100% this. It amazes me how much fans declare things to be the the best of Trek (Khan, Space Seed, TWOK, The Best of Both Worlds, DS9) and then are surprised when Trek producers decide to delve in to that and give them more. It's ridiculous the double standard that I see.It's just like when people complain about modern Trek being too edgy when some of the most popular franchise entries with the fans are
TWOK
TUC
FC
(all of which contained bloody murders, tons of pew pew, moustache-twirling villains, violence, adult language, and edgier characters / less utopian values).
Guys....we get what we "tell" them we want.
Certainly but this is not taken in to account by fans or by studio executives. It is simply "This is the best!" and "This is real Star Trek!" and that often is taken note of. And the same can be applied to fan films. Many deal with themes of war and combat, trauma and loss, or other darker themes. Again, I get that it's only one data point and that execution by production teams will vary. But, honestly, that's what is being shown as in demand.In fairness there's also the question of execution with such concepts and potentially diluting them by making most of a series output like it rather than a select few episodes.
This is why fans need to understand what it is they are complaining about and why.In fairness there's also the question of execution with such concepts and potentially diluting them by making most of a series output like it rather than a select few episodes.
This is why fans need to understand what it is they are complaining about and why.
First Contact. Which I couldn't vote for.
Here's the case.
The preceding film, Generations, ended with the status quo getting tossed. The Enterprise is destroyed, Picard no longer has a command (and if the past was anything to go by, Picard was going to be court-martialed for the loss of the ship), and the crew is facing an uncertain future.
When we see them again, it's like the events of Generations are no big deal. In some ways it's refreshing that the film doesn't spend turn gurning to get the crew back together. But the situations also raises questions. Why did Picard get command of the -E? Why hasn't anyone except for Worf, who's over on DS9, moved on to another chapter of their careers? Why, after the loss of the D, are we at exactly the status quo of two or three years before, with only the hardware (ie., the ship) being different?
I'm not going to get into the tonal messiness of the film or even the plot. I'm just going to say that First Contact really needed to justify its status quo, and it doesn't, and, imho, that has implications for the following films. It's not until Nemesis that a Trek film even [tries to be ambitious again.
And, no, First Contact is not an ambitious film.
Cumberbatch's performance was a good one and the internal facets of Khan was his own, and it worked well for the movie JJ Abrams made. He didn't disrespect Montalban by aping him or making the character appear silly; ID's Khan was the perfect red herring to a revelation which was to come and it was executed well IMO. I appreciated how the writers and the director handled their Khan as a genie who needed to be back in the bottle, a force of nature who was designed to create disorder and our heroes had to resolve it.I guess had there been 'deepfake' FX back in 2012/13 they could've had Cumberbatch's face revert back to Montalban'66 for the finale and had Spock chase and fight him hanging off the Botany Bay (therefore STID woudve tied with TUC 0 votes above)
Probably why I am one of the few who legitimately enjoy Star Trek V the Final Frontier, as it was the first one I ever saw in theaters too. Granted, I was also 8 years old at the time, so that probably helps as wellNemesis was the first Trek movie that I saw in theater, and for that reason I'll always have a soft spot for a fairly flawed movie. I saw the earlier ones on VHS, DVD and now blu-ray after that.
TMP was in line to the ultra preachy season 3 of TOS, but many fans had or dismissed that season and looked upon how awesome and cool the previous seasons were "Action and Adventure". Probably wasn't the kind of vehicle to start a series of pictures, but thank goodness TWOK did that, but the series of movies were a mixed bag. Just imagine the possibilities if Harve Bennett didn't hire Leonard Nimoy to direct Star Trek III, and stuck with his guns in developing Saavik and the plot was Romulan related? The possibilities. Star Trek II has so much going for it, while Star Trek III napalmed the direction of epic ideas.Definitely a science fiction "film" as opposed to space-action movie. I like it for itself and enjoy the others too.
We use essential cookies to make this site work, and optional cookies to enhance your experience.