Dobler said:
Yeah, I agree there. Pajama-uniforms were bad, story was weak, but the rest was amazing. I thought the Engineering set was great.
Of course, the refit Enterprise was the best!
The story wasn't weak, just poorly paced (IMO).Lloyd_Dobler said:
Yeah, I agree there. Pajama-uniforms were bad, story was weak, but the rest was amazing. I thought the Engineering set was great.
Of course, the refit Enterprise was the best!
TGT --The God Thing said:
...Don't you think it suggestive that the unnamed Voyager PI would specificaly invoke incompetence when choosing an example to illustrate the issue of Porco's job security?...
TGT
I've always had a major issue with throwing around that sort of hostility and attack-based-language for someone who's not there to defend themself.Jackson_Roykirk said:
TGT --The God Thing said:
...Don't you think it suggestive that the unnamed Voyager PI would specificaly invoke incompetence when choosing an example to illustrate the issue of Porco's job security?...
TGT
You may be right -- I've only read good things about her from a professional standpoint, but maybe those positive perceptions of her ability as a planetary scientist were written by her supporters. It sounds as if you may have other published information and anectdotal information rebutting the "glowing reviews" (i.e. she's a "despicable cow")
The God Thing said:
Oh, this is beautiful. Porco is the despicable cow who screwed astronomical artist Jon Lomberg out of rightful credit for the "Diamond Disk" message plaque he designed for the Cassini orbiter, and which was ultimately abandoned by NASA due to the ugly squabble going public(*). How utterly appropriate that somebody like that should be involved in a film project like this.
TGT
* Gregory Benford gave a detailed account of the sleazy episode in his non-fiction text, Deep Time: How Humanity Communicates Across Millennia (Avon Books, 1999).
About the Voyager-style Cassini message, I’m afraid you have the vector in entirely the wrong direction. I was not the one who put an end to that Project. It was Lomberg’s threat of a lawsuit to NASA that put an end to it, because he was worried he wouldn’t get the major credit. You didn’t read that in Benford’s book, did you? Of course not: they are good friends. And Benford was only peripherally associated with the Project and worked with us for only a few months. So, he wrote a story about which he knew essentially nothing about first hand, except what happened in the first 2 or 3 months of a project that went on for 2 years. His story was shamelessly lopsided and incomplete.
Eventually I proposed my idea to Carolyn Porco, a scientist working on the Cassini mission, who presented the concept to both NASA and the European Space Agency... Over the next two years Porco, Simon Bell, and I fleshed out the idea into a final design and secured most of the funding for the project... Porco assumed the task of acting as liaison with the Cassini project and administering the funds I had raised, through her university... Porco began work on acquiring the graphics showing the Cassini Mission itself... Porco had managed to raise a small amount through her University, but not nearly enough... First differences arose between Carolyn Porco (the Cassini liaison scientist) and I over the issues of who had the right to complete the project, determine its final contents, and receive credit for it. Meanwhile, NASA was growing increasingly nervous about the fact that the funding for this project had come from Fuji-Xerox, a Japanese company, who in return for their money expected -- and had been promised -- to have their corporate logo placed somewhere on the diamond. NASA had at first acquiesced to this, but later changed its mind... Part of the reason the Cassini diamond message failed was that there was no proper oversight of the process.
If only there'd been a compelling STORY to go along with all of that...![]()
Maxwell Everett said:
The God Thing said:
Oh, this is beautiful. Porco is the despicable cow who screwed astronomical artist Jon Lomberg out of rightful credit for the "Diamond Disk" message plaque he designed for the Cassini orbiter, and which was ultimately abandoned by NASA due to the ugly squabble going public(*). How utterly appropriate that somebody like that should be involved in a film project like this.
TGT
* Gregory Benford gave a detailed account of the sleazy episode in his non-fiction text, Deep Time: How Humanity Communicates Across Millennia (Avon Books, 1999).
And for sake of completeness, here is Porco's side of it, posted at Phil Plait's Bad Astronomy Blog:
About the Voyager-style Cassini message, I’m afraid you have the vector in entirely the wrong direction. I was not the one who put an end to that Project. It was Lomberg’s threat of a lawsuit to NASA that put an end to it, because he was worried he wouldn’t get the major credit. You didn’t read that in Benford’s book, did you? Of course not: they are good friends. And Benford was only peripherally associated with the Project and worked with us for only a few months. So, he wrote a story about which he knew essentially nothing about first hand, except what happened in the first 2 or 3 months of a project that went on for 2 years. His story was shamelessly lopsided and incomplete.
And here is Lomberg's side of the story:
Eventually I proposed my idea to Carolyn Porco, a scientist working on the Cassini mission, who presented the concept to both NASA and the European Space Agency... Over the next two years Porco, Simon Bell, and I fleshed out the idea into a final design and secured most of the funding for the project... Porco assumed the task of acting as liaison with the Cassini project and administering the funds I had raised, through her university... Porco began work on acquiring the graphics showing the Cassini Mission itself... Porco had managed to raise a small amount through her University, but not nearly enough... First differences arose between Carolyn Porco (the Cassini liaison scientist) and I over the issues of who had the right to complete the project, determine its final contents, and receive credit for it. Meanwhile, NASA was growing increasingly nervous about the fact that the funding for this project had come from Fuji-Xerox, a Japanese company, who in return for their money expected -- and had been promised -- to have their corporate logo placed somewhere on the diamond. NASA had at first acquiesced to this, but later changed its mind... Part of the reason the Cassini diamond message failed was that there was no proper oversight of the process.
PKTrekGirl said:
Guys...regardless of your personal feelings about an individual, please do not refer to them in derogatory terms such as 'cow'.
That is really unnecessary.
I have no objection to you guys discussing the issue of this woman's work or qualifications for inclusion in the Trek XI 'hard' science team...but there is no need to stir the pot with editorial commentary such as that.
Thanks.
Tamek said:
Britain, you've been warned. We will drop giant enchilada's on you if you don't respect.
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