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Most gorgeous episode

They muddied the waters by bringing fruit as offerings as well.[...]
But for the small matter that they don't. :D

I just watched the scene here on Dailymotion (link) (the sequence starts at 27 minutes) and I see no fruit. What I do see is a poorly edited scene where you don't clearly see what can be made out in the following screenshots from Trekcore, which matches the script excerpts I posted:
  1. In the wide shots you see people lining up to either side of Vaal, and to screen right you can see a pile of the rainbow rock (link).
  2. In this one you can see a rock at screen right in the hands of an off-camera person (link)
  3. In this image you can clearly see one guy bending to get a rock from the pile to screen right (link)
  4. In this one note the "rainbow" colors make this round rock maybe resemble a fruit (link). I think that is what is confusing people. I also suspect the natives' flowered armbands are adding to the confusion.
Vaal works in mysterious ways only because the editing here is so bad.
 
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Yeah, Kirk violates the Prime Directive again.
:crazy:
see above post; there've been threads where it's shown K violates the PD in self-defense, only or mainly, can't remember which.

It counters what the captured captain tells the Roman dude in Bread and Circuses (captain lets ship be destroyed before violating the PD), but he might have been mistaken; or the writers didn't care what he said.
 
see above post; there've been threads where it's shown K violates the PD in self-defense, only or mainly, can't remember which.

It counters what the captured captain tells the Roman dude in Bread and Circuses (captain lets ship be destroyed before violating the PD), but he might have been mistaken; or the writers didn't care what he said.

That's what the official answer is to the PD but Kirk turns it into a winning formula and gets his ship back home unlike many other Starship Captains! :techman:
JB
 
I have always been a fan of science-fiction production designs. "Galileo Seven" was my choice because of the extensive use of the amazing full-scale shuttlecraft prop.
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I've often thought the same thing. I acknowledge that it's cheaper in general, but something about the way it's lit and filmed also seems more striking and crisp. And I think the new uniforms also look neater and a little less hokey somehow
Much of the lighting for the bridge in the third season has a greater vibrancy. For second season examples, look at the bridge in Friday's Child, The Omega Glory or even Gamesters. Far less energetic or lively, than say Is There In Truth or Zetar. I guess lighting was very much a directorial choice.
 
Here are some lists of episodes that have various visual aspects.

For fans of architecture there are Earth and alien buildings seen in some episodes. I don't count back lot buildings from various Earth eras."

The Cage.

Where No Man Has Gone Before

Conscience of the King

The Menagerie

Dagger of the Mind

Court Martial

A Taste of Armageddon

Operation Annihilate!

Requiem For Methuselah

The Cloud Minders

Wink of an Eye

For fans of Interior architecture and interior decoration of places someone might want to live in:

The Cage has more shots of the Talosian zoo than the Menagerie.

The Squire of Gothos

Catspaw

Wolf in the Fold

Plato's Stepchildren

Requiem For Methuselah

Episodes with unusual images of astronomical bodies

The Cage, the Menagerie Part 2, Requiem for Methuselah

By Any Other Name

The Paradise Syndrome, For the World Is Hollow and I Have Touched the Sky

Episodes with good images of model spaceships:

Balance of terror

The Galileo 7, Metamorphosis, Journey to Babel, The immunity syndrome, etc.

Space Seed

The Doomsday Machine

The Ultimate Computer

The Trouble with Tribbles

The Deadly Years

The Omega Glory

Spock's Brain

Spectre of the Gun

The Enterprise Incident

Elaan of Troyius

Day of the Dove

The Tholian Web

The Way to Eden

Episodes with aliens who don't look like Earth humans, or as human as TOS Vulcans, Romulans, or Klingons, or like glowing energy beings.

The Cage, the Menagerie

The Man Trap

The Galileo Seven

Arena

The Devil in the Dark

Operation - Annihilate!

Catspaw

Journey to Babel

By Any Other Name - not seen in original form, only seen in human form. Does that count?

The Tholian Web

The Empath

Whom Gods Destroy

The Lights of Zetar

The Savage Curtain

Episodes with the best looking guest stars - that is a matter of opinion "beauty is in the E eye of the beholder".
 
Much of the lighting for the bridge in the third season has a greater vibrancy. For second season examples, look at the bridge in Friday's Child, The Omega Glory or even Gamesters. Far less energetic or lively, than say Is There In Truth or Zetar. I guess lighting was very much a directorial choice.
Director of Photography (DP) Jerry Finnerman left the show in the 3rd season and his camera operator Al Francis took over on most of the remaining segments. You could check which episodes had whom as the DP and see if this lines up with the styles you notice.
 
Director of Photography (DP) Jerry Finnerman left the show in the 3rd season and his camera operator Al Francis took over on most of the remaining segments. You could check which episodes had whom as the DP and see if this lines up with the styles you notice.
Interesting - thanks, I'll have a look!
 
My first thought was "The Corbomite Maneuver." The spinning multicolored cube, that great shot of the Enterprise utterly dwarfed by Balok's ship, the Balok puppet... There are a lot of great visuals in that episode.
 
Much of the lighting for the bridge in the third season has a greater vibrancy. For second season examples, look at the bridge in Friday's Child, The Omega Glory or even Gamesters. Far less energetic or lively, than say Is There In Truth or Zetar. I guess lighting was very much a directorial choice.

It's funny: director Ralph Senensky, who should know artistically, thought Gerry Finnerman was the much better cinematographer, and Al Francis by implication did a mere workmanlike job. But I look at the 16 Al Francis episodes and see no problem. "The Lights of Zetar" even comes to mind when I think of "most gorgeous."

The series was so beautifully coloured and lighted that it's pretty hard to pick a single episode!

I'm sure a lot of us love the bright lighting and high color saturation of TOS. I drink in the set and uniform colors, especially as seen on the bridge with its contrasting black consoles. Starting with "The Corbomite Maneuver" in production order, I mean.

Helping RCA sell color TV sets was part of Star Trek's corporate mission, due to common ownership with NBC at the time, and the difference in TOS, the leap it took when your dad finally bought a color set, was astonishing.

And it's not just the bright lighting. For comparison, most b&w episodes of Lost in Space were visual works of art, but when the show went to color film, it really didn't get more beautiful. The lighting was just as bright as Star Trek, but not as artfully arranged. Everything was equally bright on LIS, with little in the way of shadows and texture. And LIS's production design changes for color film were pretty artless as well. The uniform colors and partially repainted Jupiter 2 interiors were serviceable at best. I also prefer the Robot in his b&w design, even in color publicity stills from the first season.
 
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