But for the small matter that they don't.They muddied the waters by bringing fruit as offerings as well.[...]
I actually think the 3rd season episodes are more visually appealing than S1 and 2 on the whole.
Then I guess Vaal shouldn't have been trying to kill our heroes and destroy the ship.Vaal calls to us! Vaal is hungry! Kirk lets Vaal die!
JB
Vaal calls to us! Vaal is hungry! Kirk lets Vaal die!
JB
see above post; there've been threads where it's shown K violates the PD in self-defense, only or mainly, can't remember which.Yeah, Kirk violates the Prime Directive again.
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see above post; there've been threads where it's shown K violates the PD in self-defense, only or mainly, can't remember which.
It counters what the captured captain tells the Roman dude in Bread and Circuses (captain lets ship be destroyed before violating the PD), but he might have been mistaken; or the writers didn't care what he said.
Much of the lighting for the bridge in the third season has a greater vibrancy. For second season examples, look at the bridge in Friday's Child, The Omega Glory or even Gamesters. Far less energetic or lively, than say Is There In Truth or Zetar. I guess lighting was very much a directorial choice.I've often thought the same thing. I acknowledge that it's cheaper in general, but something about the way it's lit and filmed also seems more striking and crisp. And I think the new uniforms also look neater and a little less hokey somehow
Director of Photography (DP) Jerry Finnerman left the show in the 3rd season and his camera operator Al Francis took over on most of the remaining segments. You could check which episodes had whom as the DP and see if this lines up with the styles you notice.Much of the lighting for the bridge in the third season has a greater vibrancy. For second season examples, look at the bridge in Friday's Child, The Omega Glory or even Gamesters. Far less energetic or lively, than say Is There In Truth or Zetar. I guess lighting was very much a directorial choice.
Interesting - thanks, I'll have a look!Director of Photography (DP) Jerry Finnerman left the show in the 3rd season and his camera operator Al Francis took over on most of the remaining segments. You could check which episodes had whom as the DP and see if this lines up with the styles you notice.
Much of the lighting for the bridge in the third season has a greater vibrancy. For second season examples, look at the bridge in Friday's Child, The Omega Glory or even Gamesters. Far less energetic or lively, than say Is There In Truth or Zetar. I guess lighting was very much a directorial choice.
The series was so beautifully coloured and lighted that it's pretty hard to pick a single episode!
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