... the 'definitive' one that Franz Joseph made is forgivable in my view, particularly without access to clean masters or the 11 foot model itself.
Sorry in advance if this is a dumb question. Some of you guys know a whole lot more about this than I do.
How wouldn't FJ have access to the 11' shooting model or at the very least the blueprints from the studio archives?
Star Trek was still in production, albeit in animated form, but Paramount was still involved and the Filmation production company must have had access to set blueprints to create the background plates and ship shots.
So wouldn't FJ be able to have had access to some of this?
Let's not forget that the E herself was crated up and on the lot until 1974, IIRC..
Also GR's falling out didn't happen until later than you think.. FZ's blueprints were in TMP and TWOK and then even later on in TNG season one.
I count those tech manuals and blueprints from the mid seventies as canon.
So much of that found its way into not only a great deal of fan films, but also echoed in the post TOS years starting with TMP and up through ENT.
I am freely admiting that this may be naive of me, but what's the source of the animosity to the stuff that FJ did? What happened between GR and him?
I understand some of the sentiments some have about Gein and the Okudas, even if I may not agree with all of them.
But I would think that some of you more hardcore TOSers would as I do about the FJ stuff. I've been a fan since 71, In addition to the Tech/Med Manuals and Blueprints, I own the James Blish and Alan Dean Foster novelizations, even a few other 70s novels and a couple of the newer ones..so there are elements of "hardcore" that we all certainly share.
Explain the origin of some of these sentiments regarding the Franz Josephs blue prints.. Is it because he made up some stuff (i.e. four transporter rooms when we only ever saw THE transporter room)? Or is it something else I never heard of?