Re-re-rewatching "Mudd's Women" on MeTV (incidentally, watch TOS with commercials for a true 1960s experience) I noticed gobos in the conference room scene.
A gobo is template -- in old time instances, often an actual scissored aluminum plate -- placed over a theatrical lighting instrument. It's cut so that light cast through it shows up on stage as representing a sky with clouds or trees, a wall opposite window sills, or similar effects.
Modern stage tech has animated gobos to create snow and rain effects. You get the idea. A gobo creates sharp shadows. (A related though not identical gimmick in cinema is termed a cookaloris.)
In "Mudd's Women" we see great big, round gobo images between each of the conference room stanchions. Apparently, light coming in from portholes? And each is crossed up and across: an "O" with a "+" placed over it.
It seems to me that the cinematic intent was to show evidence of space-light coming through ship windows.
Or?
A gobo is template -- in old time instances, often an actual scissored aluminum plate -- placed over a theatrical lighting instrument. It's cut so that light cast through it shows up on stage as representing a sky with clouds or trees, a wall opposite window sills, or similar effects.
Modern stage tech has animated gobos to create snow and rain effects. You get the idea. A gobo creates sharp shadows. (A related though not identical gimmick in cinema is termed a cookaloris.)
In "Mudd's Women" we see great big, round gobo images between each of the conference room stanchions. Apparently, light coming in from portholes? And each is crossed up and across: an "O" with a "+" placed over it.
It seems to me that the cinematic intent was to show evidence of space-light coming through ship windows.
Or?